The Yellow Wallpaper, By Charlotte Perkins Gilman

            The story unfolds as the nameless narrator’s condition is revealed.  She is a common woman

The social code of the Victorian era places women in a role of obedience. They are expected to fulfill duties such as a mother, keeper of a house, and to be a quiet and “behaved” spouse. The narrator in this story is an obedient spouse, who has become a new mother that experiences postpartum depression. The change in her role sparks a change in her demeanor, causing a “nervous condition”, in which her husband dictates her treatment. John’s treatment of his wife represents the powerless-ness and repression of women during the late nineteenth-century.” (Wilson). John’s authority over her treatment, mimics that of patient to doctor relationship, and further reminds her of her secondary status during the era.

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.

Throughout the beginning of the story, the wife continually references the things “John says” (844-5). That indicates to me that she is timid and perhaps frightened of him. “John says this,” and “John says that,” shows me that our narrator doesn’t feel permitted to have a thought that is her own. The story’s unilateral male, as well as unilateral female conversations are friendly and comfortable. However, male to female conversation in the writing is dominant, aggressive, assertive and sometimes dangerous. Female to male exchanges appear delicate, soft and understanding, always agreeing with the male perspective. I would consider women in this time period to be viewed as a pet or toy to the male, dominant figure in her life. The use of the words in this short is very important, and gives you the information to interpret the story. For instance, on page 845 it says, “It was a nursery first, then a playroom and gymnasium. I should judge; for the windows are barred for little children.” This discloses that our woman has post-partum depression. At the very least, she feels as if she is trapped or in an asylum within her own home. Perhaps this feeling of entrapment lends itself to driving her mad. It is no surprise that the woman feels trapped behind the pattern of the yellow wallpaper. Her days and nights are filled with constant repetition of the same nothingness. She is left with little to

In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.

Analysis: The above quotations clearly display the similarity between John and the Narrator’s relationship to that of a father and a daughter. John controls the majority of the Narrator’s behavior to the point she feels an overwhelming sense of guilt for her incapacity as John’s wife. The Narrator is restricted in her actions and is therefore unable to fulfil her wifely duties, forcing her to consider herself as a burden. When is reality, John treats the Narrator as his daughter and does not permit her to complete her duty. For instance, the Narrator dislikes the yellow wallpaper and wishes to have it removed; however, John does not allow her to do so and acts as if it would feed into a child’s stubbornness. His continued belief in his superiority disregards the Narrator as is wife and instead infantilizes her. He believes her identity exists only through him, which merely encourages his paternalistic

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

John is an antagonist of the story. He feels he is doing his wife good; by locking her away in this mansion. However, the reader soon realizes, this treatment is only worsening her mental state. He is never home with her; he always has patients to see in town, leaving her locked in this house; alone with her thoughts. He ensures that she gets rest and fresh air to get well. To him, it may seem as though he is doing his wife good; by locking her away in this mansion. However, this seclusion she experiences causes serious damage to her mental state. Her husband has control over her that women

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

From the very style of the story, it is evident that she is deeply thoughtful; she dwells on her surroundings and is analytical of her situation and treatment. This induces a frustrated sympathy in the reader, as one can see the narrator's restrained potential, as she is condemned with the rest 'cure'. Furthermore, the other characters in the story make us feel sympathy for the narrator. John, a practical physician, is married to the narrator, but he treats her more like an infant.

treats her like a child and just like a child she is kept in this

Isolation has been simultaneously described as the human race’s largest desire and deepest fear. The idea of isolation is tempting to a person who feels overwhelmed and overly surrounded by human interaction, but it is much less tempting and much more terrifying to one who has truly experienced isolation. Charlotte Perkins Gilman is one person who falls into the latter category. She wrote, “The Yellow Wallpaper” as a social commentary and personal narrative on the widely accepted treatment of rest cure, which she had undergone herself. She spoke out against the treatment vigorously, as her first hand experiences had given her the perspective that the cure was extremely detrimental instead of helpful. She shed light on the fact that the treatment inherently causes more negative effects then positive because it goes directly against human nature by completely isolating a human being. Although the story was somewhat fictional, it was inspired by her actual experience with the treatment that was administered to her by her husband, Charles Stetson. Stetson was concerned about her, so he went to S. Weir Mitchell, the created of the rest cure. S. Weird Mitchell set up a specific treatment catered towards Charlotte Perkins Gilman, and even let her be treated in her house, which is traditionally not allowed in rest cure. Charlotte Perkins Gilman fought against the rest cure because the treatment promotes extreme isolation which is proven to have serious negative effects on physical,

The ‘Annual Global Writing Competition’ had various entries this year, which proved the wonderful talent we have all over the world. The semi finalists were Henry Lawson with ‘The Drovers Wife,’ Barbara Baynton with ‘The Chosen Vessel,’ Katherine Mansfield with ‘The Fly’ and Shirley Jackson with ‘The Lottery.’ We had a high calibre of contestants this year and the winner is Charlotte Perkins Gilman with ‘The Yellow Wallpaper.’ ‘The Yellow Wallpaper’ is a short story that emphasises a young woman struggling with the negative impacts of mental illness such as depression and nervous breakdowns. Through the fantastic use of repetition, convoluted sentence design, sophisticated language, active voice and evocative accounts of her surroundings, Gilman effectively plays with the feelings and emotions of the audience by creating a setting in which has jumping wallpapers and woman trapped behind the incarcerate designs. ‘The Yellow Wallpaper’ won this prestigious award due to Charlotte Perkins Gilman’s use of extensive themes, various gothic elements, captivating motifs, outstanding techniques, engaging symbolism, gripping plot and the fantastic use of characterisation.

with a rest cure. The doctor in the story is much like the doctor that