Thirty years ago, aliens arrive on Earth, not to conquer or give aid, but to find refuge from their dying planet. Separated from humans in a South African area called District 9, the aliens are managed by Multi-National United, which is not concerned with the aliens' welfare but will do anything to master their advanced technology. When a company field agent Wikus contracts a mysterious virus that begins to alter his DNA, there is only one place he can hide: District 9. The film was directed by Neill Blomkamp and starred Sharlto Copley (Wikus). It begins as a documentary style investigation and then as the film continues it becomes more conventional and character driven following Wikus and his transformation into a Prawn. The film focuses …show more content…
In the movie, there are signs saying either no prawns or no humans and the humans show a major sign of xenophobia towards the prawns. In this day in age we see a lot of hatred towards foreigners, in particular, terrorists. In the beginning of the movie you see Blomkamp interviewing the humans about the prawns. They show a great level of hatred and disgust for the prawns intruding on their town. In the real world, we see this same form of hatred or disgust from certain people about the immigrants and refugees intruding on and taking over many American’s jobs. Blomkamp wants to push the issue that there is great hatred throughout the world today. The main reason he produced the film in Johannesburg was because there were high tensions between native south Africans and Zimbabwean refugees. He wanted to try to make the town he grew up in great again. Blomkamp wanted to open people’s eyes with the use of science fiction to show that in some ways we treat other humans like the humans treated the prawns. Differential Criticism studies works by and about oppressed groups, including ethnicities, women and homosexuals. The focus is particularly on how oppressed people and their artistic or intellectual productions have been marginalized, stifled, or demonized, and how preoccupations with difference (framing them as “the Other”) have shaped the portrayal of these groups (Fourteen Critical Approaches for Work in the Humanities). In the
Cultural criticism is a broad technique that puts emphasis on the culture that contributed to the production of a work. This approach is an eclectic, interdisciplinary study that utilizes a wide range of topics to analyze literature. Cultural criticism considers a variety of perspectives and branches of knowledge to discover the compilation of beliefs and customs that characterize a group of people. For a cultural reading of The Handmaid’s Tale by Margaret Atwood, a cultural critic would consider the historical background paired with theories such as Marxism and feminism to make assumptions about what culture engendered the creation of this novel. (104 words)
The goal for feminist artists all along has been the gender-blind interpretation of art, allowing women equal opportunity for success. Feminists have long cried for museum curators and art collectors to see more than just “male” or “female” in a work. However, politics tend to get in the way, and it may be argued that, by clamoring for equality, women have isolated themselves further, making female art a socially-conscious fad rather than a respectable institution. In Women, Art and Society, Whitney Chadwick elaborates: “Feminist critics remain sensitive to the dangers of confusing tokenism with equal representation” (1990). Fear of such tokenism, and perhaps too much emphasis placed on inequalities, has made feminism somewhat of a “dirty word” to some artists today.
Our Fear of Immigrants by Jeremy Adam Smith uses emotional scenarios and scientific evidence to support his question of why people fear immigrants. Smith never clearly states his point in the paper, but he wants to address the issue of prejudice against immigrants. This is easy to figure out because of the content of the excerpt, and the headings that guides the reader to an additional support of the idea throughout the passage.
This paper examines the feminist thoughtsas depicted in the works of black female writers, Maya Angelou and Toni Morrison. Both carry the common theme of describing the black woman and their sufferings in their novelsBeloved and I know why the caged bird sings. Both the writers handle a common feminist criticism. The silence, passivity and resistance of women protagonists are seen active of the feminist criticism.
On September 1, 2016, Marco Gutierrez from Latinos for Trump exclaimed that: “My culture is a very dominant culture, and it’s imposing and it’s causing problems… if you don’t do something about it, you’re going to have taco trucks on every corner.” The hashtag ‘#tacotrucksoneverycorner’ blew up on Twitter and Facebook as many people fantasized about a utopia in which you could have nearly unlimited access to tacos al pastor. However, Gutierrez’s comment also cast a light on a very serious cause of anxiety for many Americans. Specifically, fear of the Latino invasion. This hyper-emotional state has many people feeling that their country, rights, property, and security—the basic components of the American Identity— are being threatened because of a perception that Latinos are not ‘Americanizing’. I argue that not only are these fears that Latinos are endangering American Culture are in fact illegitimate, but also that the idea of ‘Assimilation’ or ‘Americanizing’ promotes the racist hegemony of the Anglo-Conformity Model that contends that any immigrant who does not meet both the criteria of ‘White’ and ‘Protestant’ is therefore inferior and a threat.
Neill Blomkamp’s District 9 transcends the bounds of Hollywood’s usual, cliché alien movies. Through its imposing cinematography and mise-en-scène, an element of compassion is woven in throughout District 9, inverting the audience’s expectations with a shocking, novel narrative. The first fifteen minutes open up in a ‘mockumentary’ style, establishing the environment with interviews, news footage, corporation logs, and found footage of the alien ship hovering over Johannesburg. The film’s opening scene communicates that the extraterrestrials first arrived during the 1980’s and have been living amongst the people of Johannesburg as an unwelcome threat ever since. However, as film’s narrative progressively informs the viewer, their
In addition, I will examine the differences between male and female sexuality and how each tended to be perceived and treated by society. Then, I will look at prominent female artists and their personal experiences and beliefs on feminism and the female in their art focusing on how it tended to be received along how male artists responded to it. Mainly, I will be analyzing the clash of sexualized images in art, focusing on the differences not only between male made art versus female art, but the differences in the women’s art community, as well. What are the reasons and goals for women to use a “sexualized image” of women in their art versus
The unlawful nature between both races runs it s course, to lead a fragile impact, which is mainly highlighted through the film and
Through the use of old black newspapers and commentary, Sotiropoulos tells how black performers were able to use art in their struggle for equality. Through their performances, the black performers tried to put aside racial violence, segregation
I chose this article because it almost seems like a propaganda piece. It's too convenient that an Austrian, a German, and a Hungarian (three countries the United states had just declared war on) all spoke out against the flag and were punished on the same day. Even if completely true, it hints at the over the top nationalism of World War 1 America, and the Xenophobia of the Pacific Northwest. I think this is an example of the idea that all foreigners remain extremely loyal to their home countries, maybe the same idea that was used to justify Japanese internment during World War 2.
I fell in love with methodologies of art history. I felt empowered in that, through my own interpretations, I could attach words and meaning to objects. My study of art history reached a turning point when, in 2012, I took a class entitled Identity in a Post-Identity Art World: Gender, Race, Sexuality, and Trans/Nationality, 1990 to the Present. The course endowed me with another lens with which to examine works and, more importantly, shed light on representations of marginalized identities. As a result, I was introduced to the writings of Judith Butler and Simone de Beauvoir, both seminal theorists who inspired my own analyses. I enjoyed every minute of conducting research and forming arguments to support my claims. Ultimately I was interested in developing my understanding of issues in contemporary art further and sought to accomplish this by engaging with a larger
In producing District 9, Jackson’s intention was to address racism as an ideology by forcing the viewers to be the racist. At the beginning of the film, when we are introduced to the aliens that reside in District 9, we immediately despise them. The Prawns themselves exhibit human like characteristics (ie. two arms, two legs, stand up right) but also exhibit grotesque characteristics. The aliens are filthy,
Feminist Criticism is described as literary criticism to presents different perspectives on how literature discusses issues of gender, focusing on education, financial and social difference in a male dominated society. Critics revolve around power relation between the two genders. They also review how females are represented in different texts and literature and how such representation is sufficient. In addition, feminist critics in politics present literature that seeks to raise consciousness about the important role of women and highlight how language is misused to marginalize women. Influential figures of this form of criticism are George Eliot and Margaret Fuller. They are two who mainly came up with the idea of Feminist Criticism and the basic principles followed by others today. Some famous authors who wrote through the lens of Feminist Criticism are Ellen Moers, Alice Walker, and Tillie Olsen... These writer’s focus on inequality between women and men. Many stories have been written using this thought process as the catalysts for the work.
District 9 is a science fiction documentary style film directed by Neill Blomkamp in 2009, set in present time in Johannesburg, South Africa. District 9 uses stylistic techniques such as cinematography, sound, mise-en-scene and editing to make us, the audience, believe that the alien invasion redundant is truly happening in our world today. District 9 also uses strong documentary techniques to reel the audience in even further and to capture the audience’s attention in a very different style of science fiction never before seen in Hollywood. All of these techniques, along with how they are used to create realism,
Feminist criticism scrutinizes the ways in which literature reinforces or undermines the economic, politic, social and psychological oppression of women. One of the tools used