The Yellow Haired Girl - Original Writing

Introduction: The concept of the change and longevity of the fairy tale (or myth) is well illustrated in the story “Yellow Woman” by Leslie Silko. Not only is the story a modern explanation of a traditional Native American myth, but the style that Silko uses to tell it evokes and adapts the oral communication style that those old myths were passed down with. The story is also very self-consciously aware of its place as a modern revision of a myth, and makes many internal references to this aspect of itself. “Yellow Woman” becomes, in effect, the modern version of a Native American myth or legend, and therefore is a perfect example of the way in which old tales are made new.

As an individual who’s been drawing and painting since before she could even hold a pen – apparently, I used to spill my grandma’s tea and make shapes with it – art has always been my favorite pastime. It’s tranquil and relaxing, and mixing paints is the most satisfying experience. Thus, it’s no wonder that the activity that I’m most invested in is art.

Throughout my early teen years, I was exposed to different mediums of art and discovered that I could express myself through more channels than just paper. Although Barry found comfort in her 11 x 17 newsprint and some paint, I was able to focus my energy on making music and taking photographs. Without my art teachers, I wouldn’t have the expressive outlet I do today. My childhood was not filled with unhappiness as Lynda Barry’s was, but from both backgrounds, we found a warmth from the exposure of art that the educational system gave to us.

When it came to the creation of her horse masterpiece, Danielle has a strong persistence. As she came up to the drawing board, “it looked like she was going to run, but she held her ground”. Her determined mind set keeps her grounded and moving towards her goal of creating her art on the wall. Additionally, Danielle was clearly not discouraged by the lack of encouragement from the children. While she attempted to receive the crayons, a boy “snickered rudely,” and while she drew, the kids “forgot that Danielle was even there”.

“The Yellow Wallpaper” written by Charlotte Gilman is a chilling portrayal of a woman’s downward spiral towards madness after undergoing treatment for postpartum depression in the 1800’s. The narrator, whose name remains nameless, represents the hundreds of middle to upper- class women who were diagnosed with “hysteria” and prescribed a “rest” treatment. Although Gilman’s story was a heroic attempt to “save people from being driven crazy” (Gilman p 1) by this type of “cure” it was much more. “The Yellow Wallpaper” opened the eyes of many to the apparent oppression of women in the 1800’s and “possibly the only way they could (unconsciously) resist or protest their traditional ‘feminine’

Over the years there is no question that African Americans were treated as stepchildren in American society. They struggled to integrate with whites, while at the same time trying to gain their independence from them. Set in the 1950s in New Orleans, the short story “Miss Yellow Eyes” Shirley Ann Grau illustrates the struggles African Americans faced during this era. In the 1950s the south faced segregation, the civil rights movement and a draft to enlist men to fight in the Korean War. This story is a first person narrative that describes the lives of two young African American men faced with segregation and injustices in America that promised liberty for all. Grau reveals by the use of foil how a young black man chooses to survive segregation and the social prejudices of this era.

No matter how many different qualities you have, you are beautiful the way you are, no

The pencil liberates my stresses and sorrows. Bare and unimpeded, my mind is able to isolate itself from anything that was happening in my life. At my art table, which is merely an escape from reality, my curiosity is able to wander. Within this room, five blank canvas's look in on me as I become a mold of my imagination. A step inside my world develops into a sea of color and exploration. The vibrancy of the walls resonates throughout. Over the years, my room has served as my oasis. It’s my escape from monotonous and mundane routines. It’s my exploration of another side of me. I observe such works of art almost as much as I create. Taking notice of my classmates’ innovations and inspired by their creativity, my paintbrush begins to alleviate stress. I strive to produce pieces others will appreciate, but often find myself to be the true admirer. My pride, in this world, is driven simply by my own curiosity to express myself. I credit this side of me as the “passion” that supplements my insane drive for success. This passion has sparked critical thinking in me as well as how I see failure. Life is a blank canvas and you can truly draw whatever you want, and if you fail, you start over and don’t make that same mistake again! Hard work takes ideas quite far, but true success is derived from ingenuity and the generation of

I’m sitting at my computer, ignoring pages of economics homework and mugs of cold tea now strewn about my desk, as I search for a direction to go with my life. Such was was my predicament several months ago. It’s undeniable that I’m an artist, hard and true, for a pencil found its way into my hand as a child, and no desire of mine nor of the universe ever tempted it to pry away. Throughout my earliest years and memories, I maneuvered with graphite, paint, and crayon every adventure that I ever dreamt of pursuing. Oh, I was a resilient child, as well, who refused to take part in any art class at school or as an extracurricular for an abundance of years, as I was invariably convinced that I could learn all I wished on my own accord! Consequently,

In the "yellow Woman and a Beauty of the Spirit" by Leslie Marmon Silko, Silko describes what is considered beauty and prominent in the outside modern day culture as untrue. Silko starts off the essay with her heritage and makes it clear that her culture is the only culture that except her. Silko realizes she was different from others; her skin color differed from her friends and family's. Silko explains how the Laguna Pueblo people have no gender roles and how sexuality is embraced. The structure of the story helps convince the reader that the Laguna Pueblo people work together as a community to benefit everyone as a whole. The stories told also give Silko hope, about how differences can bring great benefits to her people. The stories of the Yellow Woman entertain Silko, but also tell her beauty is character and not physical

Leslie Marmon Silko, the author of the narrative essay “Yellow Woman and a Beauty of the Spirit”, uses different techniques in her writing to catch the reader’s attention and make points clear, convincing, and engaging. Silko relies on three different structural components such as reflection or flashbacks, in order to effectively catch the reader’s attention and give show the overall central ideas of beauty and cultural inheritance. Silko also uses her experiences with other characters in order to make her points clear, convincing, and engaging.

Only a writer knows the value of each word. They place every word so specifically that the reader can tap the exact emotions of the narrator. For instance, in “The Yellow Wallpaper”, Charlotte Perkins Gilman attempts to draw the reader into the narrator’s innermost emotions. The story revolves around a woman’s path to recovery after a nervous depression. She has been advised to take complete rest with nothing to stimulate her brain (which is also known as the “rest cure”).

“The Yellow Wallpaper” by Charlotte Perkins Gilman is a gothic fiction short story that includes feminist perspectives. According to one scholar, the story “is used to remind contemporary readers of the enduring import of the feminist struggle against patriarchal domination” (Haney-Peritz 114). The unnamed narrator is stuck in “a colonial mansion” that she describes as “a haunted house” (Gilman 468). The setting is a big house with only her and her husband, John, living in it. She is stuck in the big mansion because John, who is also her physician, says she has a “temporary nervous depression- a slight hysterical tendency” (Gilman 468). As part of her treatment she is told to rest until she feels better. John and her brother says she is “absolutely

People express themselves in many different ways, drawing, dancing, writing and many more. Leslie Marmon Silko, born in March, 1948 is a Laguna Pueblo writer and a key figure of literature. She has written many recognized books and stories and is well known in the writing industry. She is a writer that utilizes structure elements to embrace her writing. A great book of hers is the “Yellow Women and a Beauty of the Spirit” published on December 19, 1993. This is a book based on true events of her life. She emphasizes how different she felt towards everyone else and with time, she figures out the reason was because her skin color was not like most people, white. She suffered mentally but that did not stop her it actually motivate her to write stories to teach that everyone true beauty and acceptance. Beauty was not determined by looks and appearance but from morals, honesty, and personality. Physical appearance is the least important matter and everyone should be accepted for who they are and not their appearance. It is what is in the inside that is significant everything else is unimportant. The Author from “Yellow Woman and a Beauty of the spirit” utilized flashbacks, emotions, and circular structures to effectively develop her series.

She ran to the middle of whatever was still standing in her house and started to cry. She got on her knees and thought that everything that was once hers was gone in an instant. She cried and cried, until she found no more use. Then, once her eyes started to clear up, she spotted something.