The Rape Of Europa Analysis

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

By year twenty, billions of the population are deceased and all that remains now of the world are wastelands that endure the memory of bustling cities and small dispersed settlements of the few survivors. Although nothing’s the same, Mandel sheds light on the artistry and allure of the simple things. Saying, “What was lost in the collapse: almost everything, almost everyone, but there is still such beauty” (Mandel 57). Talking about the scenery from nature and the production put on by the Traveling Symphony, Mandel subtly shows how it’s in our human nature to express oneself. Although nearly the entire population of the world was wiped out, art survived and remains in everything; unavoidably associated with human life, from the natural happenings of the environment to characteristics exhibited from people.

For my research I visited the memorial for the victims and heroes of 911. The location for this grand and majestic art piece is in downtown Toms River. “Wow, the art I discovered was just so beautiful.” On a cold December morning in 2015 I took a short ride to Downtown Toms River. As soon as I pulled

The painting this paper will focus on is titled The Abduction of Europa by Noël-Nicolas Coypel. In this painting, the artist uses composition, light, color, and expressive qualities to achieve the mood of romance and playfulness in a mythological scene. The huge painting is representing a known myth that involves the Roman equivalent of a Greek myth of a powerful god being so infatuated with a nymph that he kidnapped her. In the this painted visual, we are specifically witnessing the moment Jupiter is swimming away with Europa and taking her far from her home.

An artist's job is to interpret, and express the aspects of life in a creative fashion. War has played a big part in shaping our human history, and many artists have portrayed their feelings about art through paintings, and even monuments. Whether it be to show; the joy of victory, the sorrow of defeat, or to educate the public on the gory realities of war. Art about war can also show us a great amount of history of the kinds of weapons that were used at the time. It is necessary for artists to interpret, and criticize all aspects of life; even ones as tragic as war, It can make the public more aware of what goes on in times of war.

World War I was a war that shocked the world and brought about new emotions that created a large wave of “-isms” as well as the “lost generation” of writers. Modern art was catalyzed by World War I and without a thorough study of the various forms of art that resulted from it, modern art and the tremendous effect that World War I had on the people of the world cannot be fully understood. This historical investigation will cover a few aspects of the art that resulted from World War I so that a general idea of the emotions shared by the people of the world can be known. A few paintings that represent specific movements will be studied to understand the artistic movement. A number of museum exhibitions will be studied along with government websites, databases, and museum websites, especially from the Museum of Modern Art.

The exhibit contained upwards of 20 photographs and at least 60 paintings. One of the most agreeable things about the works of art that I witnessed is that collectively, they assisted in recounting the sentiment that gripped the country during the war that threatened to sunder it. One could almost feel the initial enthusiasm as the war broke out, that was swiftly prolonged by numerous clashes over a period of years. There were works that alluded to an impending war, ones that depicted that war, and numerous ones that hinted at a hoped for ending in which the mightiness of the country would someday be restored.

Tremendous technological advance and tremendous slaughter leave an artistic waste land of atrocity, emasculation and pointing posters used to manipulate the public into recruiting men to join the military around the globe. Skilled illustrators in America, less inventive but artistic allegory’s in Canada and France and plain typography in Britain leave many artists busy with supporting the war effort. On the outskirts of war were a contingency of international peoples with little means and a negative view of European culture and war that chose to defect to Switzerland where they created the art movement known as Dada.

In many places throughout the world many buildings, monuments and sculptures have been made. Some were made centuries ago, and some were made recently. Many works of arts are significant or a great part of history. Some of the many buildings that have been made throughout time could have also been dedicated to someone or something. For example, the Arch of Titus was dedicated to Titus. Another example would be the Arc de Triomphe which was dedicated to soldiers. Many buildings can have a very significant meaning behind them, in the following essay I will be speaking about the importance of both of these works of art, which are the Arch of Titus and the Arc de Triomphe.

During the post world war II, the concept of "civilization" has merely been the justification for colonialism, imperialism, genocide, and coercive acculturation. For Dubuffet, art needed to revolt against the dominant culture and it’s mainstream art world. Artwork of this movement included graffiti, and the work of the insane, prisoners, children, and primitive

Just as other works that reflect art, pieces in the category of fine arts serve the important message of passing certain messages or portraying a special feeling towards a particular person, function or activity. At times due to the nature of a particular work, it can become so valuable that its viewers cannot place a price on it. It is not the nature or texture of an art that qualifies it, but the appreciation by those who look at it (Lewis & Lewis, 2008).

World War II was a war that was forever etched in history as a result of it destruction and overwhelming body count. But who would have thought that this war would have found a way to impact art before it’s time. Before Hitler rose to power, he used the civil war in Spain around 1936 as his personal field test. In response, arts took to their trade to cope with their frustration and express their opinions. Then as war was on the verge of beginning, Hitler stole modern art from Jewish artists and put them in his own show. His show was titled “Degenerate Art,” and it portrayed the artist as demented people who were a hindrance to society. He felt sane people were incapable of producing such abstract art. He went on to sponsor another

At the turn of the century Paris was one of the capitals of culture and art to the outside world. However, the truth of the matter was that this taboo-ridden society was being run by an aristocracy that was repressing the arts. Naturally, when World War 1 broke out, the suppressed French society finally had a release and a rebellion against order arose. WWI specifically affected the theatre of French and it’s aftermath. From the ashes of war the avant-garde theatre grew and styles such as Dadaism and Surrealism were born. It was both the climate of culture before the war and the devastation of the war that lead to the outbreak of avant-garde theatre in France.

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.

Art, in essence, is one of the most crucial pieces of cultural history. It transcends language, emanates emotion, provokes thought, and stimulates imagination. In other words, art is of monumental value in its scope of what befalls under its umbrella. It was no wonder why during the Nazi regime from 1933 - 1945 that the Nazis would thieve some of Europe’s most treasured works but also those deemed “degenerate.” Egon Schiele’s Portrait of Wally is a perfect example as to what “degenerate” art would be considered and what the Nazis would have been interested in seizing, but why?