The Transition From Art Nouveau To Art Deco

It may be the same era and the same basic theme between both writings, but there are two significant differences: social class and

It may be the same era and the same basic theme between both writings, but there are two significant differences -- social class and physical location. The

Compare and contrast these two works using formal analysis and your critical thinking skills. Begin by identifying each work fully, including the title, artist (if known), period or style, date, and location, if applicable. In your comparison, provide a thesis statement or brief introduction. Be certain to address the formal elements of each work (e.g., composition, treatment of figure and space, and use of line and color), the materials and techniques used, the functions of the works, and how they relate to each other. Do not discuss each work in isolation, but rather, provide a developed comparative analysis that considers any relevant social, political, religious, and economic contexts.

Essay Question: Compare and Contrast the movement styles of both Graeme Murphy and Rafael Bonachela as seen in Synergy-by-Synergy and 2 One Another. In your answer include how both choreographers have manipulated the elements of dance and used relationships to abstract movement to convey their intent.

In current times, we can see the similarities between the two movements more clearly. One strong example is the passing of House Bill 1523, in Mississippi, which gives individuals

One thing these movements did not have in common was the focus

In the 1920's Art Deco was a popular form of art. It also influenced architecture, fashion, and furniture. Art Deco used bold geometric shapes and strong colors. It used concrete, smooth stone, and terracotta as materials. Art Deco represented modernism and a bright future.

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

The artwork during this time was influenced by Art Nouveau which included “curvilinear shapes, illegible hand-drawn type, and intense optical color vibration inspired by the pop art movement” (Psychedelic 60s). Pieces included abstracts swirls, intense colors, and bending

A painterly quality with an otherworldly aesthetic is what set pictorialism apart from other photographic practices at the time. This notion of perfection is what really captures my attention. What I find quite interesting is that looking into this aesthetic every man

The term “pop art” is used to describe the artistic movement that took place between 1950 and 1970 originating from England. However, pop art reached its prime in America in the 1960s. This movement was meant to be a lighthearted reaction to the seriousness of its predecessor, the abstract expressionist movement. Pop art can easily be identified by commercial items and celebrities portrayed in various vibrant colors and often shown in repetition.

Both Modernism and Modernismo were movements around the turn of the 20th century which caused cultural upheaval and renovation in times where the society was, or needed to be, changing. Modernism took place throughout Europe and in the United States, while Modernismo was a Latin American movement. The two movements share several general characteristics, but were, without a doubt, two separate and distinct movements, and should not be confused. Therefore, it is useful to clarify the causes, characteristics, and effects of each movement, comparing their similarities and contrasting their differences.

When one considers the term “Art Nouveau,” what comes to mind most immediately is “images of a European-wide invasion [characterized] by the restless dynamism of organic form”(Silverman 1). For me it is usually the work of Alphonse Mucha– his mysterious women surrounded by the beauties of nature. Often my Art Nouveau fantasies take shape in the odd fungal-shaped stained-glass lamps of Tiffany. Or sometimes they surface as the romantic Parisian posters I’ve seen at Pier One, advertising champagne or cats noir or bicycles or the like. But no matter what ones notion may be of what Art Nouveau looks like, there is a feeling that accompanies it that is at the heart of the style’s appeal. It is difficult to define or describe what

The differences in the movements actually stem from a more sociological standpoint; whereas impressionists were a tight knit fraternity bound together by their

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.