The Tragedy of Sophocles' Antigone

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

When Creon passes his law, it is used to protect Thebes from being betrayed again. But Creon betrays the gods’ law and does not bury Polyneices, his nephew. As a result Tiresias, a blind prophet approaches Creon and says that if Polyneices, that “before you have surrendered / one of your born flesh and blood, / a corpse for a corpse given in return”(1183-1185). Shortly afterward, Creon realizes that his authority has overstepped into his family and now will go honor his family, by going against his own law. But little did Creon know things were not going to be that simple. When Creon and Haemon arrive at Antigone’s tomb, they are greeted with a hanged Antigone. As a result Haemon lunges at his father and kills himself after he misses. Creon’s authority led to his son ending his own life because he saw the woman of his dreams, hang lifelessly due to his father's action. Creon realizes that Tiresias was correct about the prophecy, but it was too late. Shortly afterwards, Creon finds out his wife, Eurydice, had also killed herself because of her son’s recent suicide. This would lead Creon alone without any family members except his own law to comfort him. He then realizes that “the guilt is all [his]” and he must repent (1442). Creon’s authority led to him being alone without any other family members to comfort him,and also lifetime of guilt

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who

After Antigone is brought forth and accepts the punishment of her burying her brother, Creon sends her away. At this time, Ismene steps up to defend Antigone and tries to get creon to realize that Antigone is his son’s future bride. Creon answers by saying, “There are other field just as fertile” (26). In this quote, he displays that he cares for neither Antigone, nor his son, Haemon. . He explains that there are other women around that could be just as a promising wife as Antigone. He exemplifies the theme of pride here, by putting that everyone gets replaced and that he does not put his son’s life first. Power, a theme that is primarily exemplified by Creon, appears multiple times throughout his dialogue. While discussing Antigone’s punishment with Haemon, Creon says, “This city will tell me how I ought to rule it?” (40). In this quote, Creon represents the theme of power. He is trying to show Haemon that HE is the king of Thebes and that no one will tell him how to rule, especially the citizens. In relation to present time, there are countless politicians that share the same characteristics as Creon, someone who takes their power for granted and will use it to take advantage of everyone.

“Am I to rule this land at someone else’s whim or by myself?” (Lines 836-837) says Creon, angrily to his son Haemon, who is attempting to reason with him about the execution of his fiance, Antigone. This causes an uproar between the two and brings out Creon's selfish intentions. Throughout the story the conflict with the ideals and motivations between the two change the theme of the story from love and loyalty to hatred and betrayal. This not only contributes to Creon’s characteristics of a tragic hero, but also to the suicide of both, Antigone and Haemon.

This Sophocles tragedy seemed to touch many readers. This tragedy has made many people in present and antiquity rethink their purpose in life. This story also intended to raise many questions. One question that I will discus is what means more to you, social acceptance or staying true to your beliefs? This classic tragedy that I am referring to is called Antigone. This fascinating story touches many subject of social and religious matter. I will discuss the tragic turmoil of Antigone, her surrounding family, and the social and religious dilemma that Antigone faces that will ultimately decide her fate.

Haemon insists he is trying to prevent his father from pursuing an injustice while Creon accuses his son of siding with a reckless traitorous woman over his own father, to whom he owes obedience. In fact, Creon is more devoted to his laws than he is to even his own son Haemon’s happiness, refusing to pardon Antigone for burying Polynices even though she is Haemon’s fiancée. Antigone, on the other hand, places long held traditions and loyalty to her family above obedience to the city or to its ruler. In doing so, she makes the case that there are loyalties to both the gods and one’s own family that outweigh one’s loyalty to a

Since Antigone knew and admitted her action but not her guilt as Creon insisted she do, her defiance of Power appears not only as a demand for justice, an expression of the greatest love, a passion for an ideal and conformity to an ethical norm superior to the public one, but also as the head-on collision between individual rights and the requisites of the State.

To Antigone, it is not necessary that someone should obey their leader at all times. She believes what Creon declared to happen to her brothers was unfair and that the gods were telling her she needed to bury her brother. Antigone was unapproved to the treatment of women in these times, and that the king must be obeyed in all causes. She believed the gods were the true powers, and bad things would come upon you if you did not cooperate with their requests. When Haemon comes into the story, acknowledged as Antigone’s fiancée, who is the son of Creon, makes it clear why Antigone was even still alive. Although Creon was cruel and often harsh, there was still something or someone holding him back from simply killing her. Haemon told his father it would be wrong to kill Antigone and would bring great mourning to the people of Thebes following her death. He wants Creon to be open to others views, but Creon responds by calling Haemon a woman’s slave for backing up a woman and not his own father. A blind prophet advises Creon that he should properly bury Polyneices and release Antigone. He says if he does not he will greatly anger the gods, and might create his own misfortune for his disobedience. Possibly leading to his own death. As Creon ponders his possibilities and future, he finally decides to release Antigone and bury Polyneices. As he thought he was then making the right decision, he would soon find out what his

The consequences for Creon going against moral law are far more detrimental than the consequences Antigone has to face for defying against Creon’s civil law. Sophocles does this to emphasize that one should not go against the moral law. In Antigone’s case, she gets punished by being cast out from society, left to die in a cave. In Creon’s case, he makes the gods angry which in turn makes him responsible for the resulting deaths of his wife and son. He ignores the sightseer Tiresias’ advice to “stop his bullnecked ways” and to “[try] to make amends” in order to calm the gods and save himself (Sophocles 112). Tiresias mentions that Creon has too much pride, otherwise known as hubris in Greek theater, when Creon refuses to go back on his decree. When the wise man of Thebes agrees with Tiresias and points out all of the “disasters sent by the gods” (117 Sophocles), Creon realizes that these consequences for going against the divine law won’t cease until he changes his mind. However, it was too late for Creon. When he went to free Antigone, they found that she commited suicide. Haemon, Creon’s son and Antigone’s fiance, was so distraught by Antigone’s death that “he drew his sword” and then “buried it in his [own] body” (Sophocles

Creon shows his self pride obviously when he said, “But whoever shows by word and deed that he is on the side of the State, he shall have my respect while he is living, and my reverence when he is dead” (Sc. 1, lns. 52-55). Antigones’s tragic flaw can be seen as an act of justice to some and just breaking the law to others.

The story in Antigone shows two things that Sophocles could be pointing which is important whether may be the family or authority. Readers could not tell whether Sophocles would be choosing which but most conclude that Sophocles could be siding with family as it talks much more about it than authority. In the mind of a reader, family is mostly likely the winner as Antigone cares her brother Polyneices, Antigone denies the rule of Creon, Creon values his son and his wife, and Sophocles might be making a point when he made family important in Antigone.

After Oedipus dies, his two sons (Antigone’s brothers) take charge and share the crown. They take turns every year having the throne and taking control. When Eteocles got the power he didn't want to give it up to Polynices. Since he wouldn’t give Polyneices the throne they decided to fight. When they did they killed each other simultaneously. Both of the Kings were dead. After this Eteocles had a proper burial while Polynices was left to rot and be eaten by animals. When Antigone heard about this, she got very upset. She said ”The slain man was no villain but a brother.” She didn’t understand why only one brother was being treated this way. King Creon decided to made a law that said anyone who buries Polyneices will be put to death. Even after the law Antigone knew she had to do what was right. She wanted to please the gods. That was more important to her than Creon’s law. Antigone made up her

When one person thinks about the word suffering a lot of emotions and meanings can all flow in at once. It is a word that not many people want to talk about let alone feel it. However it is a truly amazing emotion; to suffer. That word can mean so many different things to so many different people. It is up to that one person to make a choice and define that word for themselves. The reason as to why one must define the word themselves is because it is a personal emotion. One person cannot tell another that they are suffering or that the event that has just occurred made them suffer. Unfortunately this feeling does occur quite often but in many different scenarios. For example in Sophocles’ play Antigone there are a few characters that one might say suffered. The two characters that are believed to suffer the most in this play are Antigone and Creon, however Creon does suffer more than Antigone.