Theme Of Three Girls By Joyce Carol Oates

The chapter, From Rosie to Lucy, by James West Davidson and Mark Hamilton Lytle, is about how the feminine mystique changed drastically from the era of WWII to the era of the baby boom. The shift was attributed to men’s influence on the women through fashion trends, magazines, and TV shows. The main purpose of the chapter is to show that the propaganda through TV and society affected individuals, and more specifically the feminine mystique.

Such a story premise sounds like a fantasy in itself; but to also stand as an underlying metaphor for the humanity of those who are seen as glorified icons and a sample of the struggles they face in mundane situations is what makes Oates’ ‘Three Girls’ such a unique story. But how to chose such an icon? Especially with a story set in the 50’s, a time overflowing with starlets that are still to

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

In the story “A&P” by John Updike he tries to portray the conventional lifestyle and tendency of his community. The story “A&P” proves how feminism was a large part of the conservative lifestyle and is still present today. A&P helps you visualize how sexism could be happening right under our noses. The story is told through the main character Sammy, who is an ordinary teenager in the small town. Sammy makes a courageous effort to fight feminism and introduces ideas of liberalism but sadly loses his job in the process. The story A&P, based in the 1950’s, directly correlates to how women were treated in that time period. From the story A&P we can learn the distinct and harsh gender

Frederick Lewis Allen, in his famous chronicle of the 1920s Only Yesterday, contended that women’s “growing independence” had accelerated a “revolution in manners and morals” in American society (95). The 1920s did bring significant changes to the lives of American women. World War I, industrialization, suffrage, urbanization, and birth control increased women’s economic, political, and sexual freedom. However, with these advances came pressure to conform to powerful but contradictory archetypes. Women were expected to be both flapper and wife, sex object and mother. Furthermore, Hollywood and the emerging “science” of advertising increasingly tied conceptions of femininity to

Women of the 1950’s through the 1960’s are ridden with male oppression and self-esteem issues. The book Revolutionary Road by Richard Yates and an episode of Mad Men titled The Shoot have a lot in common. The differences and similarities between the leading women in both of these stories from the 1950’s show that times are different today. The women of the 1950’s had a dream for the future and their dream has finally become a reality for American women. From Mad Men, Betty Draper’s dream of becoming a model and in Revolutionary Road, April Wheeler’s dream of traveling the world are actual realities for women today. Their dreams show similarities, differences and the “American Dream” that every woman has.

During the nineteenth and twentieth century there was a number of changes made in America. Woman were looked at as less than back then and to a certain degree they still are today. There was a number of women that died or went insane because of the standards that they had to meet in order to be considered good women. In this research paper I will talk about the experience of the narrator of The Yellow Wallpaper and Blanche DuBois from the story A Streetcar Named Desire. It will be shown within these pages how the moral and societal standards for women were far different than they were for men, and how the standards changed over the years. Furthermore it will be shown how this effected the women of those two stories.

3) What role did mass media play during the 1950s and 1960s in regard to supporting or undermining the “feminine mystique”?

The Feminine Mystique is a first person narrative about the struggles of feminism. It highlights the problems of women in the 1950s to the 1960s and challenges gender roles. The book includes several first person interviews and discusses the Second Wave of feminism. It introduces the idea of the sexulization of women being used in consumerism and the lack of sexual education in school during the time. The Feminine Mystique is a useful resource because it is considered the groundbreaking book about feminism and lists issues that women have had to deal with from the 1960s until now. The book could be used to argue the struggles that women have faced and continue to face.

During the dawn of the Second World War, a new era began for women across America. As men departed to fight the war, women were left to fill their void in the workplace. Familiar role models such as “Rosie the Riveter” radiated strength and know-how traits historically emphasized only in men. As woman’s role in society broadened, new visions of attractiveness developed to accommodate this unprecedented aspect of femininity. Raymond Chandler’s portrayal of women in The Big Sleep (1939) highlights these changes in social construction of female sexuality and appeal in the setting of a male dominated society.

In the book The Feminine Mystique, Betty Friedan brings attention to what she calls the feminine mystique, or “the problem that has no name”. Through the use of anecdotal narratives, her own personal experiences as a journalist, editor, mother, and the interviews of many women from different backgrounds in order to unveil the truth about the women of the 1950’s. The problem which sparked the second wave of feminism in the United States is one that focuses on the inequality between men and women and the undervaluing of women in both the social and private spheres. The women of the time gave up pursuing their passions, such as getting an education or careers in science or business in order to fit the image of the stereotypical stay-at-home mom whose main goal in life is to raise her children while providing a safe and comforting home for her husband. The Feminine Mystique, as she called it, was the idea of widespread unhappiness of women, despite the preconceived notion that women were happiest when they have a family. Throughout her work, she dives into many of the problems associated with the feminine mystique and builds a powerful concept of what would eventually be labeled feminism.

In the 1960’s, women had been placed in stereotypical roles for years. But women were tired of these roles and were done with being complacent. They felt like something was missing in their lives, and they desired something more. The typical American

What do Betty from "Pleasantville," June from "Leave it to Beaver," and Donna Reed from "The Donna Reed Show" all have in common? They all represent the image of the perfect housewife in the 1950s. They represent women who gladly cooked, cleaned, dressed in pearls and wore high heals while waiting for their all-knowing husbands to come home. They represent women who can only find fulfillment in male domination and nurturing maternal love. Tillie Olsen, as a single mother with four children (204), provides readers with another view of women. Through the representation of the narrator in I Stand Here Ironing, Olsen contradicts the image of the 50s ideal woman, a happy housewife and a perfect mother.

During the dawn of the Second World War, a new era began for women across America. As men departed to fight the war, women were left to fill their void in the workplace. Familiar role models such as “Rosie the Riveter” radiated strength and know-how traits historically emphasized only in men. As woman’s role in society broadened, new visions of attractiveness developed to accommodate this unprecedented aspect of femininity. Raymond Chandler’s portrayal of women in The Big Sleep (1939) highlights these changes in social construction of female sexuality and appeal in the setting of a male dominated society.

During the 1930s homosexuality among females represented the growing threat of feminism. The feminist movement, as it grew in influence, challenged the accepted and traditional male and female roles. Feminism also became linked with sexual inversion, and many women who deemed themselves as feminists were labeled as not normal because they wanted things outside of their traditional gender sphere such as receiving an education or getting a job. As women sought independence they began to take male jobs, threatening the patriarchal society of the time. Mercé Cuena and María Isabel Seguro in their article, Making Something Out of Nothing: Lesbianism as Liberting Fantasy in The Children’s Hour, write, “Hellman used the figure of the lesbian not merely to reproduce homophobia on the stage, but to denounce its politics and consequences upon those choosing ‘non-patriarchal’ modes of living” (Cuenca and Seguro 116). Lesbianism represented a threat to the masculine, patriarchal values that dominated society. Therefore, it was not accepted and viewed as dangerous and a threat to traditional