Within Shakespeare’s play, “A Midsummer Night’s Dream”, the reader is exposed to the idea that love is an over-arching shadow that casts itself over the entirety of the play, despite it being the most fundamental theme within the plot it is the main cause of nearly every major event that happens within the play. This is seen within Theseus’ monologue where he discusses the ideas of: love being able to drive you to do insane acts, love altering one’s perception of reality, and the lengths one is willing to go to in the name of love. When viewing Theseus’ monologue the first thing he mentions within it is how “Lovers and madmen have such seething brains…”, it is apparent that this statement is littered with dramatic irony in the sense that the audience is aware that Theseus’ statement is false due to the fact that their perceived hallucinations are in fact based in reality (A Midsummer Night’s Dream 5.1.5-10). Aside from this one setback, there are many of times within the play where love has caused the characters to partake in endeavours that would normally be perceived as insane. This can be seen within act 3, scene 2 when Helena and Hermia get into an altercation over Lysander; Lysander’s love for Helena results in him insulting his previous lover, Hermia, which ended in the altercation between Helena and Hermia (A Midsummer Night’s Dream 3.2.290-335). This instance proves that despite Theseus’ denial of mythological interactions, Lysander’s love was still the
In the play, A Midsummer Night’s Dream by Shakespeare, three completely different situations that have to do with different topics become intertwined in the magical forest locates in the suburbs of Ancient Athens. Throughout the play, there are many representations of the character’s emotions and feelings, such as jealousy, betrayal, and most importantly, love. The main reason everyone get into their troubles is due to one reason; love. Hermia and Lysander made a decision to elope because of their love for each other; Demetrius chases after her because he loves her; Helena chases Demetrius due to love, etc. In this comedy of Shakespeare’s, love is displayed as something fantastical and bizarre.
“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.
Although love is typically a positive emotion or concept, it is most often truly a more negative notion, due to its consequences. Love is known to bring people together in the beginning, but also tends to customarily pull or even break people apart by causing chaos and rivalry. The loss of love could even cause insecurities to surface. In Shakespeare’s A Midsummer Night’s Dream, one of the lovers, Helena, is scorched by love’s misfortunes when it comes between her and her ex-lover, Demetrius.The misfortunes of love force Helena into becoming an insecure woman who allows her emotions to cloud her judgement.
Lysander can be seen as a victim of love, though the fact that he is forced to love Helena, because of the flower juice placed in his eyes, even though he loves Hermia. One example of this can be seen through the line “And run through fire I will for thy sweet sake. Transparent Helena! Nature shows, art, That through thy bosom makes me see thy heart.” (Shakespeare 2.2 103-105) This line is from when he is first affected by the love potion, and it makes
Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.
Love is the strongest attribute two people can share together. A Midsummer Night's Dream uses love to show how powerful it can be. The four characters, Lysander, Demetrius, Hermia, and Helena, are the victims of Puck and Oberon's game with love. Puck and Oberon are two fairies who peruse to fix a problem in the story, but they fail and make the problem worse. Throughout the story there are different forms of love characters show towards each other. The forms of love the characters show are Eros love, Philia love, Storge love, Agape love, Ludus love, Pragma love, and Philautia love. The forms of love come from J.A. Lee's book "Colours of Love". In A Midsummer Night's Dream, Shakespear shows the world the how much love really effects people's actions.
True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.
Different Aspects of Love Presented in William Shakespeare's A Midsummer Night's Dream Lysander + Hermia = True love? Sexual Attraction (Lust) ------------------------------------------------------- Titania + Oberon = Love or hate (Married )
In the play, A Midsummer Night’s Dream, written by William Shakespeare, a literary technique known as “doubling” is used to convey entertainment, mystery and reality as the story line for Lysander and Demetrius, Helena and Hermia, Oberon and Theseus, and Titania and Hippolyta. ”Doubling” shows indistinguishable personalities of each character but completely contrapositive background stories and actions. Lysander and Demetrius are completely identical except for their personality, actions, and the fact that Egeus and Theseus do not approve of Lysander as Hermia’s spouse. Helena and Hermia are very alike except for the minor differences in their appearances. The third doubling relationship is shown in between the rulers of the different worlds who are Oberon and Theseus as well as Titania and Hippolyta. Throughout the play, three pairs of people who are all tantamount to each other in appearance but completely different in actions continue to have comedic and humorous scenes while hidden clues along the way disclose information to unveil a delightful and realistic story.
Hermia’s love for Lysander can be seen as genuine as she states ‘I would my father looked but with my eyes’ which means she wishes her father could see Lysander the way she does. This suggests that she is not under his spell as she truly sees him with her own eyes, and loves him. The audience also sees that she is very passionate about Lysander, as she chooses to ‘yield my virgin patent up’ and live the life of a nun or die rather than ‘wed Demetrius’. We also see the love between Lysander and Hermia is genuine later in Act 1 Scene 1 when ‘Exeunt all but Lysander and Hermia’, as it appears that Lysander is finishing Hermia’s sentences, indicating they are very familiar with each other, and he is comforting her lovingly. Lysander also states ‘true love never did run smooth’ which suggests they truly believe what they feel is true love. Another technique used by Shakespeare to emphasise their love is vivid imagery. Hermia’s speech declaring that she would meet Lysander in ‘the wood’ is filled with imagery suggesting love and passion, such as ‘by Cupid’s strongest bow’ and her reference to the Greek Goddess Venus: ‘By the simplicity of Venus’ doves’, emphasises her passion for Lysander.
The Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove this myth.
A Midsummer Night 's Dream is a play about love. All of its action—from the escapades of Lysander, Demetrius, Hermia, and Helena in the forest, to the argument between Oberon and Titania, to the play about two lovelorn youths that Bottom and his friends perform at Duke Theseus 's marriage to Hippolyta—are motivated by love. But A Midsummer Night 's Dream is not a romance, in which the audience gets caught up in a passionate love affair between two characters. It 's a comedy, and because it 's clear from the outset that it 's a comedy and that all will turn out happily, rather than try to overcome the audience with the exquisite and overwhelming passion of love, A Midsummer Night 's Dream invites the audience to laugh at the way the passion of love can make people blind, foolish, inconstant, and desperate. At various times, the power and passion of love threatens to destroy friendships, turn men against men and women against women, and through
Love is a very common theme that is seen in literature, and love is one of the most powerful things that can be felt for someone or something. Love can drive a person to do incredible or horrible things, and we see many forms of love that take place in A Midsummer Night’s Dream. This is demonstrated in the book by many characters including Hermia and Lysander who demonstrate true love. Titania and Bottom show magical love. In the play, love is also the cause of a few broken hearts. While there is no one common definition of love that suits all of the characters, the romantic relationship in the play all leans to one simple rule laid out by Lysander, “The course of true love never did run smooth.”
The Theme of Love in A Midsummer Night's Dream by William Shakespeare In A Midsummer Night's Dream, Shakespeare presents us with multiple types of love by using numerous couples in various different situations. For example: Doting loves, the love induced by Oberon's potion and in some aspects, Lysander and Hermia's love for each other; there are true loves: Oberon and Titania, Lysander and Hermia (for the first half at least, as Lysander's love switches to Helena temporarily) and Theseus and Hippolyta. Also, there is Helena's love for Demetrius, which could be described as a true love, even though at first it is unrequited.
When love is in attendance it brings care, faith, affection and intimacy. This is proved true in the spectacular play A Midsummer Night's Dream written by William Shakespeare. This play displays the facts about lust, hatred, jealousy and their roles in something powerfully desirable. It is entitled love. Love is present everywhere, in every form, in every condition and even when one least expects it.