The setting of Osamu Dazai’s The Setting Sun and the history of Japan play a major role in the story and its theme; in fact, Japan’s culture and the events of the 1940s, when is was written, seem to be the catalyst for its creation. The title is a reference specifically to the fall of ancient Japanese culture as an actual practice, that is, its removal from everyday use. The actions and motivations of the characters can be linked directly to the Japanese mindset and its unusually close relationship to death, as seen throughout history. For example, Kazuko references one of Japan’s most beloved novels in her letters to Uehara: Genji Monogatari, or The Tale of Genji, which was written by an aristocratic woman of the Heian period known as Murasaki Shikibu (97). When expressing her love for him and her desire to mother his child, she compares her passion to the iconic novel, exalting ‘those days’ of Genji, Shikibu’s main character, as the time of ideal relationships. The Tale of Genji indeed explores relationships and proper and improper behavior, but it also illustrates just how deep death runs in Japanese culture; a major theme of the world’s first great novel is evanescence and the beauty of impermanence. In fact, the death of the main character Genji’s true love Murasaki, although sorrowful, is described with great care:
Despite the fact that she was terribly emaciated, Murasaki still looked remarkable; the loss of weight had, if anything, distilled her beauty, which now
Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.
Cultural structures are often very complex and unique guidelines that vary across the globe. These cultural aspects provide a prominent background into the lives of each society respectfully, as seen often throughout the historic piece of literature, The Tale of Genji. Three crucial aspects depicted in the novel’s progression are the role of women, Buddhism, and the political configuration, each containing positive and negative attributes prevalent in the tale. China was a powerful nation at the time, and during this age, these three societal concepts were important, yet controversial at times. These concepts can all be related directly back to the central character, Genji, along with the other vital people who, not
However, their love affair shows how much the historical aspects of the Meiji Era had a huge effect to the characters. Through the story, the difference in class, nation, and gender play a huge role. Mori Ogai’s style involving emotional and psychological observations allowed to understand the historical aspects during the Meiji
Killing the Rising Sun by Bill O’Reilly and Martin Dugard is a descriptive, well written book wrapping up the end of World War II. Reading this book makes you feel like you are living in the midst of the vividly depictive and picturesque scenes that O’Reilly and Dugard bring the reader back to imagine in this book. I really enjoyed this book and I think it really helped me to capture what happened during World War II and the hardships and trials that the United States went through to defeat Japan in one of the most decisive naval battles of World War II. I hope that in this essay I can achieve half of what the authors achieved in writing this book.
The author who brought to us The Tale of Genji, a novel now regarded as the first written novel in history, left behind an arguably more treasurable artifact: a diary that opens a window into history. The Diary of Lady Murasaki by Lady Murasaki Shikibu gives the reader a glimpse of the imperial court during eleventh century Japan and presents the past in an illuminated vision. Being an attendant in the imperial court, Lady Murasaki is frequently involved with the activities of elite Japanese women. Her day-to-day interaction with the nobles and elites enhance her account with the curious perspective of an elite female. As a woman, Lady Murasaki's descriptions are oriented around clothing
Sundiata has quite a few main themes throughout the book. During the core of the book the griot makes clear that man does not have power nor control over his own life. Sundiata's rise is predicted by soothsayers even before he is born, and a lot of his way towards the founding of the empire is basically a step towards grasping his destiny in life. The griot giggles at people who would challenge to disrupt or work against fate, for it happens to be something that is permanent. Among countless other things, the epic is indirectly an exploration of what assets explain Sundiata as an idol, and by allowance, what qualities are brave. when Sundiata is crippled when he was, little and could not walk, he had tough arms. But when he finally stands
“That Evening Sun” by William Faulkner is a good example of a great emotional turmoil transferred directly to the readers through the words of a narrator who does not seem to grasp the severity of the turmoil. It is a story of an African American laundress who lives in the fear of her common-law husband Jesus who suspects her of carrying a white man's child in her womb and seems hell bent on killing her.
The literary masterpiece The Tale of Genji by Murasaki Shikibu is a fictional tale that provides clear insight into the sociopolitical court life of the Heian period in Japan. In the tale we are able to see the standards of life that were expected of the aristocrats during the Heian period. The social nature of Heian court life is depicted in the many relationships of the characters through the various stories presented in The Tale of Genji. The relationships in the tale are mainly romantic relationships that surround the Shining Prince Genji, along with other relationships such as parent and child, master and servant, and relationships between social contemporaries. The romantic relationships in the tale indirectly provide the reader with
Japan, forced to rebuild itself from the ashes of defeat, was occupied by Americans in the aftermath of World War II. Although it was commonly perceived through the victors’ eyes, in John W. Dower’s novel, Embracing Defeat: Japan in the Wake of World War II, Dower summarized his studies of Occupied Japan and the impact of war on Japanese society in the view of both the conqueror and the defeated. He demonstrated the “Transcending Despair” (p. 85) of the Japanese people through their everyday lives in the early stages of the occupation. In chapter three, Dower attempted to comprehend the hopes and dreams – as well as the hopelessness and realities – of the Japanese who were in a state of exhaustion and despair. In chapter four, due partly to the food shortage, crime rates rose as people began to steal. Women turned to prostitution while men turned to the black market. Some Japanese were so desperate that they stripped out of their clothing and exchanged it for food. Dower vividly conveyed the depth of loss and confusion that Japan experienced. On the other hand, Kasutori culture flourished in the 1950s as sexually oriented entertainments dominated the commercial world. In chapter five, the people of Japan turned wartime slogans into slogans for reconstruction and peace. They used witty defeat jokes as a way to escape despair. Even though they were defeated, the people of Japan pushed through the misery and sought to reinvent their identity as illustrated through prostitution, the black market, and “Bridges of Language” (p. 168).
In the essentially dual religious system in Japan, ideologies and traditions play a heavy role in the everyday life of the Japanese people. Shintoism and Buddhism intertwine and complement themselves in Japanese culture, despite Buddhism coming in from mainland Asia. A particularly powerful idea from Buddhism is mono no aware, the realization and acknowledgment of the impermanence and its place in the world. This idea that nothing stays the same forever manifests itself heavily in Japanese literature, whether in personal writings or fictional works. Despite spanning hundreds of years, each work was shaped by and include manifestations of mono no aware. I intend to underline and pinpoint instances that mono no aware is influencing these works, and discuss similarities and differences between them. In this paper, I have three works that I will explore, each one corresponding to a different time period before the pre-industrial revolution; The Diary of Lady Murasaki comes from the classical period, Essays in Idleness from the medieval, and the immensely popular play Chushingura from the pre-modern era.
Genji Monogatari or The Tale of Genji is a story that was written by Murasaki Shikibu during the Heian period. It is a very well received work of Japanese literature and the first part of the story is written with the main character being Genji, and then continues without him. I have no knowledge of the second half of Genji Monogatari but it is in the first section of this tale the characteristics and traits for ideal men and women of the society within the story can be gathered. The criteria for an ideal man or woman in The Tale of Genji was the importance of the physical attribute of beauty, the background, personality, and education of a woman, and characteristics that the main hero of the story, Genji, possessed.
The Tale of Genji is seen as many things, whether it is the first novel written or the world’s first psychological novel. In this book, Murasaki Shikibu tells the story of Hikaru Genji and his experiences. The Tale of Genji is considered the world’s first novel; the story takes us through the birth and death of Genji, a smart, attractive, and talented boy. Genji, is the second son of Emperor Kiritsubo and as the son of an emperor Genji’s life is extremely controlled, whether it be arranged marriages or having little to no secrecy. Through his extra-ordinary life, Genji deals with very ordinary circumstances; various love affairs, some of which bearing children, and the death of loved ones. Shikibu is able to capture her readers in this
The Tale of Genji is one of the most important stories of ancient Japanese literature. Japanese scholar Sin Ohno said that there is no literature written during the Heian Era which is written in as precise language as The Tale of Genji. The author, Murasaki Shikibu, is a woman. In this tale, we can see the concept towards marriage of women during her period.
They are the ritualization in Japanese culture, women’s implicit expression of love, women’s hierarchy in 18th Japan, and how the landscape of Japan influences the prosperity of Geisha culture.
Natsume Soseki’s Kokoro illustrates the struggles of a young man (the narrator) who was alienated from his family and his loneliness as he pursues acceptance and love by building a friendship with an elder. As a parallel to this, the elder (Sensei), sought an end to his social isolation through his love to a woman whose qualities were not tainted by modernity. K, Sensei’s childhood friend, had also hinted his struggles in isolation as he tried to keep to his idealistic principles. This paper will analyze the isolation and loneliness that was faced by the Japanese people during a period of significant modernization and how they approached it and attempted to solve the conflict between tradition and modernity.