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The Vulnerability Of Good And Evil In Shakespeare's Othello

Decent Essays

Prompt: In his play Othello, Shakespeare shows the vulnerability of good men to those who are evil. Discuss.
In the tragedy of, Othello, Shakespeare reveals the vulnerability of good men to those that are evil. Readers recognise that those more vulnerable, are negatively affected by those of a more evil, dominant and manipulative persona. Roderigo’s besotting love for Desdemona portrays him as a vulnerable ‘fool’ that ultimately Iago takes advantage of for his own amusement and financial gain. The actions taken by those that are evil are driven by nothing but bitter resentment.
Iago manipulative and evil personality also has a negative impact on a character once good, Othello. As Othello’s malevolent character develops, Desdemona’s loving …show more content…

He uses Roderigo’s individual aspirations and passions to motivate him into a devious plan to lead others to misconduct. Iago manipulates both his obtuseness, as well as his desperate love towards Desdemona. In exploiting Roderigo’s dim-witted nature, Iago unlocks the door to the many things he wishes for, including financial gain. Iago makes ‘[his] fool [his] purse’. Roderigo’s desperation to be noticed by Desdemona deludes him to understand that no amount of money will help the situation. Readers can clearly identify the power that Iago has over Roderigo. In Iago’s speech in act 1 scene 3, the central image of ‘put money in thy purse’ is repeated 11 times. Iago shines what Roderigo desires and then takes it away and reassures him that ‘these Moors and changeable in their wills- fill thy purse with money!’ Iago convinces his impressionable cretin by simply stating to Roderigo that, ‘[Desdemona’s] eye must be fed’ and that ‘Desdemona is directly in love with [Cassio]’. Thus Roderigo simply accepts Iago’s unlikely theory, given Desdemona’s exceedingly chaste nature, without a shred of proof. Iago’s recognition of Roderigo’s weakness in …show more content…

Iago’s must destructive manipulation of characters is Othello. His insecurities about being ‘a moor’ are what Iago uses to bend him to his will and bring him to evil. In his discourse to the duke, Othello’s love seems elevated and pure. It is filled with biblical references and religious diction such as ‘pilgrimage’ and ‘prayer’, which is a clear representation of the strengths and sanctity of their love. This strong connection of an unbreakable love is unrecognizable by the end of the play as Othello is so deeply poisoned by Iago’s immorality. He becomes convinced that ‘Desdemona must die, else she’ll betray more men’. Iago takes advantage of Othello’s alienation and detachment from Venice to create further doubt mentioning that for the women of Venice, ‘their best conscience is not to leave undone, but keep unknown. Iago recognizes Othello’s insecurities and draws them out of him. Desdemona’s very choosing of him doesn’t connote how good he is, however that there is something flawed or wrong with her. Knowing that these insecurities linger in Othello’s mind, Iago begins dropping subtle hints such as, ‘I like not that’, that he knows will cement into Othello’s head. Iago immediately repents expressing [he] cannot think it that he would steal away so guilty like’, yet Iago masterfully creates doubt in Othello’s mind. As this doubt

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