Although The Awakening may be seen as a tragic love story to some, it is truly a novel that displays the turning point for a woman’s role in the 1900’s. The main character, Edna Pontellier, is the epitome of the new working woman. The story centers around Edna’s discovery of her beliefs which are found through a series of awakenings and contrasted with the social norms of the time. Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before. Whether coerced or through self realizations, there were many awakenings in the book. The first was that Edna was not the traditional mother like Adèle, the second was that she enjoyed doing things for herself instead of for her children and husband. This second awakening is shown when Edna takes time to talk
Edna’s artistic pursuits are very different than Madame Ratignolle’s. Edna’s art represents her quest for individuality (Boren 181). Her form of art does not provide pleasure or enrichment to her household. Instead, it takes her away from her family and her domestic duties (Dyer 87). Edna paints in her “atelier” (Chopin 579). Mr. Pontellier chides Edna for spending too much time in her atelier; he says that she would “be better employed contriving for the comfort of her family” (Chopin (579). Edna makes good progress in her painting; she dreams of “becoming an artist” (Chopin 584). However, her devotion to art is contrasted to that of novel’s true artist.
Edna Pontellier is the female protagonist in The Awakening, living in a patriarchal society during the late 1800s. She’s married to Leonce Pontellier, --the Brad Pitt during that time period—and is the center of admiration, as “the ladies, selecting with dainty and discriminating fingers and a little greedily, all declared that Mr. Pontellier was the best husband in the world. Mrs. Pontellier was forced to admit that she knew of none better” (Chopin 4, p.50). She had the wealth, the perfect husband, and the children; all she was missing was her life. During their holiday family vacation, Edna meets Robert Lebrun, a man whom she becomes
She is moved by music. During that summer Edna sketches to find an artistic side to herself. She needs an outlet to express who she is. Edna feels that art is important and adds meaning to her life. After the summer is over and they are back to the city and Edna is a changed woman. She makes many steps towards independence. She stops holding "Tuesday socials", she sends her children to live in the country with their grandparents, she refuses to travel abroad with her husband, she moves out of the Lebrun house on Esplanade Street, and to earn money, she starts selling her sketches and betting the horses. She also starts a relationship with another man Alcee Arobin. He meant nothing to her emotionally but she used him for sexual pleasure. Edna evolved above her peers she did not believe that sexuality and motherhood had to be linked. The last step of her "awakening" is the realization that she can not fulfill her life in a society that will not allow her to be a person and a mother. Edna commits suicide in the ocean at Grand Isle.
Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in
The ending/suicide of the protagonist of Kate Chopin’s novel The Awakening, Edna Pontellier, is complex and controversial. In the 19th century, motherhood and wifehood were women’s priorities. Edna Pontellier, as a wife and mother, does not enjoy her duties. The encounter with Robert and the sea awakens her spirit and passion, which changes her inner self but also eventually leads to her death.
Illogical, submissive, and sensual are some of the words used to describe the view of women during the nineteenth century. In the novel The Awakening, Kate Chopin tells the controversial story of a woman, Edna Pontellier, and her spiritual growing. Throughout the story, Edna constantly battles between her heart’s desires and society’s standard. The novel shows how two women’s lives influence Edna throughout the novel. Mademoiselle Reisz and Madame Ratignolle are both in their own way strong, motherly influences in Edna’s life. Mademoiselle Reisz is Edna the mother who wants Edna to pursue her heart’s desires. Madame Ratignolle however, is the type of mother to Edna who wants Edna to do what is socially right. The way the two live
In The Awakening, Kate Chopin describes the tale and life of Edna, now in her late twenties, as she coming to the realization that she is not entirely pleased with her current life and is not particularly excited to see where it’s going. She’s aware that will never attain a future that will ease her of her sadness and make her life feel significant in any way. She is very much aware that she is filling a role that society expects of her and feels that she is losing her own independence, or at least what was there to begin with. Edna is a wife and mother of two. She spends most of her time with her friend Adele who is constantly reminding her of her duties and expectations as a mother and wife.
After returning from vacation, Edna is a changed woman. When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions.
Mademoiselle is a very independent female in the novel, The Awakening. She shows Edna that she can live a life without being “owned” by a man or her husband because Mademoiselle lives without a man in her life. Throughout this novel, Edna expresses and shows she wants rights as a woman. She also grows as a woman in the novel showing and expressing how women should have their own rights. It is stated “She wanted to destroy
As Edna awakens, she becomes more and more dissatisfied with the role that is expected of her in her household; she wants to be free, like an artist such as Mademoiselle Reisz. Though she declares herself independent from her husband, even Robert will not join her in straying off the path society has laid out.
Along with living up to this towering expectation they were presumed to “live their lives largely homebound, taking care of the cooking, cleaning, and child rearing,” (Sallus) which restricted a woman of this time’s value to what she could do and how she could serve others. Edna says her children’s absence was a relief in a sense because “It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin 25). This reveals that Edna feels as though she does not fit the role of the mother, nor does she want to. Edna later argues to Madame Ratignolle, the epitome of a motherwoman, that she would give up the unessential for her children, for instance money or even her own life, but she would never sacrifice herself. Madame Ratignolle demonstrates the values of a woman in their society when she replies with: “... but a woman who would give her life for her children could do no more than that--your Bible tells you so. I'm sure I couldn't do more than that.” (Chopin 64). This shows that Edna differs from the women in her society because she places herself above her family and focuses on her own happiness rather than tending to her children and husband’s every last need or want.
In the novel The Awakening, by Kate Chopin the critical approach feminism is a major aspect of the novel. According to dictionary.reference.com the word feminism means, “The doctrine advocating social, political, and all other rights of women equal to those of men.” The Awakening takes place during the late eighteen hundreds to early nineteen hundreds, in New Orleans. The novel is about Edna Pontellier and her family on a summer vacation. Edna, who is a wife and mother, is inferior to her husband, Leonce, and must live by her husband’s desires. While on vacation Edna becomes close friends with Adele Ratignolle, who helps Edna discover she must be “awakened”. Adele is a character who represents the ideal woman. She is loving,
She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.
Constant struggle for power, control, and self direction is experienced by every human being at some point in their life time. In some desperate cases this struggle can lead someone to do something momentous. In Kate Chopin’s The Awakening, the lead character, Edna, faces extreme sexism in a time where women were expected to act only as a primal caretaker. Edna’s search for self empowerment in a time where men were the primary decision makers causes her to make crucial sacrifices only to find out that there is no way she can truly control her life.
In Kate Chopin’s novel, “The Awakening”, Edna finds herself in a society where women were socially confined to be mothers and wives. This novel embodies the struggle of women in the society for independence along with the presence of women struggling to live up to the demands that their strict culture has placed upon them. A part of Edna wants to meet the standards of mother and wife that society has set, however her biggest desire is to be a woman free from the oppression of a society that is male dominant. Readers will find that the foundation of “The Awakening” the feminist perspective because of the passion that Edna has for gaining her own identity, and independence,