Charlotte Perkins Gilman was a prominent feminist, social thinker, wife, mother, and author who wrote with liveliness using a direct, straightforward approach. She has written over two hundred pieces of fiction, mainly in short stories, in periodicals, and in her own Forerunner magazine (Butterworth). Gilman’s own experiences of being trapped in a marriage, suffering postpartum depression, and experiencing the rest cure prescribed by her physician Silas Weir Mitchell at his Philadelphia sanatorium, caused her to have a mental breakdown thus inspiring her famous short story, “The Yellow Wallpaper” in 1892 (Hudock). “The Yellow Wallpaper” is written in the first person voice, reporting the narrator’s thinking, feelings, and perception during this time. The story is admired as a tale of horror and madness in the tradition of Edgar Allan Poe and is considered by critics her only genuinely literary piece of work she wrote (Butterworth). The short story, “The Yellow Wallpaper” is about a nameless narrator who suffers from a temporary nervous condition after giving birth to her daughter and her unstable marriage to John. John her insensitive husband and physician has prescribed a “rest cure” treatment for his wife. John rents a summer mansion and confines his wife to a large nursery, which has an immovable bed, bars on the windows, and walls decorated with hideous yellow wallpaper with an eerie chaotic pattern that appears torn in areas. The narrator feels that activity and
In “The Yellow Wallpaper,” the narrator, already suffering with Post-Partum Depression, is further constrained when her husband John prescribes her resting treatment for her illness. John clarifies that she must lie in bed in the same, enclosed room, refrain from using her imagination and especially abstain from writing. This, in turn, forces the narrator deeper into her
“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.
In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.
In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by
Charlotte Perkins Gilman was born in 1860, in the city of Hartford, CT. She would later move to California. She would end her own life in 1935, after she was diagnosed with breast cancer. She fought for women’s rights and was an advocate of socialism. She wrote novels, poetry and short stories. She was a woman who was educated; her writing reflected her knowledge, relating to her strong thoughts on woman’s rights and independence and how women of Victorian times suffered from this lack of rights. In her short story “The Yellow Wallpaper”, Charlotte Perkins Gilman conveys her views on feminism and how women are treated through characters who represent this treatment. The characters she uses help the reader really get drawn into her story;
In this psychological tale we are introduced to a woman facing a mental illness in the late 1800’s writing secretly about essentially being belittled about her health by her husband, John, a doctor, who subjects her to bed rest and isolation to the real world to recover. Her words: “...John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad.” (page 2 of The Yellow Wall-Paper) struck with me. I understand the feeling of suddenly feeling useless, unproductive and sort of trapped in your own mind. As she loses touch with life outside of the house, she begins to obsess with the women she sees behind the yellow wallpaper of her bedroom. First, I believed the wallpaper to be a metaphor of her depression, “I can see a strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous front design [of the wallpaper].” (page 4 of The
“The Yellow Wallpaper” is about a woman driven insane by postpartum depression and a dangerous treatment. Nevertheless, when you study the protagonist, it shows that the story is more about finding the protagonist’s identity. The protagonist’s proposes of an imaginary woman, which at first, is just her shadow against the bars of the wallpaper. The pattern shows her identity, expressing the conflict that she experiences and eventually leads her to a complete breakdown of what is her identity and that of the imaginary shadow.
The yellow wallpaper is the most obvious symbol in this story. This symbolizes the protagonist 's mind named Jane during the 19th century. The yellow wallpaper symbolizes the way women were perceived. The yellow wallpaper includes models, angles and curves so that they contradict each other. we could say that these angles represents the identity of women during the 19th century. The Yellow Wallpaper by Charlotte Perkins Gilman, is about the control and attacks the role of women in society. What is expected of women of the 19th century is to have children, take care of the house and do only what the husband says. The man of this time have the privilege of having a good education, have their jobs and they make their own decisions. The
Written in 1892, Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” tells the experience of a nervous woman named Jane who falls into psychosis during the “rest cure” treatment prescribed by her husband John. The rest cure admits the patient to bed rest with limited activity for the body and mind allowed; Dr. S. Weir Mitchell advocated the rest cure and is mentioned by name in the short story by Gilman who had him as her doctor (Gilman 80). During Jane’s rest cure, she is banned from creative work like writing her thoughts but finds “great relief from writing on dead paper”, even if it includes hiding her banned writings from being discovered. The one main complaint Jane has in her writings is the yellow wallpaper that surrounds the room without pattern or end and slowly grows more bothersome to Jane during her rest cure. Jane describes how the colors remind her of disgusting yellow things, how even the wallpaper smells up the rental house, and shakes by a woman within the wallpaper (Gilman 85-86). With nothing to occupy Jane’s mind the wallpaper becomes an obsession that torments her anxiety and consumes her sanity towards the end of her rest cure. Gilman experiences the same madness from her rest cure treatment as Jane in “The Yellow Wallpaper”. The horrid treatment of “rest cure” from doctor Silas Weir Mitchell led author Charlotte Perkins Gilman into writing “The Yellow Wallpaper,” sharing her experience of madness resulting from her treatment to represent the
The yellow wallpaper is symbolically attempting to cover up the true situation of women during the nineteenth century. The story conveys that restraining women from the working world and forcing them to remain at home, cooking and cleaning, will cause women to behave ignorantly and act immaturely. John, the narrator’s husband, believes he knows more than his wife could possibly know about her health and method for healing. The “resting cure” he prescribes for the narrator places her in a situation where she has no contact with the outside world, and she must not engage in any processes that require significant brainpower, similar to what women were subjected to throughout the nineteenth
treats her like a child and just like a child she is kept in this
Feminism is one of the most controversial topics of our time or any time. Traditionally and incorrectly thought of as a system where women lord over men, Feminism in reality stands for the political, economic, and social equality of both sexes. One of the most famous feminist texts of all time is The Yellow Wallpaper by Charlotte Perkins Gilman. Telling a story about a woman’s private war against a male dominated world and against backwards thinking and societal expectations, this story stands out as one of the few feminist texts of its time. The story revolves around a nameless, female Narrator, who is driven mad by her husband John’s attempts to help and “cure” her alleged mental issues with the aid of the infamous rest cure. Through the feminist lens of the story, the reader can see how the established gender politics and medical sciences of Gilman’s time period could have devastating and horrific effects on women, irregardless of any good intention.
Charlotte Perkins Gilman’s 1892 short story, The Yellow Wallpaper represents an early utilisation of a mentally unstable unreliable narrator. Gilman’s narrator is, in fact, so unreliable that her name is the subject of critical discussion over a century after the story’s initial publication. Whilst the descent of Gilman’s narrator into madness has been the subject of various conflicting literary interpretations it is certain that Gilman’s own experiences of mental health problems and subsequent inadequate attempts at treatment provided the mainstay of her inspiration for the novel. In her autobiography Gilman stated that "the real purpose of the story was to reach Dr. S. Weir Mitchell [her doctor], and convince him of the error of his ways’. Gilman’s use of such a forwardly unreliable narrator was not ground-breaking, the technique has been utilised by authors from Chaucer to Sterne. Yet Gilman’s choice utilisation in order to explore both her own condition and broader societal attitudes towards the management of the mentally-ill was unprecedented. Some seventy years later, as critics began to flesh out formal approaches to unreliable narrators against the backdrop of emergent war-scarred and drug-enveloped countercultures the scene was set for further similar explorations of mental health through Gilman’s established means.
with a rest cure. The doctor in the story is much like the doctor that
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.