How Does Shakespeare Present Marriage in the Taming of the Shrew?

The first comedic device used in The Taming of the Shrew is family drama. Katherina can’t find a husband she likes, and no man likes her. Bianca is her younger sister and wants to marry but can’t until Katharina does. This puts tension on their relationship and also their father’s. In this line, ““Are you so formal, sir? Well, I must wait. And watch withal, for, but I be

However, I believe the opposite. This play makes a statement about shallowness, the partnership of a married couple and what virtues are truly valuable.

Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

Petruchio also manipulates Kate psychologically by pivoting her thoughts in the direction of them being suited to each other for marriage. When he says “I am too young for you” (Act 2 Scene 1, 250), he starts making her feel old and unwanted. This comment makes her mad, and causes her to feel the need to prove that he is old, which she accomplishes in the next line by saying “Yet you are withered” (II, 1; 251). Thus she unconsciously admits that he is at least suited to her in age for marriage, if nothing else. By complimenting her, Petruchio is also able to play with her psychologically. He begins by saying she is beautiful, nice, and modest. Even though he may not mean it, and Kate probably suspects he is lying, it still has a positive effect on her. Complements boost her confidence and make her feel wanted, which is a new experience for her. Such complements eventually lead her to believe that he may actually love her, or that there is a possibility of love between them in the future. This method of manipulation does have its effects, because she only opposes their marriage once in front of her father, and after Petruchio announces that they have decided that she should “still be curst [to him] in company” (II, 1; 324), but they really love each other, she offers no counterarguments.

The rhetoric appeal of ethos appears here as Katharina calls out the other wives on their rudeness and attitude; “Come, come, you forward and unable worms! My mind hath been has big as one of yours, my heart as great, my reason haply more,” (5.2.34-36) Katharina is explaining that she was once just like Bianca and the widow, but is no more. She has changed into a woman who respects and obeys her husband’s every command, as she realizes that in this metaphor, “But now I see our lances are but straw” (5.2.38) that no matter what she complains about, it would be pointless. Her anger is as strong as a straw compared to her gracious and loving lord who cares for her every wish. She understands that Petruchio is the one in charge.

Marriage is presented in Shakespeare?s play The Taming of the Shrew, in a complex manner allowing readers to view the play literally as a brutal taming or ironically as a subversive manifesto. Yet, Shakespeare intends to present marriage to be full of mutual love where neither male nor female dominate but compliment each other thriving together in a loved filled relationship. The portrayal of a deep understanding, which exists in an analogical relationship and the gentle transformation, which occurs in marriage, clearly outlines marriage in the play to be a celebration of a mutual love relationship within the patriarchal foundations of society.

In this respect, the play is a typical romantic comedy. However, unlike other Shakespearean comedies, The Taming of the Shrew does not conclude its examination of love and marriage with the wedding. Rather, it offers a significant glimpse into the future lives of married couples, one that serves to round out its exploration of the social dimension of love. Unlike in Romeo and Juliet, inner emotional desire plays only a secondary role in The Taming of the Shrew’s exploration of love. Instead, The Taming of the Shrew emphasizes the economic aspects of marriage; specifically, how economic considerations determine who marries whom. The play tends to explore romantic relationships from a social perspective, addressing the institutions of courtship and marriage rather than the inner passions of lovers. Moreover, the play focuses on how courtship affects not just the lovers themselves, but also their parents, their servants, and their

Kate shows change in a way where she is innocent but obedient, before Petruchio enter the wedding party for Bianca, and right as they are about to enter Petruchio asks for a kiss. Kate denies him this because she has become modest and innocent which is a major change from the start, but shows obedience when she gives in and kisses him,”Nay, I will give thee a kiss. (kisses him) Now pray thee, love, stay,”(V.i.228).

The Taming of the Shrew is one of Shakespeare’s earliest comedies, and it shares many essential characteristics with his other romantic comedies, such as Much Ado About Nothing and A Midsummer Night’s Dream. These characteristics include light-hearted and slapstick humour, disguises and deception and a happy ending in which most of the characters come out satisfied. The play has been dated from as early as 1594 and as late as 1598. (http://www.sparknotes.com/shakespeare/shrew/context.html)

The Taming Of The Shrew by William Shakespeare is an introduction in the everpresent battle of women to be loving and caring wives, while at the same time holding on to our independence. Its plot is derived from the popular 'war of the sexes' theme in which males and females are pitted against one another for dominance in marriage. The play begins with an induction in which a drunkard, Christopher Sly, is fooled into believing he is a king and has a play performed for him. The play he watches is what constitutes the main body of The Taming OfThe Shrew.

The 1500’s play focuses more on marriage, as like teenage dating in this modern era, for the play’s intended audience, it was marriage that the Elizabethan era society was preoccupied on, and was something they felt they “had to do”. The difference between relationships and marriage is shown

The idea of marriage that is presented in the play differs from what we see marriage as

The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "

Marriage in William Shakespeare's The Taming of the Shrew At the time Shakespeare wrote The Taming of the Shrew the idealistics