Their Eyes Were Watching God By Zora Neale Hurston

Contemporary novels have imposed upon the love tribulations of women, throughout the exploration of genre and the romantic quest. Zora Neale Hurston’s Their eyes were watching God (1978) and Virginia Woolf’s Mrs Dalloway (2000) interplay on the various tribulations of women, throughout the conventions of the romantic quest and the search for identity. The protagonists of both texts are women and experience tribulations of their own, however, unique from the conventional romantic novels of their predecessors. Such tribulations include the submission of women and the male desire for dominance when they explore the romantic quest and furthermore, the inner struggles of women. Both texts display graphic imagery of the women’s inner experiences through confronting and engaging literary techniques, which enhance the audiences’ reading experience. Hurston’s reconstructions of the genre are demonstrated through a Southern context, which is the exploration of womanhood and innocence. Whilst Woolf’s interpretation of the romantic quest is shown through modernity and an intimate connection with the persona Clarissa Dalloway, within a patriarchal society.

Throughout life, everybody makes sacrifices that may become more beneficial to him or in ways they could not foresee. A sacrifice may be simply giving up an object or giving up something deeper in meaning. Their Eyes Were Watching God is a prime example of a book that reflects this theme. In Their Eyes Were Watching God by Zora Neale Hurston, the main character, Janie, struggles to figure out her identity and what she desires in life. As she matures in her relationships and in life, she learns to make sacrifices in order to seek what she really needs. In Their Eyes Were Watching God, Hurston illuminates Janie’s values and the text’s emphasis on self-actualization is demonstrated through Janie leaving stability with Logan to marry Joe,

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

Throughout her marriages Janie has grown and become a mature woman. When she married Logan Killicks she was a young girl with no idea of the harsh world. She learned that she does not want to be with Logan. “Ah wants to want him sometimes” (Hurston; 3, 26). He does not treat her like wife should be treated, he treats her like a worker. She realizes that this horrible marriage to Logan is not what she dreamed about under the pear tree. When Janie meets Joe Starks he speaks to her in rhymes and promises her the world. Her dreams of a beautiful marriage are alive once again. Joe and Janie move to Eatonville, Florida, an all-black town where Joe becomes mayor. As time progresses and Joe gains more power and respect Janie feels lonely. Joe is so focused with his position that he unknowingly pushes Janie into loneliness and sadness. Joe had taken all the fun and life

In the late nineteenth century, the New Woman time period emerged after World War I. Women began to cast away the domestic stereotypes and they became “independent [women] who [sought] achievement and self-fulfillment beyond the realm of marriage and family” (Miller 1). Straying away from the typical image of women staying and maintaining the home, women started attending universities, receiving professional jobs, and becoming involved in politics (1). The transition of women from the domestic sphere to the public sphere is a notion Zora Neale Hurston uses in Their Eyes Were Watching God. Hurston’s use of dominant characters in society reveals her theme that experiences and relationships are the roots of finding independence and identity despite the obscurity caused by sexism.

Zora Neale Hurston’s novel Their Eyes Were Watching God recounts the life and loves of a bi-racial woman in the racially charged South during the 1900s. After the death of her third husband, Janie returns to Eatonville amid judgment and gossip, prompting her to share her life’s lessons with dear friend Phoeby. As Hurston’s protagonist relives her turbulent loves, she embarks of a journey of self-discovery, her voice transforming from suppressed to empowered over the course of her marriages.

Janie’s marriage to Logan was not anything special. In the beginning Logan was acted like a good husband and would do all the work on his land, and Janie would stay in the home, cooking and cleaning. Eventually, after a couple of months of being married, this so-called honeymoon stage was over. Logan now acted as if he owned Janie and she was his slave, commanding her to do whatever he wanted, not listening to what she wanted. Janie felt constraint; she felt like she was losing her freedom to Logan, she felt like she was not Janie anymore, she was now Mrs. Logan Killicks and she was now obligated to do whatever he commanded of her. Janie was tired of being in an unhappy marriage; she did not love Logan like Nanny said she eventually would: “She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman”, and she did not like the way she was being treated. One day while she was outside she saw a man walk by, she thought he was very attractive so she drew attention to herself and the man came over. After having a conversation

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

Janie’s first husband is Logan Killicks, an old, unattractive man whom Janie marries while trying to appease her grandmother. Logan is a farmer with 60 acres of land and a comfortable house. Nanny believes in marrying for financial stability, not for love: “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection” (Hurston 15). Instead of following her heart and insisting on not marrying someone she doesn’t love, Janie consents due to the pressure and marries Logan. He wants to keep her firmly under his control so he forces her to work in the field with him and clean the house. In addition to physically oppressing Janie, Logan also mentally oppresses her by showing Janie no affection during their marriage. Due to

In Zora Neale Hurston’s famous novel, Their Eyes Were Watching God, Hurston explores the life of a southern black woman, Janie Crawford, whose three marriages of domineering control of men make her acknowledge her independence and self-satisfaction as an African-American woman. Set in the early 1900s, Hurston reveals the dominant role of men in southern society and one woman’s journey toward finding herself and God.

Janie’s first marriage to Logan Killicks was an arranged marriage by her Grandmother Nanny. One day Nanny caught Janie kissing the neighborhood riff raff Johnny Taylor, and Nanny becomes convinced that Janie has entered her womanhood, and needs to marry.

Janie’s quest begins with her grandmother forcing her to marry Logan Killicks; her compliance demonstrates her need to follow what others expect of her. Although she believes "[Logan] look like some ole skullhead in de graveyard", she marries him, simply because her grandmother tells her she will love him with time (13). She compares him to a “skullhead”, literally likening him, and subsequently their relationship, to death. Although she knows she wants to find love, and that she does not love Logan, she marries him to appease her grandmother. This shows how much Janie cares about what other people think of her, and what lengths she is willing to go to keep others pleases with her.

“I’m a woman…Phenomenal woman, that’s me.” This quote from Maya Angelou’s poem “Phenomenal Woman” characterizes the common theme between the novel, Their Eyes Were Watching God, by Zora Neale Hurston, the speech, “Ain’t I a Woman”, by Sojourner Truth, and “Phenomenal Woman”. The common theme between these three different pieces is the idea of a strong, independent woman, which ties into feminism and the concept of being equal to men. Even though these three pieces are each diverse genres, they are all conveying the same general theme in their own way. Throughout any of these texts, it is evident that the authors are pushing the idea that a female is not inferior to any man just because they have a different body structure or a different gender.

In 1937, Zora Neale Hurston spent seven weeks in Haiti writing what would become her most well-known and acknowledged piece of work. Their Eyes Were Watching God was born on September 18th, 1937, in New York. The novel told a hopeful tale of a woman finding a secure sense of independence and identity in the 1920s. Janie Mae Crawford is the protagonist of the novel. She knows family only in the form of her grandmother, who she refers to as Nanny. Each relationship that Janie is involved in blooms and withers away like the pear tree that symbolizes Janie's life.

     In Their Eyes Were Watching God, by Zora Neale Hurston, the reader is given a particular glimpse into Janie's life with reference to the men she has known.  Janie's three men are all very different, yet they were all Janie's husband at one point in her life.  Although they all behaved differently, in lifestyle as well as their relationship with Janie, they all shared certain similarities.