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The Similarities Of The Hagia Sophia And The Pantheon

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While the Hagia Sophia and the Pantheon were built in and represent two different time periods and locations, they have some similar structural features as well as some resembling circumstances surrounding their prospective histories. Both of their unique construction is related to their different purposes and the symbolism behind the buildings. The Pantheon represents a time in which the Roman empire was booming with trade and commerce. There was a growing interest in art and sculpture as well as religion. There was also an emphasis on imperialism and the strength and power of the emperor. The transition from the Roman to the Byzantine empire took place under the emperor, Constantine and it happened around 330 C.E. He moved the capital from Rome to Byzantion and renamed the city Constantinople meaning the city of Constantine, which is modern day Istanbul. This was also a huge intersection in the east-west trade. He then changed the official religion of the empire to Christianity which created a major shift in structures, works of art, and lifestyle dynamics. The emperor was now seen as the head of the church, and in 391 C.E. all temples and forms of the pagan cult that dominated the Roman Empire were closed and banned.
The structural similarity between the two buildings is the large domes, which are vital point of their construction. The materials used in the concrete of the dome also varies. At its thickest point, the aggregate is travertine, then terracotta tiles, then at the very top, tufa and pumice, both porous light stones. At the very top, where the dome would be at its weakest and vulnerable to collapse, the oculus lightens the load. Hagia Sophia is an innovative hybrid of longitudinal and central architectural planning. The building is clearly dominated by the hovering form of its gigantic dome. Its idiosyncratic mixture of basilica and rotunda precludes a ring of masonry underneath the dome to provide support around its circumference, the main dome of Hagia Sophia rests instead on four pendentives that connect the base of the dome with the huge supporting piers at the four corners of the square area beneath it. The origin of the dome on pendentive is obscure, but its large-scale use at Hagia Sophia

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