The Woman Warrior, By Maxine Hong Kingston

Enstad mentions words such as “invisible” (57, 58), “unanticipated” (61), and “threaten” (60). These words indicate the unknown which stirs a sense of terror among her readers. The unknown remains a mystery, and there is no way to predict its movements. By doing so, she underscores the direness of the spread of this toxicity by pushing against this fear. Enstad even blatantly acknowledges the emotions she’s evoking by jeering that after reading her essay, readers might want to “sanitize one’s own environment” (63). As an author, she empathizes with her audience’s thoughts on her essay which allows her to relate to her audience thus, igniting a need to take charge and further analyze this toxicity that plagues Americans. It is common for a community of people to begin scrambling for solutions to an issue when the danger is imminent compared to a future problem. On the other hand, Kim’s article not only brings together a community for a common cause like Enstad’s but, she appeals to a different emotion through her use of a history strand. Kim’s history strand consists of phrases such as “imperialism” (3), “political turmoil” (4), and “immigrant” (4). She motivates her Asian American audience to unite due to the shared histories of the community. The cultural roots of Asian Americans are not often portrayed in American media and is not commonly discussed. Kim

In Jamie Ford’s historical fiction Hotel on the Corner of Bitter and Sweet, this split narrative focuses on two eras: 1942 and 1986. Within these era’s, Ford’s novel focuses on a Chinese boy, Henry Lee, and what it was like to grow up in the international district with prejudice everywhere, especially in his own family being a first generation American. His novel tells the story of Henry, as well as a Japanese girl by the name of Keiko. The novel tells the story of these two young friends and the hardships faced when the government sends Keiko and her family away to the Japanese internment camps in the Northwest in the 1940’s. His novel displays the effects

The novel, When the Emperor was Divine focuses on an average Japanese-American family that lived in the United States during the time period of World War Two. The author, Julie Otsuka, refers to the characters as "the mother," "the girl," "the boy," and "the father."Each member of the family was affected very greatly but much differently by the internment camps in which they were forced to live in. Being placed in internment camps made them act in ways they normally wouldn't. For example, the internment camp made the Girl rebel, while it made her brother step up to be the man of the house. Despite her being of Japanese descent, the Girl was your typical American pre-teen. Being not only born but raised in the united states, she only knew

Japanese American families were sent to internment camps located at a desert in Utah almost in less than 24 hours during World War ll. It was supposed to be luxurious and a dream, yet it was the complete opposite. In the book, When the emperor was divine, Julie Otsuka describes each character and their stories through different points of views. She tells their story by recounting each of the main character's emotional experiences while showing the life of Japanese Americans and how they were labeled in others eyes. Otsuka writes not only about the venture of being taken to an internment camp, but how each character changes in the process. Through each person comes a story and why they changed into somewhat the opposite of their

Sui Sin Far’s short story, “In the Land of the Free” touches on the reality of being a Chinese immigrant in late-19th century America. The story revolves around a Chinese couple. The husband is ready for his wife, Lae Choo, to arrive from China with their new son, later named Kim. However, due to policies on immigration, the American government was forced to take possession of the child due to a lack of paperwork. However, Far’s short-story has a deeper meaning than just focusing on unfair immigration policies. She takes advantage of the story’s ending to symbolize a rejection of immigrant culture, most especially Chinese immigrant culture, by taking advantage of Kim’s change in behaviors, appearance, and dialect.

War can be loud and visible or quiet and remote. It affects the individual and entire societies, the soldier, and the civilian. Both U.S. prisoners of war in Japan and Japanese-American citizens in the United States during WWII undergo efforts to make them “invisible.” Laura Hillenbrand’s Unbroken hero, Louie Zamperini, like so many other POWs, is imprisoned, beaten, and denied basic human rights in POW camps throughout Japan. Miné Okubo, a U.S. citizen by birth, is removed from society and interned in a “protective custody” camp for Japanese-American citizens. She is one of the many Japanese-Americans who were interned for the duration of the war. Louie Zamperini, as a POW in Japan, and Miné Okubo, as a Japanese-American Internee both experience efforts to make them “invisible” through dehumanization and isolation in the camps of WWII, and both resist these efforts.

In a poem written about the calling of Japanese-Americans to internment camps during WWII, author Dwight Okita writes from the perspective of a young girl who sees herself as an American but is surrounded by those who cast her out. She does everything to prove that she belongs and justifies that by convincing the audience of her American qualities. “If it helps any, I will tell you I have always felt funny using chopsticks and my favorite food is hot dogs. My best friend is a white girl named Denise.” Okita’s use of this 14 year old girl adds power behind his words because the perspective of a child can humble a reader and bring them to a point of deeper understanding. In the poem, the girl is so young and understands nothing about what lies ahead, but she knows well enough to present herself as an American, as one who truly belongs. The pressure on immigrants to belong in the United states is imminent in this piece, and the fact that the young girl has picked up on this expectation is almost disturbing. The stigma around those who are different is also included in Okita’s

In her novel When the Emperor Was Divine, author Julie Otsuka presents the long-lasting effects that isolation and alienation have on a person’s self- image and identity. During WWII, Japanese-Americans living in the United States were forced to move to isolated and horrific internment camps. The US government ensured they were separated from the rest of the country. This even included their own families. When the Japanese-Americans were allowed to return home after the war, the result of the isolation they experienced created irreversible damage. They continued to experience alienation, often making it impossible for them to recover emotionally, mentally and financially. Otsuka uses characterization to bring to life the traumas of the war and the effects it had on her characters, the girl, her mother and her father.

By simply referring to the four main characters by their appellation—the mother, the son, the daughter, and the father— it is shown that this isn’t the story of only one family; this is the story of numerous families that were uprooted and torn apart during this period of Japanese internment and discrimination. These four nameless characters can be any Japanese person in the United States and their experiences can be be extended to all Japanese Americans at that time. Meanwhile, the namelessness of the characters also conveys the loss of their identities. One Japanese American who was arrested as a spy said, “We were just numbers to them, mere slaves to the Emperor. We didn't even have names. I was 326” (Otsuka 119). The Japanese lost the basic right to their own names, and consequently, they lost their identities. Knowing that their Japanese identities may them trouble, the children even attempt to change their identities. They said, “We would change our names to sound more like theirs. And if our mother called out to us on the street by our real names we would turn away and pretend not to know her” (Otsuka 114). In this way, it can be said that identity is encoded in a name. Much like the children, I attempted to

Wakatsuki-Houston presents an insightful portrayal of the Japanese-American internment camp in California known as Manzanar. She describes how her life changed throughout the experience as she grew from child to young woman. She captivates the reader's attention with intermittent interviews, describing the seemingly constant turmoil that each prisoner faced.

The Japanese-American author, Julie Otsuka, wrote the book When the Emperor was Divine. She shares her relative and all Japanese Americans life story while suffering during World War II, in internment camps. She shares with us how her family lived before, during, and after the war. She also shares how the government took away six years of Japanese-American lives, falsely accusing them of helping the enemy. She explains in great detail their lives during the internment camp, the barbed wired fences, the armed guards, and the harsh temperatures. When they returned home from the war they did not know what to believe anymore. Either the Americans, which imprisoned them falsely, or the emperor who they have been told constantly not to believe, for the past six years imprisoned. Japanese-Americans endured a great setback, because of what they experienced being locked away by their own government.

Throughout the novel The Woman Warrior, by Maxine Hong Kingston, the past is incorporated into the present through talk-stories combined into each chapter. Kingston uses talk-stories, to examine the intermingling of Chinese myths and lived experiences. These stories influence the life of the narrator as the past is constantly spoken about from the time she is young until the novel ends and she becomes an adult. Kingston incorporates two cultures. She is not a direct recipient of Chinese culture, but she has her own sense of talk-story, that she learns from her mother, which tells the old Chinese stories with a sense of myth, in a new American way. This is a way of weaving two cultures together, bringing the Chinese past into her present American life.

After WWII ended in 1945, xenophobia amongst the white populace, coupled with an inflexible definition of who or what represented “American-ness”, prevented Asian Americans from claiming an American identity. Alongside this exclusion, the post-war period also witnessed the assertion of American identity formed by culture and family in the Issei and Nisei community. This essay will argue that through Ichiro Yamada’s struggle to integrate, Okada’s No-No Boy represents the fracturing belief of a monoracial American identity and the cultural instability found within the narrative. John Okada’s No-No Boy adopts an allegoric strategy in order to foreground the attitudes and lives the Issei and Nisei shaped during their internment and sometimes incarceration, which continued after the war. Moreover, as the novel progresses, Okada examines characters such as Ichiro Yamada, who face the cultural conflicts and form the possibility of an “elusive insinuation of promise” of belonging in post-war America (221). Additionally, the racial slurs and violent attacks by other Japanese and non-Japanese Americans that befall him highlight the divisions within American society. A close reading for the free indirect discourse and allegory shows how John Okada uses these literary strategies to suggest the disturbance of American identity.

The theme of “voiceless woman” throughout the book “the woman warrior” is of great importance. Maxine Kingston narrates several stories in which gives clear examples on how woman in her family are diminished and silenced by Chinese culture. The author not only provides a voice for herself but also for other women in her family and in her community that did not had the opportunity to speak out and tell their stories.

Maxine Hong Kingston's autobiography, The Woman Warrior, features a young Chinese-American constantly searching for "an unusual bird" that would serve as her impeccable guide on her quest for individuality (49). Instead of the flawless guide she seeks, Kingston develops under the influence of other teachers who either seem more fallible or less realistic. Dependent upon their guidance, she grows under the influence of American and Chinese schools and the role models of Brave Orchid, Fa Mu Lan, and Moon Orchid. Her education by these counselors consequently causes her to abandon her search for an escort, the bird to be found somewhere in the measureless sky,