The Sun Also Rises

Lady Brett Ashley in The Sun Also Rises has always been regarded as one of Ernest Hemingway’s most hated characters. Both critics and readers have seen her simply as a bitch, and do not view her as a likeable or relatable character in any way. Her alcoholism, her use and abuse of men, and her seeming indifference to Jake Barnes’s love are just a few reasons why Hemingway’s readers have not been able to stand Brett, and do not give her a fair chance. It is clear that Jake is biased in his narration, but no one wants to question his opinions and judgments of Brett; in fact, since the book was

In Hemingway’s The Sun Also Rises, we are taken back to the 1920’s, accompanied by the “Lost Generation.” During this time, prohibition was occurring in America. Hemingway uses alcohol as an obstacle that causes distresses between the main character, Jake and his life. Along with alcohol, promiscuity is prevalent throughout the novel. The heroine of the novel, Brett, displays the theme of promiscuity throughout the novel. She uses her sheer beauty and charming personality to lure men into her lonely life. The themes of alcohol and promiscuity intertwine with the Lost Generation in this classic love saga.

The clearest example is the impotency of the main character Jake Barnes. Jake explains to Georgette how he was hurt during the war in order to prevent her from becoming infatuated with him (Hemingway 22). The battle wound rendered Jake impotent, so he cannot be with his love, Brett Ashley. Throughout the novel, Jake witnesses Brett’s affairs with other men; his insecurity is enhanced. Robert Cohn, Jake’s Jewish friend, is a former boxer who did not experience World War I firsthand like the rest of Jake’s friends. Hemingway explains why Robert boxes: "He cared nothing for boxing, in fact he disliked it, but he learned it painfully and thoroughly to counteract the feeling of inferiority and shyness he had felt on being treated as a Jew at Princeton" (11). Robert practices boxing as a way to counteract his insecurity; he thinks he will gain respect and intimidate others. Instead, Robert is always found to be the center of jokes and criticism from his peer group; he nonchalantly brushes it off but is concerned about his identity.

Ernest Hemingway, author of The Sun Also Rises, a novel that has had a strong impact on the 20th century’s idea of the “lost generation,” particularly the racism displayed towards the character of Robert Cohn. This novel tells of three main characters, Robert Cohn, Jake Barnes and Lady Brett Ashley all living in the continent of Europe traveling about in search of their life’s purpose after the first world war. Hemingway intended for this story to be about the love between the many men in attraction to Lady Brett whose mere presence affects the actions of them all. An important factor to consider is the ethnicity of Robert while reading the story because of the many instances where it is brought up

Ernest Hemmingway’s novel The Sun Also Rises is not considered to be a mystery. However, through his creative storytelling, Hemingway nimbly evokes an aura of uncertainty and mystique surrounding the relationship of Jake Barnes and Lady Brett Ashley. Their attraction to each other is palpable, yet without the ability to consummate her sexual desires, and the tragic war wound that rendered him impotent, Brett obstinately pursues a variety of other meaningless relationships. There appears to be a recurring internal conflict with Brett throughout the course of the novel. Incapable of dealing with Jake’s injury, she meanders from relationship to relationship searching for that same unequivocal love she

Ernest Hemingway was born on July 21, 1899 in Chicago, Illinois. Hemingway was an American author and journalist. Kemen Zabala author of “HEMINGWAY: A STUDY IN GENDER AND SEXUALITY” states that Hemingway was commonly known for portraying the sterile and disillusioned environment created by the massive human loss of World War I. Perhaps his exposure to the atrocious nature of war as a Red Cross ambulance driver in the Europe during World War I aided and further influenced his literary capturing of warfare and how it had affected the “Lost Generation”. Hemingway himself popularized this term, it indicates the coming of age generation during World War I. Ashley Torres, author of “Gender Roles Shift in Ernest Hemingway’s The Sun Also Rises” claims that the “Lost Generation” mirrors the disenchanted and hopeless attitudes generated by the war. Although the war resulted in the loss of millions of men, changing the social and cultural customs, the youths of the “Lost Generation” were “battered but not lost” (Gerald, Kennedy “American Literature Vol. 63” (Jun. 1991), p. 192). As a result, the strict gender roles set by the preceding Victorian era, did not apply anymore, as women now took on many jobs meant for men. With a newfound sense of experimentation, the men and women of the “Lost Generation” could reverse gender roles freely. This paper will analyze the shift in gender roles found predominantly in Hemingway’s The Sun Also Rises.

The period between World War I and World War II was a very turbulent time in America. Ernest Hemingway most represented this period with his unrestrained lifestyle. This lifestyle brought him many successes, but it eventually destroyed him in the end. His stories are read in classrooms across America, but his semi-autobiographical writings are horrible role models for the students who read them. Hemingway’s lifestyle greatly influenced his writings in many ways.

Hemingway uses a variety of literary elements to portray his message. The setting of the story is the summer of 1919 in a small Oklahoma town. World War 1 just ended two years prior and the main character, Harold Krebs, explains his post-war experiences (Meyer 129). Krebs is the protagonist who is “suffering from an inability to readjust to society” (Imamura para. 3). He is a dynamic, round character. At first he “did not want to talk about the war

Ernest Hemingway is known for his terse and succinct style of writing. Despite this, he weaves intricate stories with rich characters and deeper meanings that often reflect himself. Jake’s struggle with masculinity and his injury are a common theme throughout The Sun Also Rises. Hemingway also had issues with his masculinity and insecurities. Throughout The Sun Also Rises, Hemingway projects his own issues and personality onto his characters, especially when concerning the struggle of masculinity, and specifically in the case of Jake Barnes.

The pivotal character of Ernest Hemingway's novel, The Sun Also Rises is Jake Barnes. He is a man of complex personality--compelling, powerful, restrained, bitter, pathetic, extraordinarily ordinary yet totally human. His character swings from one end of the psychological spectrum to the other end. He has complex personality, a World War I veteran turned writer, living in Paris. To the world, he is the epitome of self-control but breaks down easily when alone, plagued by self-doubt and fears of inadequacy. He is at home in the company of friends in the society where he belongs, but he sees himself as someone from the outside looking in. He is not alone, yet he is lonely. He strikes people as confident, ambitious, careful, practical,

Hemingway’s novel The Sun Also Rises has his male characters struggling with what it means to be a man in the post-war world. With this struggle one the major themes in the novel emits, masculine identity. Many of these “Lost Generation” men returned from that war in dissatisfaction with their life, the main characters of Hemingway’s novel are found among them. His main characters find themselves drifting, roaming around France and Spain, at a loss for something meaningful in their lives. The characters relate to each other in completely shallow ways, often ambiguously saying one thing, while meaning another. The Sun Also Rises first person narration offers few clues to the real meaning of his characters’ interactions with each other. The

Also, Hemingway was considered to be “vitally concerned with re-establishing what he felt were the proper rules of man and women in their relationship to each other” (Fiedler, 305). This is shown in his portrayal of women in

Disillusionment does not merely occur in only novels; every single individual to walk the Earth will experience mental displeasure at some point within their lives. Nevertheless, many choose to let unfortunate events circle within their souls and become encrypted into their memory. Once this happens, the role of aimlessness takes its course, adverse fate reigns, and the feeling of disenchantment dwells in the mind. Hemingway’s novel, The Sun Also Rises, grasps this very subject in a subliminal way; one must accurately analyze Hemingway’s somber tone and sparse writing style in order to find the hidden symbolism and themes captured within this literary work. His protagonist, Jake Barnes, has certainly experienced prodigious pain, but

It has been called one of Hemingway’s greatest literary works as it is the “quintessential novel of the Lost Generation.” Its strong language and subject matter portray a powerful image of the state of disenchantment felt in the 1920’s after the war. The interactions between the characters in this novel display a society living without convictions, affirming Gertrude Stein’s quotation at the beginning of the novel, “You are all a lost generation.” To paint this vivid picture of discontentment and disillusionment Hemingway tears away traditional ideas and values by stifling the appearance of God and religion. Ernest Hemingway’s The Sun Also Rises is a poignant take on how the consequences of war can limit or diminish the presence of God and religious faith amongst those living in a post war society.

The high-minded ideas of their elders were not to be trusted; the only reality was truth and that was harsh. Life was futile and often meaningless. According to "President Harding's 'back to normalcy' policy, subject seemed to its members(the lost generation) to be hopelessly provincial, materialistic, and emotionally barren"(“Lost Generation” 487). This demonstrates why this generation was in search of its own values. "The moral hypocrisy of Prohibition that so irritated Hemingway's generation produced exactly the reaction that Hemingway documents in his novel"(Reynolds 62).