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Too Foolhardy In The Taming Of The Shrew

Decent Essays

William Shakespeare’s play The Taming of the Shrew leaves its readers with many questions about the gained and lost virtues of some of the characters. One specific character is Kate. Kate is the daughter of the wealthy Baptista. She experiences dramatic character development as she interacts with different characters in the play. The first step to examining what happens to Kate’s virtues is to examine what virtues are. Aristotle defines virtues as “a trait of character manifested in habitual action,” (Rachels, 160). Essentially, virtues are character traits that people deem admirable. They serve as a valuable median between extreme characteristics. If one person is a coward and another person is too foolhardy, a virtuous person might be considered …show more content…

At the beginning of the play, she shows many traits that might be considered virtuous today, but not virtuous for the time period. She starts out self-reliant and strong willed, traits she may have developed as a result of her father’s preference for her younger sister, Bianca. Kate is also assertive, confident, and determined. She seems to know who she is and what she is willing to put up with, which is not much considering her tendency to walk away from conversations that displease her. Today, a person with features like this may be seen as virtuous. In contrast, women at that time were expected to be anything but strong willed. A virtuous family had compliant, docile daughters and wives. When the play reaches the end, Kate’s mannerisms seem to have shifted. They are virtuous by Shakespearean time standards but not by modern standards. No longer strong willed or out spoken, she behaves obediently and submissively to her husband Petrucchio. She comes when he calls her and chastises women who are not submissive to their husbands as she …show more content…

The first signs of his influence are found in Act 2, scene 1. When Petrucchio meets Kate for the first time, a battle of sass and wits ensues as he attempts to prove to her that he is not afraid to speak to her or challenge her (181-315). Despite speaking to Petrucchio as though she does not care about him or what he is saying, Kate stays and continues the conversation with him. This contrasts with most other conversations Kate has with people where she becomes disinterested and simply leaves. Her interest in him prompts Petrucchio to continue courting her and eventually to marry her. From the wedding till the end of the play, he transforms Kate’s entire personality. Once Kate moves into his home, Petrucchio deprives her of many basic human needs under the claims of it being for her own good. In Act 4, scene 1, Petrucchio starves Kate, insisting that the food is not good enough for her (156-163). Petrucchio embarrasses her and manipulates her further by forcing her to claim that the sun is the moon and the moon is the sun (4.5,

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