The topic of the undead coming back to life to feast on the living has been around since the first zombie movie White Zombies in 1932; however, just in the past few decades has the threat of a zombie apocalypse enter the realm of international politics. The threat of a zombie apocalypse is a very serious concern of the international communities. Many political scientists are not sure how the world leaders would be able to work together if this issue were ever to arise in the world today. In the book “Theories of International Politics and Zombies”, Drezner uses the threat of a zombie apocalypse to show how the different theories of international politics would eliminate the threat; however, are the living dead a real international concern or are they just a brilliant metaphor for something much greater that could happen to the world.
There are many political theories in the world today. Drezner addresses how realism, liberalism, constructivism, neo-conservatism, and bureaucratic politics would face the threat of a zombie apocalypse throughout his book. Each theory presented with the possibility of a world where the dead walk amongst the living and feed on their flesh, and then Drezner would elaborate on how each political theory would unfold if the world were to decide to pursue that particular political theory. This elaboration helps us determine if the world could even survive a zombie apocalypse. Although many people would ask is the threat of a zombie apocalypse even a
Zombies have been a pop culture icon for years. Whether it be video games like Call of Duty or making people feel nervous for a potential zombie apocalypse, the zombie has become one of the most recognizable pop culture figures. The rise of zombies as a frightening creature can be related a real-world issue. In this essay I will dispute that zombies have changed over time and that there is a distinct connection between the way zombies are portrayed and the way the world looks at the lower economic class.
Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.
Daniel Drezner book addresses how the world would potentially react should the Zombie Apocalypse start while relating it to international relations. While discussing the anarchical nature of the world, in the realist argument, he addresses the fact that it is not likely that any one state would be able to gain complete control of the world. However, if the entire world is being overtaken by a zombie plague it is not outside the realm of possibility that survivors of various nations would come together and merge with whatever power still existed and divvy out more power to that group or individual. A good old fashioned military takeover would be just the thing to create an uneasy world-wide alliance with other militaristic organizations across the world against the zombie hordes. The military would easily be able to take charge in a global catastrophe of this nature relatively quickly and with little resistance from the common people. They are one of the most disciplined and structured organizations in regards to bureaucracy and other political organizations, and would not hesitate to change the protocols of war against an end-of-the-world type of threat such as a zombie takeover. Also, military tradition and codes of conduct cross borders with significantly more similarities than do political ideologies and governmental structures, which would result in there being a much easier and more unified alliance than could ever be achieved in any other global unification setting.
“Zombies are like the Internet and the media and every conversation we don’t want to have. All of it comes at us endlessly (and thoughtlessly), and – if we surrender – we will be overtaken
In the possible occurrence of a zombie apocalypse, certain measures involving shelter, food, weapons, and fitness should be taken to better the chances of survival in such a desperate situation. Throughout the years, movies, television shows, and other miscellaneous hype have heightened a large number of people’s suspicion about the possibility of disease-ridden humans taking over the world. In reality, that atrocity is not exactly far-fetched. With so many vaccines and medicines being mass produced without the sufficient steps taken to test the results, the chance of humans contracting unimaginable side effects is a rational possibility. If
The name of the article is Our Zombies, Ourselves written by James Parker. In this article Parker discusses the historical backdrop of zombies and talks about where it is that they started from. Parker additionally raises exceptionally fascinating point on the notoriety of zombies and a short timeline on zombies. He also talks of different sorts of popular cultures which incorporate zombies and are utilized, for example, the movies Night of the Living Dead, White Zombie, the books The Zen of Zombies, Zombie Haiku, and the television series The Walking Dead.. By utilizing these references Parker helps demonstrate to us how zombies appear to ceaselessly draw our interest. The article additionally educates the reader about how zombies came
First, the living vs. the zombies have an overwhelming conflict with the zombies trying to eat the living in all. The living have to find food, water, ammo and shelter to stay alive. On the general’s
AHHHHhhhhhh........! Imagine being awakened by a soft, distance scream. Wide awake, the world returns to being silent except for a racing heartbeat. Suddenly, a soft resonating moan starts to fill the empty air of the bedroom. Looking out the window, the world is an eerie grey with nothing moving but the occasional garbage blowing in the wind. Suddenly the horizon begins to change as a crowd of people begin to emerge. Watching nervously, the figures get closer and turn into something much more menacing. They are all disease-invested, flesh-rotted, brain-hungry zombies! Where did these undead monsters come from? How do they survive? What
Ever since the first zombie movie was created in 1932, there has been a constant rise of zombie appearances in popular media. Like with all monsters, the majority of zombie media aimed to represent a certain aspect throughout the society in question. Whereas vampires represented romanticism and Dracula represented how a certain social group was viewed during a certain time period, zombies in Romero’s “Night of the Living Dead” aimed to create a situation whereby a group of people had to survive a night together, despite their racial tensions between one another. Being the founder of all subsequent zombie films, “Night of the Living Dead” provided a guideline for zombie behavior. As time passed, more and more versions of the zombie came out, whereby zombies stopped being a plot device and turned into the focus of the film itself. The Walking Dead, currently standing as the fourth most popular TV series, took a turn from this progression and decided to imitate Romero’s take on zombies. By including zombies which simply aimed to sustain themselves by consuming the flesh of the “live,” the creators of The Walking Dead caused the remaining survivors to gather together and rely on primitive human instinct to survive. Even though the zombies in this series run rampant, they play a very minimalistic metaphoric role. Instead, by presenting the zombies as a plot device, the characters in this series were able to demonstrate their true prejudiced view on society, ultimately revealing
Rodney Clapp, writer, editor for Wipf and Stock Publishers and expert in topics such as theology and culture, in the article, “Attack of the Zombies”, argues that many things in life are beginning to resemble zombies. Clapp assumes that the audience also views zombies as lifeless creatures that go around spreading their disease. The author’s purpose is to persuade the audience to believe that many things they see today are starting to resemble zombies. The author writes in a challenging tone for people who question the similarity of zombies to every day life. Clapp supports his argument by comparing and contrasting, and exemplification.
In this paper, the author, Olivia Miller, examines how zombie media texts affect presidential rhetoric through analyzing two of Obama’s foreign policy apologia speeches, one at the National Defense University and one at the Justice Department. She mentioned that the zombie narratives such as the Walking Dead and I Zombie have proliferated across media text and this popularity of Zombie text has caused the past decade’s cultural zeitgeist, “a fascination with the zombies that has been acknowledged by scholars as a response to the theorist attacks of 9/11 and a reflection to public uncertainty” (Olivia, 2016). She found a connection between the post-zombie apocalypse narrative, a differently structured narrative with more potential as a metaphor for the current political landscape and new terrorist threats, and Obama’s political efforts. That is, the post-zombie apocalypse narrative couches on surviving rebuilding society, reinstitution morality, and learning to live withe the threat of zombies while striving to regain normalcy. Obama’s speeches convey the similar thoughts that even
With the uprising of the Zombie movement, peace seemed to be an unreachable dream, until one Zombie stood above the rest by believing in a future. A future of salvation. A future of hope.
Survival and disaster preparation are relevant in the stories in the novel. Several interviews, especially those from the United States, focus on policy changes designed to train the surviving Americans to fight the zombies and rebuild the country. For example, when cities were made to be as efficient as possible in order to fight the zombies, the art of using real places and locations to describe these disasters, or when the ultra-rich hide in their homes, which had been turned into fortified compounds, they were overwhelmed by others trying to get in, leading to mass slaughter. Throughout the novel, characters demonstrate the physical and mental requirements needed to survive a disaster. There were so many disasters that can be related to the outrageous earthquakes, tsunamis, and volcano eruptions, etc. Zombie apocalypse can most likely be a reality through the spread a deadly virus. Brooks described the large amount of research needed to find optimal methods for fighting a worldwide zombie outbreak.
No book has captivated the zombie apocalypse better than World War Z. Max Brooks creatively presents “a worldwide zombie pandemic from outbreak to aftermath” (Boyd, Tristan). His book encompasses many social and political themes in the world today. The book
Since the dawn of gothic horror, zombies have played an essential role in this genre. Used as a fictional stimulus for a gruesome story, they have evolved through years of imagination, science-fiction and screenplay cultivation. Zombie Apocalypses have been the main developments for these frightening stories; however they have also been motivational in creating pleasant and even comical endeavours. Most people don’t realise that almost everything has at least two sides; this includes zombie apocalypses. Some crawl away in fear at the mentioning of the idea (like me) and some who have prepared their whole life, can’t wait for a biological outbreak. Regarding this, today I will be comparing two well known texts. The first one I will be analysing