preview

The Yellow Wallpaper Analysis Essay

Decent Essays

A Woman Who Lost Her Voice
The Yellow Wallpaper is a short story written by Charlotte Perkins Gilman in the late 1800’s. During this time period women were made subject to their husband’s control. Their role was to stay at home, raise the children, and take care of the family. On the other hand, men went to work and controlled how everything was run in the family. The narrator, who is unnamed, becomes severely depressed after the birth of her daughter. The narrator’s husband, who is also a doctor, takes control of her every move by confining her to a room in the house. She is unable to do anything to read, write, draw, or do anything to stimulate her seemingly psychotic mind. This way of treating her severe case of anxiety and depression is …show more content…

The unnamed protagonist gets diagnosed with a mental disorder, and becomes confined in a small room under the rule of her husband. On the surface, the wallpaper is physically described as ripped, old, and a weary, worn down yellow. The worst part is the seemingly formless pattern, which fascinates the narrator as she seems to try and figure out the reasoning for its unorganization. After being fixated on the paper for hours, she sees a translucent secondary pattern beneath the main pattern, visible only in certain light from certain parts of the room. This new found pattern becomes the narrator’s new fixation; it is something that begins to captivate her. It is a direct representation of the relationship that she and her husband acquire. The image is a desperate woman looking for an escape from behind the main pattern, which appears to look like a cage. She becomes obsessed with the idea that so many women are suppressed by their husband’s much like she is. Gilman uses the mesmerizing yellow wallpaper as a symbol of the domestic life that traps so many …show more content…

Through the course of the story, the woman becomes treated like a child living under the subordination of her husband. “No woman expects to be literally put to bed, or removed from all responsibility. The mother of the child becomes the child, the ‘little girl,’ of the household” (Martin 291). Her husband, John, who is also a doctor becomes in charge of her treatment, so he confines her to a room where she is left in utter seclusion. In those days, “the Victorian ideal stressed female chastity and innocence and held that a woman’s ultimate roles were those of wife and mother” (Gilman 422). However, John does not allow her to engage in any type of mental stimulation such as reading and writing, but she secretly starts writing in a journal. The wallpaper becomes her outlet, and she starts seeing women who are trying to escape their controlling husbands. She had become used to being held under her husbands control during a time when “women were to behave demurely and remain within the domestic sphere, learning only what was necessary to become competent mothers and charming wives” (Gilman 422). The wallpaper becomes a symbol of the narrator’s “spiritual and intellectual confinement” and she comes to “project all of her pent up feelings onto the yellow wallpaper in her room” (Wilson 280). She cannot escape this lifestyle because “she is economically dependant on her husband, she

Get Access