The Voice of Billie Holiday Essay

“And ain’t I a woman?” exclaims the enigmatic persona titled Sojourner Truth. Her words are coated in southern batter and hickish grime. She speaks to a crowd of like-minded individuals, an array of women gathered before her, listening with bated breath, clinging to her relatable dialect. “Ain’t I A Woman?” is a speech that wears a veil of innocence and confidence and purity over its steely passionate cries for female equality. However, its actual conception was not so simple; the speech was first written, and then rewritten to bear the southern drawl that it is famed for, and which made it so relatable to her desired demographic at the time. The speech is an inconspicuous display of effective grammatical systems at work.

When Alvin Ailey’s Cry premiered in 1971, Judith Jamison was praised for her tour-de- force 16-minute solo. An original New York Times review expressed that “She looks like an African goddess”. Cry - originally a gift for Ailey’s mother - was dedicated to “all black women everywhere, especially our mothers”. This work, one of Ailey’s greatest successes, evokes an emotional journey, as the performance depicts the struggles of African American women suffering the extraordinary hardships of slavery. Through self- determination, these women overcome their tribulations to attain justice and emancipation. [insert argument here]

Not everyone is blessed with musical talent but when someone has an extraordinary ability, he or she should get the chance to please others with it. Sometimes a career can be made out of musical endowment, and that is what Billie Holiday did. Billie had a life that she may not have dreamed of since it started out rough with her mistreatment from adults and discouraging misfortunes, but she was ambitious and that showed through her singing career. Billie could usually adapt to her life’s problems except for her drug addiction and alcohol abuse, which unfortunately led to her demise. She was a talented woman who sang and helped create hit songs that aided her to rise to fame. Billie Holiday bravely stood up to racism, showed the world her talent, and inspired many of her beloved fans, all while continuing to be herself and not allowing the issues in her life hold her back.

It is uncommon for an American singer to decry Billie Holiday’s art of music considering that many cite the influence of her career not only on jazz but also on other American music. The distinctive phrasing,

The 1930’s was a decade of extremely hard times, following the stock market crash and an extreme depression. In spite of the tremendous hardships in America during this decade, it also became a time of great music that is still remembered today. Jazz music was highly popular in this time, and Billie Holiday was a famous jazz performer. She stood out from many other musicians because of her intense and passionate performances. Jazz arose from “unacceptable” segments of society, but quickly grew like wildfire. We often think of the 1930’s as the decade that jazz became civilized, and famous throughout popular culture through the work of pioneering artists like Billie Holiday. People did not own televisions or cable, so radio was their main source of entertainment, and music during this decade was both up beat and a source of relaxation. “Strange Fruit” defied musical category because it was considered too artsy to be folk, and too explicitly political to fit into jazz. This is why “Strange Fruit” became such a powerful phenomenon. Many other artists later took on this song, changing the genre but still portraying the same message. Nina Simone dramatized “Strange Fruit” in the context of the Civil Rights Movement. More important artists like Jeff Buckley, Rene Marie, Labor Camp Orchestra, and many others made their own rendition on the song, still leaving all of their audiences moved by the powerful imagery of the lyrics.

February of every year is known as National Black History Month. There are many African American people who made a great impact on all African-Americans today. In honor of this month, though, I have chosen to write about Marian Anderson. Marian Anderson was a singer who had made a great impact on many of the black singers in the past. She was one of the first female African-American to perform with the New York Metropolitan Opera in 1955. Some of Marian’s last words to the public were “I have a great belief in the future of my people and my country.”

In the music video/song “Strange Fruit”, the phrase strange fruit doesn’t really refer to a fruit that is strange. It actually refers to people being lynched and hanging from trees. More specifically, the term strange fruit applies to the lynching of African Americans. This song was performed by Billie Holiday in 1939 at the Cafe Society in New York. The music video was actually a recorded performance from 1959. The song was written and performed because the purpose of was to raise awareness and fight against African American lynching because during that time, African Americans were being discriminated and abused. Billie Holiday in the music video/song “Strange Fruit” displays logos through context and imagery, pathos through her sorrowful tone and facial expressions, and lastly, ethos because she won many awards during her career in singing, and Strange Fruit is one of them.

Arguably one of the most powerful of Dylan’s social issue charged song is The Death of Emmet Till, a young black man who was unrightfully killed by the Ku Klux Klan. By 1963, Dylan and his on and off lover Joan Baez were both very well known in the civil rights movement. Baez and Dylan would sing together at rallies including the famous March on Washington. Dylan was on stage with Martin Luther King Jr. when his gave his infamous I Have a Dream speech. Though Dylan sang of American injustices, he was never incredibly interested in politics and he was ultimately frustrated by people defining him solely as a protest singer. Dylan’s frustrations with the unsought political branding are expressed in It Ain’t Me Babe, which “appears to be a song about rejected love, [it] was actually his rejection of the role his reputation and fans had thrown on him” (Carlson).

Billie was born to the name, Eleanora Fagan on April 7, 1915. She was born in Philadelphia but grew up in the Fell's Point section of Baltimore. Her mother, was just 13 at the time of her birth; her father, was 15. Holidays' teenage parents, Sadie Harris (aka Fagan) and probable father, Clarence Holiday, never married, and they did not live together for a long time. Clarence, a banjo and guitar player worked with Fletcher Henderson's band in the early 30s. He remains a shady figure who left his family. Clarence would often be away from home, and during the stay with Henderson, which lasted until 1932, the guitarist severed connections with the Fagans. Billie was an angry chile who lived a hard life. She was raped at the age of 10 soon

Billie Holiday, whose real name is Eleanora Gough, was born in Philadelphia Pennsylvania in 1915. She grew up mostly in Baltimore and always loved jazz. Billie was born to very young parents. Her mother was thirteen when she was born and her father just fifteen. (www.numberonestars.com, 2010)

The poem, “A Woman Speaks” by Audre Lorde is a both a confessional and identity poem. She is not only addressing her internal battle and self-suffering, but also discussing the societal inequities African American women were suffering in the United States. The poem’s diction, on the surface, produces a tranquil tone to the poem. This facet of tranquility in the poem is used to express how her battle against inequity will not be fought with violence or hatred, and how she is not blaming any specific party or institution for her personal suffering. She instead plans to use the power and beauty of words to communicate the flaws of the image of women, fight against injustice and racism, and alleviate her internal despair. “A Woman Speaks” by Audre Lorde is an anthem for African American women and uses vivid imagery, ancestral references, and a call to action to connect to the reader and enact a fight against the underrepresentation of African American women.

In this essay I will attempt to underscore and celebrate Simone’s activist efforts through song and demonstrate the messages in the music about race, gender, and class.

Being a touring singing and performer can become a very rough and tiring job. Being on the road traveling for many months, playing different shows every night would make you really realize if singing is what you love to do. Ella was a singer for more than 60 years. Ella Fitzgerald goes down in history as one of the greatest female singers proven by the many awards and respect she received.

“Where Have All The Flowers Gone?” by Pete Seeger became a popular anti-war protest song during the 1960s. This song did not only protest against the Vietnam War but also made their generation more aware about the global problems. Songs like “Not Ready to Make Nice” by Dixie chicks about freedom of speech was written after they received death threats for singing against the Iraq war, protests against the violation of human rights. But music is not only used to protest, it is also used to give hope and optimism. “We Shall Overcome”, a song sung by Guy Carawan together with the Montgomery Gospel Trio and the Nashville Quartet, is perhaps the best known example of civil rights song. Instead of blaming the government, this song registered a feeling of hope and faith among African-Americans during the civil rights movement.

The poem’s words echo through your mind, revealing a haunting display. Eleanora Fagan, professionally known as Billie Holiday, performed Strange fruit. She sang the poem not in a melody, but in a screeching tone creating an alarming show. The timbre of her voice’s pitch was intense. In other words, the way Billie Holiday sang Strange Fruit in a serious voice, confirms that the poem is not to joke about because it is based on a true story. It is important to realize, that the poem relates to history because it demonstrates how demented racism dominated in the