In this short story “The Yellow Wallpaper” Charlotte Perkins uses the story to describe statements about feminism and individuality. He does so by putting the reader through the horrific terrors the woman was going through neurosis, as her mental thoughts with the wallpaper in the room. Gilman tries instead to show a message of individual expression and he achieves it perfectly by recoding the progress of the illness she had, through the state of the wall paper. It is obvious in this story that the woman allows herself to be set lower to men, specially her husband, John. Being a Physician, he puts special orders for her to follow: To stay in bed, relax her imagination, and most important to stop her writing. Though she always felt better when she wrote, and felt it helped her, she does not argue or complain, But speaks “What can one do?” (655). This shows the lack of herself confidence and the feeling of inferiority she had. She speaks ask if anything she said did not count anyway, but she was very accepting of the situation. She expresses herself unimportant several more times through the story. “I meant to be such a real rest and comfort, and here I am a comparative burden already” (656). One big problem is that the woman does not give herself enough pride to spec up for herself. Although no one knows what makes him of her feel better, she mostly will depend on the doctor’s advice instead. The woman tries so hard to relief herself, and deep down she knows exactly what to
Charlotte Perkins Gilman uses her short story “The Yellow Wall-Paper” to show how women undergo oppression by gender roles. Gilman does so by taking the reader through the terrors of one woman’s changes in mental state. The narrator in this story becomes so oppressed by her husband that she actually goes insane. The act of oppression is very obvious within the story “The Yellow Wall-Paper” and shows how it changes one’s life forever.
John’s views as a doctor forbid any type of activity, because he feels it will only worsen her fragile condition. She says, “So I take phosphates or phosphites- whichever it is- and tonics, and air and exercise, and journeys, and am absolutely for bidden to ‘work’ until I am well again” (Gilman 221). But the narrator believes she would feel better if she could write because she does not believe it to be “work”. “Personally I believe that congenial work, with excitement and change, would do me good” (Gilman 221). The narrator believes that writing would help her get better more than the rest cure. John addresses his wife as “‘little girl,’ and chooses the nursery rather than one of the adult bedrooms for his wife” (Griffin 11). The narrator has absolute no control over her own care, “she disagrees with her husband’s orders forbidding her to work, yet her opinion goes unrecognized.” (Griffin 11). He treats her like a weak, fragile child, which for the most part is what women were described as in that time period.
“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.
The surroundings which one is placed in can drastically contribute to their mental state. Deterioration and a lack of stimulation will be reciprocated within the mind of the inhabitant. “The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, depicts a young, unnamed woman who is suffering with post-partum depression. In this time period, the treatment of mental illness typically did more harm than good as electroshock therapy, and the rest cure were the classic treatments of choice. Similarly, William Faulkner, the author of “A Rose for Emily”, written in 1930, gives the reader an inside look upon an elderly woman experiencing mental distress. Although there are major signs of an issue being present within Miss Emily’s old, southern house, the town chooses to ignore and cover them up as to not disrupt the elderly woman who buys poisons without a reason and sleeps next to the dead corpse of her lover. Theme and setting play two very distinct and important roles within each of these stories allowing the reader to have a more complete understanding of the message the author is trying to convey.
In Charlotte Perkins Gilman’s story, The Yellow Wallpaper, the setting is very symbolic when analyzing the different the meanings of this book. The main character in the story is sick with nervous depression. In the story, John, her husband, and also a physician, takes his wife to a house in the middle of the summer and confines her to one room in hopes of perfect rest for her. As the story progresses, it is made clear that confinement, sanity, insanity, and freedom are all tied together and used to make the setting of the story symbolic.
In the 1950’s, women weren’t respected for doing anything besides being an outstanding wife and mother. Women and men weren’t on the same level when it came to rights in the eyes of the law. Also during this time, mental illnesses were not accurately researched, and since doctors weren’t fully aware of all the information about mental illnesses, patients did not always get the best treatment and were treated as freaks. In the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman 's believes that there really was no difference in means of way of thinking between men or women is strongly. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband 's lack of belief. The story appears to happen during a time period where women were mistreated. Women were treated as second rate people in community during this time period. Charlotte Perkins Gilman shows the thought process of the community during the time period in which “The Yellow Wallpaper” is written. Using knowledge on equal rights between women and men, one can carefully study “The Yellow Wallpaper” by
Charlotte Perkins Gilman was born in 1860, in the city of Hartford, CT. She would later move to California. She would end her own life in 1935, after she was diagnosed with breast cancer. She fought for women’s rights and was an advocate of socialism. She wrote novels, poetry and short stories. She was a woman who was educated; her writing reflected her knowledge, relating to her strong thoughts on woman’s rights and independence and how women of Victorian times suffered from this lack of rights. In her short story “The Yellow Wallpaper”, Charlotte Perkins Gilman conveys her views on feminism and how women are treated through characters who represent this treatment. The characters she uses help the reader really get drawn into her story;
The unequal relationship between the narrator and John is a miniature of the larger gender inequity in society. Gilman makes it clear that much of John’s condescending and paternal behavior toward his wife has little to do with her illness. He dismisses her well-thought-out opinions and her “flights of fancy” with equal disdain, while he demeans her creative impulses. He speaks of her as he would a child, calling her his “little girl” and saying of her, “Bless her little heart.” He overrides her judgments on the best course of treatment for herself as he would on any issue, making her live in a house she does not like, in a room she detests, and in an isolated environment, which makes her unhappy and
in general. Although we know what makes us feel better we often rely on the doctor’s advice
With her, not having support, she has no other option but to listen to her husband who is her physician and he beliefs he
Written in 1892, Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” tells the experience of a nervous woman named Jane who falls into psychosis during the “rest cure” treatment prescribed by her husband John. The rest cure admits the patient to bed rest with limited activity for the body and mind allowed; Dr. S. Weir Mitchell advocated the rest cure and is mentioned by name in the short story by Gilman who had him as her doctor (Gilman 80). During Jane’s rest cure, she is banned from creative work like writing her thoughts but finds “great relief from writing on dead paper”, even if it includes hiding her banned writings from being discovered. The one main complaint Jane has in her writings is the yellow wallpaper that surrounds the room without pattern or end and slowly grows more bothersome to Jane during her rest cure. Jane describes how the colors remind her of disgusting yellow things, how even the wallpaper smells up the rental house, and shakes by a woman within the wallpaper (Gilman 85-86). With nothing to occupy Jane’s mind the wallpaper becomes an obsession that torments her anxiety and consumes her sanity towards the end of her rest cure. Gilman experiences the same madness from her rest cure treatment as Jane in “The Yellow Wallpaper”. The horrid treatment of “rest cure” from doctor Silas Weir Mitchell led author Charlotte Perkins Gilman into writing “The Yellow Wallpaper,” sharing her experience of madness resulting from her treatment to represent the
Right off the bat you can already tell that the husband, John, is the dominant figure in the narrator’s relationship. Playing the obedient wife that she is, the narrator happily acquiesces to everything John advices; I mean he is a certified doctor. It may seem obvious, but I think his dominance over his wife is a bit hostile at certain moments. The narrator states, “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?... Personally, I disagree with their ideas…” From the diagnosis bestowed upon her from John, he is the one with the final say so and she feels
treats her like a child and just like a child she is kept in this
As the story begins, the narrator’s relationship with John is already erupting. She does not agree that extensive rest is the best thing for her and feels that “congenial work, with excitement and change,” would be more suitable for her needs. However, she does feel that he knows best and seems consciously guilty of overlooking it. She informs the reader that “I have a scheduled prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more” (Gilman 239). These conflicting emotions cause the narrator to have stress. There are times when she wishes she could write in her journal freely, but she knows that John would disapprove and condemn her for it. Writing is her way of expressing feelings and thoughts, but keeps it hidden from John which is tiring. As
with a rest cure. The doctor in the story is much like the doctor that