The Tragedy Of Sophocles ' Antigone Essay

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Antigone, written by the Athenian Sophocles, is about a woman named Antigone who lives in a city named Thebes. The play’s plot is based on her attempt to successfully bury her brother Polynices whom perished in a battle with his brother that also assumed the role of

Sympathy for the Main Character in Sophocles' Antigone Sophocles' play is named after its main character, Antigone, and for

The outstanding play “Antigone” written by Sophocles introduces how Antigone can reveal the honor within a family. “Antigone” produces a tragic hero, which is Antigone because of her pride and imitation of action.

Antigone’s words, actions and ideas contrast with Creon’s characters to the point of these two characters having conflicting motivations. These Conflicting motivations cause the characteristics of abomination, discourteous, and egocentric to be highlighted within Creon’s character. Ultimately, these conflicting motivations develop Creon a tragic hero by his downfalls, how he’s been aggressive, and also when Haemon and Antigone killed their selves.

Antigone is a play written by Sophocles. The genre of the play that Sophocles wrote was based on tragedy. It is one of the first plays that use tragedy. In the play a young girl named Antigone, stands up against her uncle Creon who is the king. She stands up for her rights, so that she can give a religious burial to Polynices. She was a girl with a lot of will power. This essay talks about the relationship between Antigone and Creon. This essay would contain paragraphs where there would be comparisons between Antigone and Creon’s Relationship.

This Sophocles tragedy seemed to touch many readers. This tragedy has made many people in present and antiquity rethink their purpose in life. This story also intended to raise many questions. One question that I will discus is what means more to you, social acceptance or staying true to your beliefs? This classic tragedy that I am referring to is called Antigone. This fascinating story touches many subject of social and religious matter. I will discuss the tragic turmoil of Antigone, her surrounding family, and the social and religious dilemma that Antigone faces that will ultimately decide her fate.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Antigone's tragedy was a story that is unbearable, and horrific when it is fully understood in the sense of the magnitude of all of the factors that came together to form a fragile, problematic situation. The joint murder of her brothers that was committed against each other, they turned against each other, driven by the lust for power and control. An opinion about how and why the conflict began, is that megalomania was an overwhelming aspect of the provocateur. Creon’s choice between honoring one brother and leaving the other to decompose shamefully with no honor at all. The way these enabling events led to the formation of a partially self-detrimental plan by Antigone, who was appalled that a decision such as that could've even been considered, much less imposed. For her to deal with the turn of events in such a quick succession can be seen as cruel and unbearable, which is one of the aspects

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

            To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins

When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear that Creon is indeed the tragic hero of the play Antigone.

The author, LA MacKay through this article has provided a comprehensive insight into the themes of revolt and conflict illustrated through the characters and sentiments of the play, Antigone and therefore proves to be a valuable resource for the study of the same. The article has been published by the Transactions and Proceedings of the American Philological Association and the author has composed various analytical essays, particularly on the subject of Creon and Antigone which

Reading through three related stories, we discover different motifs denoting author’s thought in different time. Without any doubt, the tragic essence goes through the Three Theban Plays. As Sophocles meditates the philosophy of tragedy all along his life, the tragic essence expands from individuals to a society. The conflict in each play becomes increasingly complicated. In Antigone, we can clearly distinguish the conflict between Antigone and Creon, family and politics.

The opening events of the play quickly establish the central conflict. Creon has decreed that the traitor Polynices must not be given proper burial, and Antigone is the only one who will speak against this decree and insist on the sacredness of family. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon’s point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. Creon’s first speech, which is dominated by words such as “principle,” “law,” “policy,” and “decree,” shows the extent to which Creon fixates on government and law as the