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Theme Of Marriage In The Awakening And The Yellow Wallpaper

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Twentieth-century authors’ Kate Chopin and Charlotte Perkins Gilman both explore the feminist theme of the subordination of women in marriage. They depict female protagonists who are profoundly restricted and unable to express their true identity due to their marital status. In The Awakening, main character Edna Pontellier rebels against the suffocating tendencies of matrimony. She detests the traditional role of a wife and yearns to discover mental liberation and sexual autonomy. Her husband, Léonce, is materialistic and abandons his relationship to focus on the growth of his business. He considers one of the only benefits of marriage to be the improvement of his social position. According to Léonce, marriage is a way in which a piece of property …show more content…

A perfect example of this marital power-structure is her confinement in a nursery surrounded by “barred windows” because of her “nervous condition” (25). Jane believes that her husband is supposed to exploit the repressive gender roles granted to him by the establishment. She doesn’t question his dominance because she is accustomed to living in fear of her husband, a commonality among twentieth century wives. John intimidates her, and the narrator reveals that she was, “getting a little afraid of John” (35). Even though Jane submits to some of John’s demands, she disobeys his rule that she is not allowed to write. By composing messages in her diary, she responds to John’s patronizing nature and subtly discloses her interpretations of marriage. In the beginning of Gilman’s piece, the narrator writes, “John laughs at me, of course, but one expects that in marriage” (24). The diction in this quotation is incredibly revealing and demonstrates Jane’s attitude regarding the implications of marriage. Instead of writing “I,” she says “one,” in order to emphasize the fact that, without exception, every married woman must endure the cruelties of their husbands, not just herself. Throughout “The Yellow Wallpaper,” Gilman comments on women’s inferior status within society. Through Gilman’s inclusion of Jane’s perspectives of …show more content…

Gilman purposefully marks the narrator’s husband as her physician as well as her partner. John controls her behavior in order to treat her but also to impose restrictive boundaries upon her. He does not let her write and express herself. He “scoffs openly” at his wife’s attempts to liberate her oppressed mind (26). Jane’s physician-husband is a major cause of his wife’s psychosis. Because the narrator is locked away from reality, she experiences a complete emotional breakdown. Gilman’s piece is presented through a feminist lens because she overtly illustrates Jane’s psychological deterioration due to her status as her husband’s patient. Additionally, the author depicts another unbalanced power structure within the couple, resembling a father-daughter dynamic. He treats Jane like his ignorant, innocent child, even when he discusses serious matters with his wife. In her diary, Jane writes that after he gave her medical advice, “he took [her] in his arms and called [her] a blessed little goose” (28). John’s off-putting language is completely inappropriate considering the fact that they are a married couple. He also considers her “silly little fancies” to be the cause of her emotional aliment (33). He calls Jane a “little girl” and blesses her “little heart” (33). John constantly uses the word “little” to refer to his wife,

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