Throughout Othello, Iago is the most prominent and perplexing villian in Shakespearean history. His redeeming qualies enables him to allure the characters such as Roderigo, Cassio and Othello through his morality. As an audience we are introduced to his contempt and his hunger for revenge despite his lack of proof. Iago symbolizes evil and brutality. So what makes him a crucial character in the play. His understanding of manipulation and his brilliance makes him an important role in the play since he's willing to to climb up the stairs to get his general, who he hates. Iago's first use in the play was Roderigo who isn't very clever. At the beginning of the play Roderigo and Iago are talking about the "Moor" referred to as Othello and …show more content…
Iago knows that a few little words would able him to make Roderigo trustworthy of him and he did this by advising Rodrigo to do things that would eliminate those whom Desdemona loved. He told Roderigo that her realtionships with Cassio and Othello weren't going to last for eternity and that she would turn on him. This caused Roderigo to be very credulous since it seemed right from his point of view about Desdemona turning on him. Ever since Iago poisoned him with that idea, Roderigo carried out his advice thinking it would develop his relationship with Desdemona. This words from Iago caused some hope and confidence in Roderigo causing him to take every advice Iago tells him to do in spite of capturing Desdemona's heart yet this all benefited Iago's path and not Roderigo. Another character that's been managed bt Iago is Cassio. Iago's lethal words forces Cassio to drink even though Cassio isn't supposed to. Unforunately the drink seized his position causing him to fall apart not only because of his position but his sense of dignity since his reputation was damaged. Unquestionably Cassio wanted to regain his position. By all means Iago tells him what to do in order to regain his position back. Iago's words were, “…Confess yourself freely to her; importune her help to put you in your place again…”(2.3.255). These lines indicate that Cassio was to seek help from Desdemona in spite of gaining back his job. Yet Iago told Cassio to do this for
The most interesting character in the play Othello is the villain, Iago, commonly referred to as "Honest Iago". Iago is smart, and well tuned to human behavior, and uses this knowledge to
From the first scene of the play to the last, Iago is able to be trusted by everyone. This is one of the many reasons why Iago is so successful in his schemes, he is always trusted. In the first scene of the play we learn that Iago is helping Roderigo, win the love of Desdemona. Roderigo is trusting Iago with his
An obvious refutation of Iago as the protagonist stems from the most obvious of places: with the other examples of Shakespearean tragedy, Hamlet, King Lear, and Macbeth are all named for the protagonists that give insightful monologues that reveal their inner turmoil. If Shakespeare had intended Iago as the principal character, why is the play entitled Othello?A possible explanation is Iago's nature of robbery. Anytime he refers to Roderigo in his soliloquies, Iago dismisses the Venitian as an idiot from whom he can extort money, proclaiming, "For I mine own gained knowledge should profane if I would time expend with such a snipe but for my sport and profit." Desdemona's handkerchief is stolen by Emilia, but because "My wayward husband hath a hundred times wooed me to steal it." Even Cassio's rank of lieutenant is taken and presented to Iago in Act III due to his treachery. Eventually, Iago commits the supreme theft of life by killing defenseless Roderigo, and then his own wife. Shakespeare may have entitled the play The Tragedy of Othello, the Moor of Venice to
The first of many examples of Iago’s manipulation occurs in Scene 1, Act 1. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantio’s house to inform him about his daughter’s romantic relationship with Othello. When Roderigo starts telling Brabantio about this, he shrugs it off, blaming his nonsense on Roderigo’s unrequited love for his daughter. But Iago begins explaining the situation, saying “...very now, an old black ram is topping your white ewe. Arise, arise, awake the snorting citizens with the bell, or else the devil will make a grandsire of you.” (I,I). Iago’s exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. By comparing Othello to an animal, and “old
Roderigo also plays as a pawn in Iago's plan when he is lied to by Iago about getting married to Desdemona. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. This way Roderigo will have a chance with Desdemona and express his love to her. Another metaphor that helps Iago with his plan is "Thus do I ever make my fool my purse"(I, iii, 375). Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Roderigo believes him, blinded by his love for Desdemona, and sells his land to get money for gifts. Iago had been using Roderigo for his money and none of the gifts and jewels Roderigo gave Iago to give to Desdemona actually reached her. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Roderigo is deceived by Iago whom he trusted so dearly
In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.
What is not clear is whether Desdemona would even consider Roderigo’s advances. We know that Roderigo has failed in previous attempts to court Desdemona and Brabantio “charged thee not to haunt my doors” (Shakespeare 1458). Roderigo is eager to charge forward with Iago’s instructions and is so gullible that he is repeatedly puts his self in physical danger. Roderigo has no realistic chance of success and is therefore considered a pawn for Iago to maneuver. To enlist his help to eliminate Cassio, Iago conjures up a tale of an affair between Desdemona and Cassio that Roderigo is all too willingly to accept about the woman he loves. According to Iago, Roderigo is no longer considered Desdemona’s second choice behind Othello, but falls to a distant third behind Cassio. Roderigo becomes
Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.
In this scene, Roderigo is sceptical of Iago’s plan and puts a sword to his throat. Iago swiftly maneuvers out of this situation by telling Roderigo how his judgement is brave and now he believes that Roderigo will do whatever it takes to get Desdemona’s love. Iago says that if Roderigo does not complete the plan, then he cannot try to kill him. The fooled Roderigo is shocked and is now completely loyal to Iago who barely got out of this bad situation using his manipulation skills. Later in the play, Roderigo finally recognizes that Iago has been taking advantage of him saying, “O damned Iago! O inhumane dog!” (5.1.74). As seen by his constant manipulative actions and dialogue, Iago reveals himself as a sociopath.
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,
One of the people who Iago manipulates is Roderigo. Roderigo and Iago are talking after Roderigo threatens to drown himself because of Desdemona’s love for Othello. Iago replies to him, ”I have professed me thy friend, and I confess me knit to thy deserving with cables of perdurable toughness. I could never better stead these then now. Put money in thy purse. “(I.III.336-339). Iago explains to Roderigo that he has never been more helpful to him then he is now. Iago manipulates Roderigo to make him believe they’re great friends, but Iago’s intentions are iniquities. Iago knows that Roderigo is credulous, and he uses it to his advantage. Iago tricks Roderigo into selling all his belongings for money to buy Desdemona jewels. Iago tells Roderigo that Desdemona is receiving his gifts, but in reality Iago is keeping the jewels for himself. Iago could clearly see Roderigo’s stupidity, and he manipulated Roderigo because it was easy to do. Iago was gaining wealth
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs
Though the name of the play written by William Shakespeare is called "Othello," the character Othello is not the main character, but rather Iago is. Iago is the character who drives the play, he is the one who makes things happen. Without his greed and hated, there would be no play at all. The whole play is centered around Iago's revenge and in doing so, he is willing to make other people's lives miserable. Through "Othello," Iago uses the other characters to avenge the wrong doings which Othello has inflicted upon him, and will go to any means to do so.
There are many reasons to hate the antagonist in the play Othello, The Moor of Venice. He is a master manipulator, vindictive, evil person just to name a few. “Iago belongs to a select group of villains in Shakespeare who, while plausibly motivated in human terms, also take delight in evil for its own sake” (Bevington, 2014); for this reason he is often considered to have demonic traits. Was Shakespeare showing his own personal demons with the creation of the character Iago? Alternatively, does Iago’s character represent the evils that exist in the world? He seeks to punish not only Othello for passing him over for a promotion and giving it to Cassio, but to seek his vengeance on Cassio as well and anyone else that stands in his way. Iago plays a key role in the play Othello, acting as the devil’s advocate for poor Othello bringing about the death of more than Desdemona. Iago will go to great lengths to accomplish the result he desires. With the use of Iago’s master manipulation skills he is able to orchestrate a intricate senerio that leads to the demise of Othello and those around him.
Iago is considered the devil of the play of the play due to his devious character and behaviour that consumed with hatred and jealousy. He doesn’t care for no one yet he devote his whole life to revenge from Othello for giving cassio the