Themes In Fountain And Tomb By Naguib Mahfouz

Marriage is important in human society. Marriage is “the customs, rules, and obligations that establish a special relationship between a sexually cohabitating adult male and female, between them and any children they produce, and between the kin of the bride and groom” (Arenson, and Miller-Thayer 520). Most of the cultures are used to seeing only female and male getting married but looking deeper into the society; we can see there are more to it. There are many different types of marriages. In an ethnography called, Guest of the Sheik, by Elizabeth Warnock Fernea, she talks about her experiences in a small rural village of El Nahra in southern Iraq. Ethnography is “comprised of the writings of the anthropologist, detailing the life ways of a particular culture, investigated by means of direct fieldwork” (1). As she gets accepted by the women of the villages, she gets a more inclusive view of the culture.

The idea of rebellion was treated by each of the authors by the three articles Cairo: my city, our revolution, Lolita in Tehran and Persepolis two. The author of Cairo: my city, our revolution talks about how Egypt is protesting about their country. And the author of Lolita in Tehran talks about the result of Iran taking over their country. And the author of Persepolis two talks about how women should dress.

Concerning the social context, honor and respect are two significant values that the ‘hijab’ represents. By wearing the hijab, a woman is less likely to be attractive to men and being approached by them, she creates a ‘barrier’ that implements respect between her and another person, by consequent, she preserves her sexual chastity and keeps the family’s honor intact. This is an important detail in the Middle East culture; honor is more a group matter than an individual matter, and in this case, honor’s family is related to women’s sexual abstinence before marriage; in case the honor is lost, it can’t be regained.

This is an interesting exception to the stereotypical and usual relationship between a Muslim man and woman. Usually the man would have the majority of power in the relationship, but the protagonist has made the relationship on her terms only. We also learn from the narrator that the protagonist has a strong disposition. We can conclude that she seems to exude some power . We also learn that her father thinks highly of her and feels that she is “intelligent”, “well brought up”, and “obviously knows the value of traditions and respects them.”

Growing up and living in Afghanistan as a woman has its challenges. Parents choose who can marry you and they choose everything for you. In this book, Laila and Mariam both show the struggles it is to be a girl, and how much disrespect they get in Afghanistan. Both Mariam and Laila are married to the same man, and he is abusive to both of them. They also live under Taliban rule, and the rules that they set are very unfair for women. In Khaled Hosseni’s novel, he has many different themes but the most prevalent one is of woman inequality, and that is shown through multiple accounts of abuse, disrespect, and unfairness.

“There is no shame in this, Mariam,” he said, slurring a little. “It’s what married people do. Its what the Prophet himself and his wives did. There is no shame”(Hosseini, 70).

Brooks uses the sources to bring the thesis together and to help get her point across about the oppression of Islamic women and the pride and power of their male figures. An Islamic law states that women are not to commit adultery, but their husband can have more than one wife. When Brooks learned the story of Rehab and Mohamed and how Mohamed left Rehab for Fatima, it really opened her eyes on how different the treatment of married women of the Islamic world.

The conflict seen in Hassan and Amir’s relationship of based, sadly, on unilateral love and exploitation which leads to the terrible crime committed against Hassan. The childhood of both boys is incomplete without the inclusion of the other. From their nativity, their lives have been defined by the presence of the other. “Fed from the same breast” Amir and Hassan share a

In this section of the paper I would like to examine character’s relation to and the ways in which they internalize the mythology of their culture. The book displays many elements of mythology which are quite removed from actual experience and yet become a part of characters’ identity and gain a certain power in their minds. The storyteller’s narrations are an obvious example of a sort of mythology. He voices a stream of rumors of the village garnished with religious invocations which lend his tales legitimacy. The love songs (as well as the cinema), which play a particularly key role in Um Saad’s narratives, are another imaginary depiction of a woman’s experience, which guide Um Saad to beliefs of what she may expect from life and love. The recurring

The film “Arranged” touches on many aspects that the readings discussed, and offers new insight into conservative religions and the interactions between people of different faiths. One particularly interesting aspect of the movie was the tension that the two women – especially Rochel – experienced. First there’s the tension within a religion: Rochel is really dissatisfied (at least at first) with the matchmaking process and says she doesn’t want to do it anymore. However, her mother is aghast to hear that and asks her to think about her family, because if Rochel doesn’t get married it hurts her sister’s marriage prospects and hurts the family’s reputation. In some way, this makes it seem like there’s a lack of personal choice in this arranged marriage system. And even though Rochel ends up with someone she really likes, it’s not truly because of the arranged marriage system – it’s because she meets Gideon in real life and Nasira is kind enough to help her and go around the traditional matchmaking process.

Marriage is a ritual that marks a change in status for a man and a woman and the acceptance by society of the new family that is formed (Rosman & Rubel, 1981). Marriage, like other customs, is governed by rules (Rosman & Rubel, 1981). Anthropology has represented marriage as the definitive ritual and universally translatable regulative ideal of human societies (BORNEMAN, 1996). Marriage also the act of joining two persons of opposite sex together to become as husband and wife. Many people in the society have different opinions or outright misconception of the meaning of marriage. While some people see it as a union between a man and woman, others take it to mean an agreement made between a man

Hisham Matar’s narrative solely revolves around the perspective of a nine year-old boy Sulieman El Dewani, experiencing first hand an important time of Libya’s history. This crucial time in history was in Gidafi’s oppressive regime in 1979. In the text, In the Country of Men, family bonds within the Libyan society are somewhat the strongest though other relationships between the oppressed citizens of Libya and their totalitarian country and the relationship friends have with each other do prevail to be just as solid. The family bonds within this patriarchy society heavily display a sense of intimate love and compassion for one another. This relationship is deeply

Fatima Mernissi is a celebrated Moroccan author who has written several books which are critically acclaimed from a feminist perspective, however they have also been misconstrued by pundits specifically by men for their own personal benefits. In Fatima Mernissi’s book Beyond the Veil: Male-Female Dynamics in Modern Muslim Society, Fatima Mernissi focuses on sexual relations between men and women and how it effects societal dynamics. In the novel, Fatima Mernissi attempts to narrate the sexual inequality of women in the Muslim world and explores deeply in male-female relationships as a component of the Muslim society. She fears that the involvement between a man and a woman, which may be emotional and intellectual is a direct threat to

This is a significant aspect of the course because the article examines the strengths and weaknesses of femininity through a cultural Muslim perspective and the reading is a prime example of how ideologies regarding race affect those involved. In class we have discussed the significances of social constructs and how assumptions are made on the basis of physical characteristics. In this situation, identity is related to gender as Muslim women are categorized as both good/respectful and rebellious/evil individuals because they are apart of a culture where they are both oppressed and liberated simultaneously.

In the novels Midaq Alley and The Yacoubian Building, we are shown the ongoing, daily struggles of the working-poor in both colonial and postcolonial Egypt. Both share central, overarching themes such as debauchery, desperation, and unstable political situations. The two settings are both examples of microcosms, “cities within a city”. Midaq Alley is a small, dead-end neighborhood in 1940’s Cairo that consists of various shops and apartments. Within each of these buildings are characters that live completely separate lives but all have the same aspirations, to experience the world outside and the wealth it has. The Yacoubian Building is also set in Cairo during the turbulent 1990’s. Similarly, the characters were all tenants of a large apartment building, living in cramped and decrepit spaces.