The Use of Supernatural Elements in Shakespeare's Hamlet and Kyd's the Spanish Tragedy

The Ghost in Hamlet cleared out the event that Hamlet was uncertain of. The spirit clarified the death of King Hamlet, and caused Hamlet to perform his evil deeds. The Ghost’s request to avenge him caused the death of Hamlet’s family, friends, and eventually himself; therefore, the spirit can be viewed as evil because it failed the four tests that was set by Lewes Lavater and the Church.

The Ghost in Hamlet is a widely controversial topic with arguments determining whether the Ghost is a “goblin damn’d” or a “spirit of health.” (1.4.40) “‘A spirit of health’ is one, which comes from heaven with charitable intentions, and ‘a goblin damn’d’ is one, which comes from Hell with wicked intentions.” The Ghost only has two appearances in the play and is a symbol for uncertainty, yet it is important as it catalyses the play into action and also Hamlet into madness. The Ghost in Hamlet is an evil spirit returning to revenge his killer Claudius; which is a questionable action for a Catholic person leading the audience to believe that the Ghost is evil. He pressures Hamlet into revenging Claudius while destroying Hamlet’s

The first experience of the King’s ghost is on act one scene four when Hamlet first encounter’s the King’s ghost for the first time. Hamlet makes a statement that he is cold in the night which led to Horatio agreeing with him. This gives off a hint that that there is something eerie that is lurking around at night. Once the King’s ghost reveals himself to Hamlet, that gave the Hamlet and the other two, Horatio and Marcellus a fright. What is also added is the moonlight that shines upon the ghost, that gives it a more uncomfortable aura in the air. In one part of the play, Hamlet says, “With thoughts beyond the reaches of our souls?/ Say why is this? Wherefore? What should we do?” Hamlet seems to be confused and terrified why that the ghost of his father appeared in front of him and to the other people (I.IV.53). Not only that the ghost appears out of nowhere, the feeling of uneaisess appears towards Hamlet as the ghost of his father

In the early 1600’s, William Shakespeare created the masterpiece play Hamlet. Since that day, numerous theaters have performed the play and many publishers have made they’re version of the original playwright (the original copy is at an unknown location.) For these years, there has been numerous debatable aspects of Hamlet - one of which being whether or not the ghost encounter with the deceased King Hamlet was real. Of course, Horatio is the credible witness to tell us of the ghost’s existence - but the ghost never actually talks to him like he does Hamlet. In fact, no one besides Hamlet has actually heard the ghost of King Hamlet speak. Furthermore, Hamlet is already grief-stricken over his father’s death and completely expects this ghost

Hamlet questions the true intentions of the ghost and whether it be “a spirit of health or goblin damn’d,” (1.4.669). The Ghost enlightens the Prince of the treason committed by his uncle Claudius, which Hamlet doubts the legitimacy for an instance. According to “Hamlet’s Precarious Emotional Balance,” “Hamlet conceives a way out of his uncertainty, a way to make certain that he has not, because of his melancholy, simply hallucinated the ghost's revelations or been tricked by an evil spirit,” (Lidz). Hamlet develops a scheme to “catch the conscience of the king” by staging a play that depicts the murder of King Hamlet precisely (2.2.581).

The ghost reveals that King Hamlet was murdered by Claudius; Hamlet swears to avenge this deed. With the ghost’s exhortation, Hamlet ironically “is not to be allowed simply to endure a rotten world, he must also act in it” (Mack 258); the one who least wants to be part of the world must engross himself fully with the things of the world in order to validate the ghost’s accusation and then carry out his wish. In his essay, “Reforming the Role,” Mark Rose discusses the irony involved with the ghost’s appearance:

In the first scene of the play the guards of the Kingdom of Denmark are frightened by a ghost that looks similar to the recently deceased King Hamlet. These guards go to Prince Hamlet, the dead king’s son, and report to him their sightings. Very intrigued, and currently grieving over his fathers death, Hamlet decides to watch the next night in order to personally see the ghost. The following night the ghost arrives and summons Hamlet to him. When Hamlet first sees the ghost he is questioning what the ghost actually is and his intentions, “be thou a spirit of health or goblin damned, bring with thee airs from heaven or blasts from hell”. Hamlet is questioning whether this figure is from heaven or hell. This is one of the views of Protestants. There is a spiritual world and a human world. The spiritual world consists of Heaven and Hell, with nothing in

The Ghost and Hamlet’s development and trait difference. The Ghost with “martial stalk hath he gone by our watch” (Act 1.1, 64-65). Hamlet will visit tower to see the Ghost (Act 1.2, 242 - 243). The Ghost was developed to be ominous. Hamlet was developed to be curious. The Ghost’s development of being ominous contributes in helping Hamlet’s curiosity which makes him intrigued to see the Ghost. (GHOST) Cautious, not speaking (Act 1.1, 170). Hamlet shows he is a follower, by stating, “It is ‘Adieu, adieu. Remember me.’ I have sworn’t.” (Act 1.2, 111-112). The Ghost seems to be silent or cautious depending on the point of view the reader is taking. Hamlet’s trait is shown by him seeing his dead father which he was recently mourning for. Hamlet’s

In this revenge tragedy, which is a play in which the plot typically centers on a spectacular attempt to avenge the murder of a family member, Hamlet’s call to adventure is when the ghost, whom he believes to be the ghost of his recently deceased father, beseeches Hamlet that he avenge his death (Charters and Charters 1251). At first looking at the ghost, he questions the authority of him and contemplates that the apparition is just the devil tempting him:

At around ten o’clock at night, a young girl was laying in bed when all of a sudden someone started rubbing her cheek. She looked around and no one was there. Was this her imagination, or was someone there? Ghosts always make their presence known, just like the Ghost in the tragedy Hamlet written by William Shakespeare. Throughout the character of the Ghost of Hamlet’s father, Shakespeare portrays many Elizabethan beliefs on ghosts. Shakespeare creates the question: is the ghost good or bad? Many people have their own opinion on this question, but in this writer’s opinion, the Ghost of Hamlet’s father is a good ghost because throughout the tragedy the Ghost of Hamlet’s father never physically hurts anyone, instead he persuades Hamlet

In William Shakespeare's work Hamlet, Shakespeare uses the ghost of the deceased king, a character with only a brief presence, to play a significant role in the plot of the story as a whole in multiple ways. The first way Shakespeare uses the ghost of King Hamlet is by first using him to play a crucial role in the development of the characters in the play This is especially true regarding Hamlet. An example of the ghost influencing the development of the characters in the play is sending Hamlet into his descent into madness and furthering his complex character. Shakespeare does this by having the ghost inform Hamlet of his father’s murder. Secondly, Shakespeare uses the ghost to influence the theme of revenge and madness that develops in the play by using the ghost as a driving force

The ghost in Hamlet is the subject of many literary critiques; in my research I came across two articles in particular about this topic that caught my interest. In particular, Zimmerman’s article explores Kristeva theory of abjection. The reaction from a threatening breakdown in meaning caused by the loss of the ability to distinguish between subject/self and object/other. The human corpse is one of the most common causes of this reaction because it reminds the living of their own materiality. Upon reading this I was able to relate it to Hamlet as Zimmerman did, “When the ghost first appears, he comes encased in armor, a "portentous figure," a "fair and warlike form" (1.1.112, 50). What lies behind the armor is of course a corpse: if what makes Hamlet Sr. seem alive is his battle-ready fierceness, then what makes him an "illusion" is the mystery within. "no/thing," an apprehensible outside enclosing and

    Though Shakespeare cannot claim the invention of the ghosts in tragedies, still he can claim to have clothed his ghost in Hamlet with convincingness. This essay concerns his one supernatural character in the tragedy.

"Hamlet", written by William Shakespeare in the seventeenth century, is a tragedy of great proportion and great debate. When the play begins, Hamlet is moping around at home. His father recently died, his mother sinfully married her brother-in-law, and he was cheated out of the throne by his ambitious uncle. He is angry and bitter, and after initial skepticism, is more than willing to accept the ghost who seems to resemble his deceased father. The specter, who claims to have been murdered by Claudius, calls upon Hamlet to avenge his death. Hamlet's current state of mind, the ghost's request for revenge, and the ghost's appeal to Hamlet for mercy toward his mother, all put

With the appearance of the ghost the reader is, whether they realize it or not, being challenged to take a position on Hamlet's state of mind. At first the reader may take it at face value assuming that a ghost is a ghost and should be accepted as such. But after a deeper look using the psychoanalytic perspective of critical evaluation, it becomes believable that the ghost is just a trick of Hamlet's mind used to justify his urges to avenge his father's death, a sort of madness. It is hard to decide what to think about Shakespeare's introduction of the ghost because of the two different ways he portrays it.