Evaluation of Euripides Euripides has met the conventions of Attic Tragedy up to a particular extent. Although he was often criticised for his work, he followed the structure and cycles of the traditional tragedy. However, his stance on the themes and ideas set him apart from the other writers. It is unreasonable to compare Euripides with the traditional writers of Attic tragedy without understanding
The tragic play “Medea” written by Euripides in the golden age of Athens (431 BCE) narrates the story of a young woman who abandoned her former in order to obtain a man’s love, only to be betrayed during the most fragile moment of her life. The whole play revolves around this man’s disloyalty towards her wife after they arrive in the city of Corinth. Nevertheless, their story does not begin there, before the play there are various myths such as “Jason and the Golden Fleece” that provide further knowledge
Title of Work: Medea Country/Culture: Greek Literary Period: Classical Type of Literature (genre): Drama/Tragedy Author: Euripides Authorial information: Euripides was born in 484 BC and took up drama at the young age of 25. At most drama competitions, however his plays came in last place until he was about 45 or 50 years old. In his entire life, he wrote 92 plays of which only five received first place awards at competition. Euripides despised women. He had been married twice to unfaithful women
others may seem like a one sided answer. However, upon closer inspection, it is acceptable to say that although some would argue that people’s own desires dictate their actions, the influences of others play a more prominent role in how an individual acts. The Greek tragedies “Medea” and “Oedipus Rex” are both stories that explore this controversial topic. “Oedipus Rex” follows the story of a king named Oedipus. His land is plagued, and the only way to get rid of this plague is to exile the one who killed
Medea’s Transformation Medea is a play featuring a title character who is a very unusual woman. Brad Levett’s essay “Verbal Autonomy and Verbal Self-Restraint in Euripides’ Medea” exemplifies the thoughts of three authors after discussing how Medea relates to a Greek hero that was invulnerable in all of his body except for one minor spot and/or the play resembling a Greek tragedy that narrated the fate of a warrior after memorable battles. These scholars believed that Medea “comes into conflict with
and Emily Bradley Medea Euripides is the author of Medea. From Athens, he is known as a tragedian playwright. Other similar writers of his time include Aeschylus and Sophocles. More of his writings have been found compared to these two authors. Euripides (480BC-406BC) Spark Jason: Jason is Medea’s husband, but then he marries Kreon’s daughter. Before the play, he persuaded Medea to kill her own brother. Jason then betrays Medea by marrying another woman. He tries to make Medea believe the he married
Women in classical Athens could not have had an extremely enjoyable experience, if we rely on literary sources concerning the roles of women within the Greek polis. The so-called Athenian democracy only benefited a fraction of the entire population. At least half of this population was female, yet women seem to have had very little influence and few official civic rights. `The position of women...is a subject which has provoked much controversy.' (Lacey: 1968, 151). Studies concerning the
Chapter 1: Euripides Biography Part 1: Bob Prescott Euripides lived in a very mysterious time. We know so little about the era in which he lived because of the loss of many ancient manuscripts at the burning of the Library of Alexandria. Given this massive loss of knowledge of the pre-modern world, it is hard to cobble together a full biography of Euripides. There is, however quite a lot of information known about him. This is known due to the fact that Euripides is a character in some of Aristophanes’
When delving into a novel, drama or other character-based text, analysts often focus their search around the supposed "major characters" who seem to most directly affect the work. In considering Electra, however, just as valuable as Orestes, Clytemnestra or Electra herself is a somewhat minor character, the Tutor. This attendant of Orestes emerges only three times and is on stage for less than twenty percent of the spoken lines, yet his role in driving the plot is as great as any. If Aristotle