Introduction
On March 20, 1995, five male members of an apocalyptic Japanese cult released a lethal dose of sarin gas into the Tokyo subways, killing 12 and wounding thousands more (Olson, 1999:314). The men responsible were astrophysicists, doctors, and electronics engineers who graduated at the top of their classes (Hudson, 1999:140, 142). All belonged to Aum Shinrikyo, a cult fuelled by the beliefs of an inevitable apocalypse and that salvation could be provided through membership in the cult. Under the control of a partially blind guru, Shoko Asahara, cult members willingly cut all ties with their families and friends, leaving a normal life for one of little sleep, intense spiritual training, and meager meals. This paper details the spiritual beliefs of the Aum and the daily routines of its followers, including the lives of children in Aum communes and the distribution of punishments for minor acts of disobedience. The ways in which Aum Shinrikyo and its members counter Japanese capitalism, anomie in Japanese society, and stereotypical notions of cult members will be discussed. The creation of members’ sense of self through their achieved identities as cult members and the construction of a spiritual lifestyle that superficially opposes a lifestyle of consumption will also be examined.
Aum Shinrikyo: Spiritual Beliefs The spiritual beliefs of the Aum are derived from a combination of Buddhist and Hindu yoga philosophies and the apocalyptic prophecies of
The Shikoku Henro is a Buddhist Pilgrimage visiting eighty eight Buddhist Temples in Shikoku to commemorate one of the most famous Japanese Buddhist Monks - Kūkai as known as Kōbō-Daishi. This pilgrimage is a training bringing both physical and spiritual benefits to pilgrims through its intensive process. Nevertheless, due to the consequences of rapid modernization in Japan, cultural practices like Shikoku Henro are at threats of erosion because of the increasing concentration of Japanese people on fulfilling material life rather than enriching spiritual experience. Facing challenges of being eternally forgotten, Shikoku Pilgrimage needs a greater dynamic to continue preserving its quintessence. One of the possible solutions that were already implemented is giving birth to the “Omairingu” manga, anime and cosplay pilgrimage in attempts to reintroduce this holy practice in a more pop-cultural approach. However, the “Omairingu” concept is quite controversial among traditional pilgrims and pop-culture fans on how much is too much to deliver sacred images. For this controversy, this research will examine the cultural and economic impacts of “Omairingu” on the
In her novel When the Emperor Was Divine, author Julie Otsuka presents the long-lasting effects that isolation and alienation have on a person’s self- image and identity. During WWII, Japanese-Americans living in the United States were forced to move to isolated and horrific internment camps. The US government ensured they were separated from the rest of the country. This even included their own families. When the Japanese-Americans were allowed to return home after the war, the result of the isolation they experienced created irreversible damage. They continued to experience alienation, often making it impossible for them to recover emotionally, mentally and financially. Otsuka uses characterization to bring to life the traumas of the war and the effects it had on her characters, the girl, her mother and her father.
Among this group of “Nisei” was the Uchida family from Berkeley, California. Yoshiko Uchida, the youngest daughter in the Uchida family was a senior at the University of California at Berkeley at the time of the attacks. Years later, Yoshiko became a prolific writer of children’s books (Sato 66). In her book, “Desert Exile”, published in 1982, Uchida gave a personal account of the evacuation and incarceration of her family during World War II (Sato 66). Uchida’s book raises awareness to the specter of racial prejudice and the hope that no other group of Americans would have to endure this type of injustice and violation of their human rights (Sato 66).
In Giles Milton’s novel, Samurai William, the reader is taken to the other side of the globe to experience the history of old world Japan. Though out the book, Milton provides reason for complex historical events and actions, while still communicating the subtleties and mysterious customs of the Japanese. The novel also closely examines the wide range of relationships between different groups of Europeans and Asians, predominantly revolving around the protagonist, William Adams. The book documents the successes and failures that occur between the two civilizations, then links them back to either the positive or negative relationship they have. As the book goes on, the correlation is obvious. Milton shows us the extreme role that religion,
This paper explores the lifestyle of the different groups of people that follow a religion or a cult and the similarities that exist between the latter two. Everywhere in the world, religion has a strong influence on people’s beliefs and leads them to perceive cult followers in a negative fashion. In particular, the word “cult” is often associated with evil; horrific rituals; and the opposition to religious beliefs. However, this is often not the case as cults in fact, tend to be not dangerous and even share customs with popular religions. Religious principles may directly be compared to those practiced by smaller cults today. That being said, this paper takes both religion and cult into consideration when examining religious practices; by
A cult, a term widely utilized within popular culture and American society to describe contemporary, arguably, religious groups has garnered an extremely negative stigma. These media portrayed, ‘dangerous’ groups have over time been accumulating and growing amongst other religions. It is definite that though, historically, these ‘cults’ have been victims of marginalization, invalidation of their beliefs and media/government harassment, many of these organizations are minimally nothing of the demonized ameliorated image, that is enveloped by American society. Hence, from this point forward, within the ‘briefing piece’, it is only with a deep understanding/a religious study interpretation to acknowledge these groups as ‘new religious movements’ (NRMs). As a standoff between the FBI and the religious organization is inevitable, considering illegal acts may be occurring within the NRM, it is with a better approach to look at the film ‘Waco-Rules of Engagement”, directed by Amy Sommer, to avoid any unlawful procedures that could possible occur with the group. Additionally, by gaining insight with the help of Catherine L. Wessinger’s article, “How the Millennium Comes Violent” the agency could better handle the situation and avoid the effects of acting too hostile against the organization.
1991 Japanese Mothers and Bentos: The Lunch Box as Ideological State Apparatus. Anthropological Quarterly 64(4):195-208.
History has shown how Japanese people are stoic people. During the time of terror and grief they showed no emotions but put one foot forward and continue to strive to build their communities. The six characters each experience the bombing but feel as if it only happened to them at first.
In his work “Right to Kill, Right to Make Live” Takashi Fujitani compares and contrasts the Japanese treatment of colonialized Koreans leading up to World War II with the American treatment of the Japanese residents following the bombing of Pearl Harbor. This work highlights how both the Japanese and the Americans treated the Koreans and Japanese Americans, respectively, and offers several different viewpoints. Thus, this work is exceptionally important and provides incredible insight into both cultures and the harsh reality of wartime. Additionally, Fujitani also explains how the Korean and Japanese populations are still influenced today.
In internment camps cultural integrity was a problem. The Issei, or first generation Japanese who were older, were used to being very well honored and respected by the younger generation. In internment camps, age had no value. To a white soldier, a Japanese man was a “Japo” and nothing more. In traditional Japanese culture, the elderly were very highly respected. However, at the camps their “traditional authority” was stripped away and this “contributed to the demoralization of the Issei” (62
Cults can be classified as destructive, considering the methods used and how membership affects individuals. According to the International Cultic Studies Association or ICSA, cults can be considered destructive to its members. Reports form former cult member’s reveals that they have trouble trusting others, problems forming and maintaining relationships, and feel disconnected with the world. In addition, former cult members report being diagnosed with depression and Post Traumatic Stress Disorder or PTSD often having flashbacks of events that occurred while they were in the cult. Finally, it is important to mention that cults also cause injuries or death. Considering these reports cults can be classified as destructive because members may have a difficult time adjusting to life outside the cult, difficulties in living life
destructive cult is a rigidly structured absolutist group usually under an authoritarian, charismatic leader which isolates itself from established societal
Manson was referred to both as "God" and "Satan" by his followers. As the family's guru, he claimed to be a reincarnation of Jesus Christ. The police and DA argue that Manson found sections within the Beatles' song Helter Skelter and within the last book in the Christian Bible, Revelation which he felt referred to a devastating future race war between blacks and whites. Although Manson is not believed to have killed anyone directly, he ordered his followers to commit the famous Tate, LaBianca and other murders.
The culture of a place is an integral part of its society whether that place is a remote Indian village in Brazil or a highly industrialized city in Western Europe. The culture of Japan fascinates people in the United States because, at first glance, it seems so different. Everything that characterizes the United States--newness, racial heterogeneity, vast territory, informality, and an ethic of individualism-- is absent in Japan. There, one finds an ancient and homogeneous society, an ethic that emphasizes the importance of groups, and a tradition of formal behavior governing every aspect of daily living, from drinking tea to saying hello. On the surface at least, U.S. and Japanese
Many directors use their films as a means of glorifying, criticizing, or simply depicting, a particular ideological system. These ideologies are especially visible in foreign films, as the viewer is forced to assess the film from outside his or her culture and ideology, and consider the film in its proper context. Director Akira Kurosawa’s Japanese film Seven Samurai allows the viewer to understand several important aspects of Japanese culture and ideology. First, the film depicts the Japanese social class structure and its acceptance by the masses. Seven Samurai also reveals the pride of the Japanese, as well as the utilitarian, collectivist nature of their society.