The Uncertainty Of Minority Identity In Claude Mckay's America

Claude McKay was a black man born in Jamaica, he choose literature very on in life and kept with it. He moved to the United States at age twenty three to study at Tuskegee Institute and was immediately shocked by the blatant racism prevalent in Charleston, South Carolina. He moved to New York and shortly after became co-editor of The Liberator, a famous abolitionist newspaper, he wrote some of his most revered poems while working there. He was part of the Harlem Renaissance a movement that was a reawakening of artistic and cultural talents of African American people in the United States and helped to reinvigorate their pride in being black.

This poem focuses on the lynching of a African American male. The speaker of the poem appears to console a woman who appears to be distressed due to the events taking place. In the first four lines of stanza 1, the speaker says:

The main theme within Clarke’s Sonnet is his distance and inability to communicate with a lover due to his alcoholism, and the way in which his coping mechanism, and alcoholism affects this relationship. In the opening octet,

The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.

Claude McKay’s poems reflect on American culture during a specific time in history, known as Harlem Renaissance. A time where racism was predominately a way of living for many, this was a beneficial time in history for African Americans. Bringing blacks together in a new movement that had not been present in America. Development in which blacks emphasized themselves by taking on their racial identity. It was a time period in which the black community helped each other to be able to express themselves as who they truly are, creating a true African American visual doing so

McKay emphasizes that his deep hatred for the “White City” is due to the oppression he receives from white-skinned people for being African American; however this hatred is hidden from the world as he is perceived as an isolated minority in this “White City”. The intensity of McKay’s hatred is displayed in the personification of the “dark Passion that fills [his] every mood”(6). The first letter in the diction “Passion” is capitalized, thus personifying it to be representation of the

Minority status has long since been viewed in a not-so-positive light. From the reflex many people have to lock their doors when they see a homeless person or a person of color, to stereotyping and assumptions based on institutionalized racism, to discrimination, minority status has a part to play in all of it. Similarly, many people have the idea that deaf people cannot do anything for themselves because they are “disabled”. Even though America was once hailed as a melting pot because of the diversity of its citizens, things like “you’re in America now, speak English” are said in today's America. While being defined as a minority isn’t inherently bad, it has become an excuse for some members of the majority to treat minorities as second-class citizens.

bread of bitterness / And sinks into my throat her tiger’s tooth / Stealing my breath of life”. The author says that America, is not doing him any good. Like a tiger, it bites into the poet's throat, hurting him and taking his life away. This creates a very dark mood or tone because the line associates with harm, pain, and death. The author also uses diction such as bitterness and the phrase “sinks into my throat her tiger's tooth” to create a darker or unsettling tone. As the poem transitions, the poet uses simile to create a new tone. On lines 5-6, it states, “Her vigor flows like tides into my blood / Giving me strength to erect against her hate”.The poet uses similes and diction to create a very empowering tone describing that America's vigor is within him to create strength to fight back against America's hate. As the poem shifts from its vigorous intermission to its last stanza, the tone moves onto an optimistic tone when the writer uses simile and diction to describe America. He says, “Darkly I gaze into the days ahead, And see her might and granite wonders there, Beneath the touch of Time’s unerring hand, Like priceless treasures sinking in the sand. Using simile and diction, the tone becomes very optimistic because Claude McKay looks ahead into the future and sees America as a treasure.

Diction plays a large role in in conveying deep meaning within the two poems. Both writers use figurative and emotional vocabulary throughout each line. In “I Too, Sing America”, Hughes begins the first line using a figurative metaphor, “I too am the darker brother / They send me to eat in the kitchen” (Hughes 1-2). When Hughes refers to the narrator as the darker brother, the metaphor is actually referring the the African American community, not just a singular person. The second metaphor in line 2 attributes to the social divide and mistreatment between whites and blacks. This method of writing is mirrored in McKay’s “America”, “Although she feeds me bread of bitterness / And sinks into my throat her tiger’s tooth” (McKay 1-2 ). The diction McKay chooses to use, urges readers to empathize a feeling of sorrow and animosity towards America. He does this by using words such “bitterness” and “sinks into my throat”.

The Kansas City Call summed up the general mentality of African Americans during the 1920s with the statement “The New Negro does not fear the face of day.” (pg 118) Unlike the old days of slavery, African Americans had become more radical towards their oppressor and were beginning to organize as a people. Harlem Renaissance poet Claude Mckay embraced the “New Negro” archetype in his work by stating “If we must die, let it not be like hogs/ Hunted and penned in an inglorious spot….. Like men we’ll face the murderous, cowardly pack/ Pressed

Poetry became a primary medium by which African-Americans could explore the "new Negro" identity that flourished during the Harlem Renaissance (Academy of American Poets). Countee Cullen, Claude McKay, Langston Hughes, Jessie Redmon Fauset, Georgia Douglas Johnson, and Gwendolyn Bennett are among the literary greats of the Harlem Renaissance. Although each poet cultivated a unique style, there

The Harlem Renaissance was a time where creativity flourished throughout the African American community. At the time many African Americans were treated as second class citizens. The Harlem Renaissance acted as artistic and cultural outlet for the African-American community. The Harlem Renaissance, otherwise known as “The New Negro Movement” was an unexpected outburst of creative activity among African Americans In the poems Harlem by Langston Hughes, America by Claude McKay, and Incident by Countee Cullen all use frustration and hope as reoccurring themes to help empower the African-American population and realize the injustices they face day to day. The Harlem Renaissance was a period marked by great change and forever altered the

McKay uses hopeful words and exclamation marks to rally his people to fight back for the cause. McKay used this tactic when he says, “We must meet the common foe!” (l. 9), to show that the oppressors are equal to them. This in turn encourages the African-Americans that they do have a chance to fight back. The emphasis with the exclamation points, and the encouraging words give the reader a sense of hope that the fight is possible. In the poem, exclamations serve the purpose of motivating the people to fight for freedom of oppression. While hopeful words encourage them that the cause is manageable and that they can change the future. An example of this is when McKay says, “even the monsters we defy/Shall be constrained to honor us though dead!” (l. 7-8). McKay shows that even the oppressors will have to honor them for dying nobilly with

     A few of the notable writers and poets were Countee Cullen, Langston Hughes, Jean Toomer, and Zora Neale Hurston. Langston Hughes was the most popular and gifted of all poets during this movement. Many of his poems described the different everyday lives of working class African Americans by adapting the rhythms of their music to his poetry. Some of the poems moved to the tempo of jazz and the blues. Another major figure was poet Claude McKay, a Jamaican immigrant whose militant verses urged African Americans to resist prejudice and discrimination. His poems also expressed the pain of life in the black ghettos of the 1920's, and the strain of being black in a world dominated by whites.

"America" is another poem written by McKay that reveals the outsider theme of the Negro in America. McKay voices his love/hate relationship with America in this poem. He states that she "sinks into my throat her tiger's tooth, stealing my breath of life." He does however "confess I love this cultured hell that tests my youth! Her vigor flows like tides into my blood giving me strength erect against her hate." This line indicates that while he struggles as an American, it is America that keeps him going; that she gives him life even as she sucks it away. McKay is saying that he loves America not so much as an American but as an outsider that needs the test to live and become stronger. Another example of the theme of alientation is in the line "Yet as a rebel fronts a king in state I stand within her walls." McKay is once again using the point of view of the outsider rather than someone that really feels "American." This poem is