Theater Pioneer Research Paper : Viola Spolin

In any musical drama, be it opera, oratorio, or even musical theatre, it is possible for a composer to convey the personality of their characters through compositional and musical techniques. Doing so heightens the audience’s understanding of the characters, their motivations, and the relationships between them. Monteverdi, as a pioneer of opera, was one of the first to capitalize on this opportunity to heighten the audience’s understanding of the characters. This is highly apparent in his last opera, L’Incoronazione di Poppea. The music for two of the characters, Poppea and Nerone, is especially well composed to demonstrate personality, and this is no more apparent than in the dialogue which introduces the audience to them, Signor, deh

We’ve worked hard to make The Lookout one of the most exciting and innovative communities in Chelan. Whether you are looking to rent a vacation home or hoping to buy, living at The Lookout offers the best in contemporary living. It might be fresh and new, but that doesn’t mean you can’t step out every once in awhile and enjoy something from the past. Founded in 1902, the city of Chelan offers an eclectic mix of the old and the new, and nothing in the area offers the best of both worlds quite like the historic Ruby Theatre in downtown Chelan.

He acted at the Arts Theatre in the West End and eventually began touring Europe with La MaMa Plexus. While touring, Swanson realized he had a passion for theatre education and began studying under Ellen Stewart at the La MaMa company in New York City. Swanson did not just love the theatre, but all of the arts. Besides plays, he directed opera, musical theatre, and circus pieces. He is even a founding stage director for the Circus Flora. As his career moved forward, Patrick Swanson started to teach acting and improvisation. He began teaching at the London Academy of Dramatic Art’s, then went to the London Drama Centre. He also taught at Tisch school of the arts at New York University. All of these places have allowed him to gain an insight on what it means to be a director and at the same time be a teacher. He proves this when speaking on behalf of his upcoming performance of A Midsummer Night’s Dream when he says, “Some scholars place the first performance of A Midsummer Night’s Dream at a wedding celebration attended by Queen Elizabeth. Were it so, and intended as a blessing on the happy couple; one sincerely hopes that the queen and the wedding guests were amused.” He does not just put on a show, but creates an educational experience for an audience member through knowing his

Lee is responsible for training and helping many of the finest actors and actresses in this country alone. Yet lee also is  criticise for his rigid methods have ruined an entire generation of performers. Strasberg  and Harold Clurman were the co founders of the well known  Group theatre in 1931 which was hailed as “America’s first true theatrical collective”. In 1951 Lee Strasberg  became director of the non-profit Actors Studio, In New York City, which it well know to be the “ nation's most prestigious acting school”. Soon later he found the Lee Strasberg theatre and Film Institute in New York and in Hollywood to teach the work he pioneered. With all of his accomplishments  he was named “Chief” of the Method Acting” in the theatre world.

During a Christmas play in December 2015, an actress noticed a young cast member who showed passion for theater and asked if she wanted to audition for Legend of Sally B, a play that would begin meeting in the following January. The actress who reached out would be directing the play and was in search of a committed fourteen-year-old girl to portray a character that could appear frustrated with her life. There was one girl who thought she could accurately become that character.

During the mid-century of American theatre, the curtain rose to reveal a new and different type of performance. Audience goers were used to the stylized works of Anton Chekov and George Bernard-Shaw, whose European classics were constantly being produced in the United States. Actors, scenery, and costumes were limited to the refined themes of classical acting. Theatre was growing bland with each revival. Nothing was being done to push the envelope, until American writers claimed the stage. Authors including Arthur Miller, Lillian Hellman and Lorraine Hansberry brought an element of reality to the theatre. Their works have gone down in history and their influences on

There have been a wide variety of memorable actors and actresses that have taken Hollywood by storm. Ranging from opera singers to theater performers, all of these stars may share many similarities and differences, ranging from personality to number of awards. Of the many famous female stars of Hollywood, Katharine Hepburn and Meryl Streep are by far some of the most accomplished and well-known. Both Hepburn and Streep acquired an interest for theater, acting, and performance at a young age. Katharine Hepburn’s interest in theater and acting was sparked as child when she and her siblings created a group, the Hepburn Players, with her neighbors to perform plays.

Viola Spolin is the creator of theatre games. The purpose of the theory is to help struggling actors with improv, and I am one of them. When this assignment was given to me, I carefully examined which theatre theorist related to my weakness pertaining theatre and discovered Viola Spolin. About a month ago, I volunteered to participate in Arts Week at my school. My task was to get on stage in front of an audience and improv for two minutes while a dancer, musician, and singer performed with me. I wanted to do something serious. Normally, I play characters that are funny. I wanted to show the audience that I could take a more serious approach. For the improvs, those who participated had themes. My theme for my improv was love. I

Classical Ballet School is a ballet school that is located in Oklahoma City, Oklahoma. Classical Ballet School was founded in 1978 by Kay Sandel. Their curriculum includes The Early Years, The Foundation Years, Growing Talent, and The Joy of Dance. Their ballet instruction teaches self-discipline, respect, love of art, healthy posture, grace, and confidence. Classical Ballet School is a licensed Leap 'N Learn school.

“A viola is just a big violin.” Contrary to popular belief they are similar in a few ways but they are also different. The violin we all know today came around in the late 17th century. However, before that there were instruments that were similar these first violins had three strings made up of mostly sheep gut. A fourth string was later added to achieve more note variation.

This work was written in the seventeenth century where the upper class was still the class who dominated education and had the leisure time to read for pleasure. Because of this, we see how they are the ones being portrayed in the literary works of the time. It is to appeal to the people who buy and read the books. A commoner will not have the time to read for they will be working. Commoners also did not have the same level of education as the wealthy and therefore could not actually read very well if at all. Viola was also forced to change her identity as women of the time had no power or social status. Women were seen as nothing more than tangible objects to men and so it was better if they were seen and not hears. Viola became Cesario in

With Viola being able to hold on to such a great task as the one she is put in being a woman and pretending to be a man. The fact that she is able to put her emotions aside to still be able to find her brother. Shows Viola as being one of the greatest actors to ever be presented. I agree with Bloom, from Shakespeare: The Invention of the Human, on how he feels about Viola, as a character. He is concept along with how I feel Viola not only takes on the costume, but speaks in such a way that demands someone to pay attention to her. She is the only character who offers true feeling, as she comments: "Write loyal cantons of contemned love And sing them loud even in the dead of night..." (I.V). Not only is she poetic, but she is demanding in her tone: "O, You should not rest Between the elements of air and earth But you should pity me" (I.V). In a monologue, she expresses such a poetic version of her love. Bloom is correct in stating that Viola is a great actress. Her speech and unwavering affection make her the only "true" character in the play.

Musical Theatre is an art that I always envisioned myself pursing at the collegiate level and what I want to make a career out of as well. My perfect musical theatre program that I would want, would be a program that would help me to achieve a better understanding of who I am as a musical theatre artist first and then hopefully I can expand my artistic goals and further develop myself through whichever institution that I am attending. The musical theatre training that I have received in high school through my creative arts high school New Orleans Center for Creative Arts (NOCCA) whether its been in dance, vocal, acting, or the productions that I have been cast

as perhaps there is, hath for you as great a pang of heart as you have

The viola is a musical instrument with strings that that look like a big violin. The instruments are made of many pieces of wood which are glued never nailed together. The viola’s sound imitates a tenor voice while the violin makes a higher sound. The cello and bass also make a lower sound. The viola is similar to other members of the violin family in that it has four strings and is played with a bow. The instrument has a collection of more than three octaves, and makes a unique silky sound. The viola was invented in the 1500's. Since the late 1700's it has had a major role in the symphonic and chamber music. Some composers that have written music for the Viola are Richard Strauss, and Sir William Walton (World Book, 2009).