I am reading Tape by Steven Camden. So far, the main, characters, Ameliah and Ryan, are both facing troubling issues in their social/family life. Ryan’s issue is him still adjusting to his stepmother, Sophia, and her problematic son, Nathan. Ameliah, on the other hand, is trying her best to fit in with the ‘popular’ girls at her school. The characters are relatively the same age but Ryan lives in 1993 and Ameliah in 2013. They are joined together by Ryan’s tape diary found in Ameliah’s attic. In this journal, I will be making a song tribute to a specific event in the book, such as Ryan’s reminiscence of his mother and Ameliah trying to fit in, and Nathan’s lack of decorum.
Ever since Ryan’s mom died, he is continuously attempting to adjust
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Ameliah is ‘out of place’ or the outcast of the group. She does not make the effort to form a bond with the other girls but is sort of pressured into it by her Heather. The lyrics that were chosen were, “Now you're lost, Lost in the heat of it all, Girl you know you're lost, Lost in the thrill of it all” (Frank Ocean-Lost). The reasoning for choosing these lyrics is because, in the book, it states, “Heather gives her a look that says ‘Stop being so quiet’ and Ameliah tries to say with her eyes that she’s only quiet when she’s around people talking about things she doesn’t care about…” (Camden 25). Ameliah isn’t necessarily ‘lost’ but stuck in with a group of people that she does not have an interest in knowing more about. The quote chosen describes my character as being quiet and secluded. She is overexerting herself as well just so she can fit into a group of people unlike herself for Heather. The lyrics that were chosen describe how my character should stop adjusting herself to other people. Ameliah should just enjoy life and be more exuberant and just be lost in the moment as well as forget about middle school social
In Ellen Hopkins’ Identical, twins Kaeleigh and Raeanne bring dark secrets to light. After the girls’ daddy, Raymond Gardella - a comely city judge - causes a car accident involving them and their mother, the family begins to fall apart at the seams. The girls’ mother soon after turns frigid, showing little to no emotion towards their daddy, and she eventually leaves them all. The loss of their mother, and their daddy’s loss of his wife, sends all them all into a downward spiral, which is just the start of the family dilemmas. Despite the family’s desperate pleas to have her back, she still refuses, and soon takes up an interest in the city politics. While she is gone, the girls’ daddy does some repugnant things that should have him put in jail, but only Kaeleigh and Raeanne know – and they’re smart enough not to open their mouths about it, or daddy will make it worse.
To start off, the first stanza in her song represents a sense of how unavoidable change is and how the confusion of the bond combined with the stress of the blame game can lead to a doomed
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At this very moment, there are thousands of people worldwide who are retweeting posts on Twitter, liking pictures on Instagram or posting a status on Facebook. Twitter, Instagram and Facebook are few of the many social media platforms that have become prevalent in our society. Because social media applications and websites allow users with easy access to communication with others around the world, individuals all across the globe are able to socially interact on a daily basis. Erving Goffman, Charles Horton Cooley and George Herbert Mead, three of many sociologists who viewed society through the interactionist perspective, would use these daily interactions to make generalizations about society as a whole. The paradigm of symbolic interactionism reaches conclusion about different groups in society, generally by observing everyday social interactions. Accordingly, interactionists would view social media as an aspect of society that consists of constant social interactions that continuously influences and affects individuals and the whole of society.
The social network is a product of our time and a timely comment on how we live now.
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