To Aristotle, Greek tragedies had a special purpose. In general, he considered poetry to be of higher importance than history, since poetry was able to convey complex ideas and philosophical thought as opposed to simply the retelling of events. For Aristotle, the most important function of tragedy is the feeling an audience gets after they see one of these plays. It is a cathartic experience that is meant to cleanse the audience of their own fears and doubts and ultimately uplifts them and attempts to help them transcend their own issues. The way a tragedy draws on the emotions of the audience is to get them to relate to the tragic hero, and that is why it was so important for a tragedy to have a proper one. Antigone features the perfect example of a hero in a tragedy. In Antigone, King Creon is the tragic hero since he is adherent to a moral mean, he is life-like, he exhibits a tragic quality which results in a plot reversal, and ends in a moment of lament.
Creon is the ideal tragic hero, since he’s morally upstanding but not blameless at the same time. According to Aristotle, “There is a sort of mean between these extremes. This is the sort of man who is not conspicuous for virtue and justice….” In this passage, Aristotle makes the point that a true tragic hero must not be too good or too bad, and that there is a “golden mean” between the virtues of benevolence and malevolence where the ideal hero resides. He reasoned that it is of no use to watch a good man suffer,
Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.
Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a
A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of
Sympathy for the Main Character in Sophocles' Antigone Sophocles' play is named after its main character, Antigone, and for
Tragedy always involves human suffering, but not everyone who suffers is a Tragic Hero. According to Aristotle, there are five basic criteria that must be met for a character to be considered a Tragic Hero. Aristotle’s ideas about tragedy were recorded in his book of literacy theory titled Poetics. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. His ideas have been adopted, disputed, expanded, and discussed for several centuries. In this essay, I will examine these criteria in regards to Antigone’s Creon, King of Thebes.
Aristotle once said, regarding his principles that a certain character is a tragic hero, "A man cannot become a hero until he can see the root of his own downfall." This quotation is an accurate statement regarding the actions between Creon in the beginning of the play, and at the end once he has lost his family. A tragic hero is defined as a character of noble stature, the hero is imperfect allowing the audience to relate to him, as well as the hero’s downfall is caused by his own fate, leading to the punishment exceeding the crime and the character’s realization leading to the fall. The audience experiences a catharsis at the end of the play, which allows the audience feel that society is “right” again. All six of
Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.
Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.
There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle
Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.
To identify the tragic hero in Sophocles’ renowned play “Antigone”, we should first consider both the elements present in Greek tragedies and what characteristics define a tragic hero. Aristotle’s definition of tragedy is: “Tragedy is a story taking the hero from happiness to misery because of a fatal flaw or mistake on his part. To be a true tragic hero he must also elicit a strong emotional response of pity and fear from the audience. This is known as catharsis or purging of emotion.” In most cases the tragic hero begins
"The tyrant dies and his rule ends,the martyr dies and his rule begins." Soren Kierkegaard This quote applies to Sophocles’ play Antigone in many ways. The two lines can be used to describe the opposition of the two main characters in the play, Creon and Antigone. One is a king new to the throne who will not be ruling for long, and the other, a martyr whose strong convictions will live on even after her death.
In Sophocles’ play Antigone, two brothers, Eteocles and Polynices fight for the thrown of Thebes. The war comes to an end when both brothers die fighting for the honor, and their uncle Creon becomes the king of Thebes. Upon his coronation, Creon issues a decree that Eteocles, the former king of Thebes, will be honored with a traditional military burial, while his brother Polynices will be “left unwept, unburied, a lovely treasure for birds that scan the field and feast to their heart’s content” (Sophocles, 60). Antigone, one of the two sisters, outraged by this ruling, takes matters into her own hands and goes against this newly established law by properly burying her brother. Ultimately Antigone sets aside the political law and does what’s morally right by honoring her brother with a traditional burial. I will argue that Antigone’s decision to bury her brother was the right decision. While she may have disobeyed the law put in place by the newly appointed inexperienced king of Thebes, she was in turn honoring her brother and the long standing traditions and expectations of the g-ds, principles much more important than the arbitrary laws of the state.
Sophocles is an Ancient Greek writer and philosopher, who wrote one of the greatest stories of all tome Antigone. Sophocles is also said to be one of the greatest minds in achievements and times of Sophocles’.
A hero's tragic flaw is usually due to the character's lack of knowledge, lack of judgment, and overwhelming pride. The flaw leads to destructive consequences but that does not define the hero as a "bad" character. More so Aristotle believes that the tragic hero brings their downfall to evoke the feelings of pity and fear among the audience. Aristotle says that "pity is aroused by unmerited misfortune, fear by the misfortune of a man like ourselves." This is why majority a of tragic hero's have those traits, pity and fear, in their plays. In his play Antigone, Creon can be