Unattainable Beauty in the Perfect Woman Essay

By taking a different approach and using comedy and entertainment, Tina Fey has brought people together to understand the important topic of body image in a way people will listen. Body image for women has been a major issue in our world and there has been little change to stop it. “‘Why can’t we accept the human form as it is?’ screams no one. I don’t know why, but we never have. That’s why people wore corsets and neck stretchers and powdered wigs” (142). Everyone wants perfection. Everyone wants what they don’t have. No one is perfect. Everyone has flaws. If the world cannot accept this, people will continue resorting to modified images to produce this “ideal beauty.” One of Fey’s more interesting stories is when she talks about photoshop. Photoshop is a tool which contaminates how people see the human body. But this “perfect body” is intangible. Fey states that everyone is beautiful, and it takes a strong society to believe it. “Photoshop is just like makeup” Fey states, “when it’s done well it looks great, and when it’s overdone you look like a crazy asshole” (142). She relays on the idea that we are taking away the reality of our bodies when using photoshop. Fey’s attachment of a joke with the large and complex idea that photoshop dehumanizes a person is what keeps the reader captivated with the story and wanting to know more. Fey is able to reveal that a picture is an alteration of the true beauty of a person when put through photoshop. The reader is therefore able to assume, beyond all of her funny jokes, Fey

Lovelock begins talking about Instagram, a social media platform which is used to share pictures with your followers. He talks about how people tend to upload photos with the #transformationtuesday, claiming to have transformed their physical features. As more pictures that are being recently uploaded within social media, the further we see people enhancing their photos to become flawless. As we dig further into the social media side of the internet, we are going to see just how much influence society has on people and their decision to become who they perceive as perfect. Throughout the

The dove beauty campaigns are again a perfect example of this, as they depict a digitally altered photo of a woman being presented on a billboard (Tpiper). Depicting a remarkable transformation of an ordinary woman, this video shows a billboard model being produced through means of excessive makeup and hair styling in conjunction with digital editing after the photo was taken. This woman is not natural. She has pounds of makeup on her face, as well as photoshopped touchups, and yet she is perceived by the public as the standard of beauty. Nobody is able to compare with such a carefully sculpted face, and therefore this establishes unrealistic expectations

“Never Just Pictures” by Susan Bordo, is about how today’s society is influenced by the mass medias unrealistic ideas of how they are supposed to look. In this essay, the author breaks down the images being showcased by today’s culture concerning the aesthetics of the female body. Bordo also talks about how what was considered ‘beautiful’ or ‘perfect’ before has changed. Lately, the world has been on a craze to look like the air brushed model in the picture. Bordo explains how a lot of people are becoming more obsessed with their physique, and depending on looking thin to make them happy, instead of focusing on being happy and healthy.

In the article “Plastic Surgery Junkies: Why Are Perfectly Pretty Women Getting Hooked” by Sally Davis, explained how perfect women are getting changes done to their bodies when it's not needed. She describes how people today are obsessed with their flaws and what people think about them just to fit in. She also said that the main reason people felt the need to change themselves was because of the use of technology and the idea of looking like a model and celebrity.

Photoshop is known to fix even the slightest imperfections. This sets impossibly high standards for what women expect for themselves. Photoshopped images are destroying America’s body image. The media sets up high beauty and body standards for women. The media takes beautiful women and tells them they are not beautiful enough. Being beautiful nowadays is having a face covered in make-up, being “skinny” is having a thigh gap, and to be perfect is to have no flaws. Women need to start realizing they are beautiful with their flaws, but it’s a hard process to love your flaws and imperfections. Dove made a commercial about loving something as simple as your curls. A handful of young women (ages 5 to 11) were asked about how they feel about their

This essay is for women who believe their thighs are too big, their breasts are too small, their hair is boring, their skin is flawed, their body is shaped funny, or their clothes are outdated. This month's column is for women who believe their life would improve if they could lose 15 pounds; if they could afford contact lenses, that new perfume or anti-cellulite concoction; if they got a nose job, a face lift, a tummy tuck, etc. This month's column is for women who feel shame or unhappiness when they ponder some part (or all) of their body. In other words, this month's column is for 99.9% of the women reading it!

The video showed us that there are still people who want that perfect image that does not even exist, being perpetrated on young vulnerable girls and women that are dying to become that idea of perfection.

The development has created much controversy because how it decides to present its perception. Humanity is at fault for how the beauty industry decides how to advertise the perfect image. Yet, in the twenty-first century, there has been a turn of events. Those have educated imaginations are realizing how one standard of beauty is not enough for the millions of versions of beauty there are. Despite, wanting to have no standards of beauty, the educated know that this is no physically possible. Frye perfectly summarizes, “ The fundamental job of the imagination in ordinary life, then, is to produce, out of the society we have to live in, a vision of the society we want to live in. Obviously, that can’t be a separated society, so we have to understand how to relate the two.” (86) The educated imagination interprets how they want their society without losing the connection to what we live in. The beauty industry represents the society we live in: superficial, materialistic, and self-indulgent. The educated imagination represents the ideal society: accepting of all and self-confidence. Although it cannot be the ideal society, there are still possibilities of a society where beauty is not a forced by people sitting at a board table. The mixture of these two societies can develop into a society where beauty is not only external but internal. Having the educated teach the weak imaginations how to comprehend the repercussions of the beauty industry, but still, understand it is difficult to change a hundred-year-old tradition. Standards of beauty will always be part of society, it is just how will society determine what is an illusion and

The manipulation of photographs creates an unrealistic beauty standard that no one can achieve, not even those in the images. 98.3 percent of images we regularly see in magazines and in advertisements, are digitally altered to make the subject more desirable. Too often the subject is a woman objectified in order to promote a product. In turn, teenage girls see the pictures and compare themselves to them. They want to be the ‘ideal’ woman seen so frequently in the media, but because the image has been manipulated this results in an ideal that can not be naturally achieved. Consequentially, 53 percent of thirteen year old girls feel unhappy with their body. This increases to 78 percent by the age of seventeen. It is unfair that people are forced to see these pictures and learn to associate them with beauty. As a result, women are

Women of all ages, especially numerous college-age women embrace unlikely ideals of what their body size and shape essentially should be. These ideas can be in cooperation physically and emotionally corrupt; without them even apprehending the damage they causes themselves. Most women typically want to look their finest try to excel in their goals, jobs, and more just by being beautiful. There are billions of products and even procedures, such as plastic surgery, cosmetic surgery, and surgeries to place on permanent makeup, which is available and advertised in the daily media. And all of these advertisements claim that they can help women accomplish these goals of their desired “ideal of beauty”. This is a problem that we can bluntly see within today’s culture. What our society reflects as their view of beauty, has the tendency to change, erratically. And this means that our pursuit of beauty tends to be lifelong and we will be subjected to the fancies of trendsetters, media, and fashion industries on a daily

Mass media falsely claims to be an advocate for self-acceptance and the idea that every woman is naturally beautiful, while it simultaneously uses Photoshop to erase all trace of that natural beauty—imagine how much they would Photoshop women if they did not extol real, non-enhanced, beauty! The women in these digitally improved photos look, quite frankly, as real as Barbie and her friends, and few women actually believe that the women in the pictures look that flawless in person. However, these pictures have the power to make any woman, including those in the pictures, feel inadequate because she is not as “attractive” as a Photoshopped image, the power to make a woman detest herself

Although Sturken and Cartwright claim it is quite easy to fall for the misconception that photographs are “unmediated copies of the real world” (Sturken & Cartwright, 17), this is no longer true, if it ever was. While cumbersome, even before the advent of image editing software, it was possible to modify photographs. Furthermore, in contemporary society, we have completely lost faith in mass media representation; rarely do people expect images to be completely unmodified anymore. This is especially visible in western culture since people are pressured to conform into highly specific aesthetics where even a “natural” look is artificially crafted with makeup and digital filters. Even disregarding direct manipulation to a print through methods such as Photoshop, photographs are manipulated in such obvious ways, it almost seems absurd to point it out. The framing, lighting, and positioning are always adjusted by the photographer. Therefore, people themselves are a type of manipulation; a representative filter through which biases are imbued. In effect, Sturken and Cartwright’s conclusion that all camera-generated images bear an “aura of machine objectivity” (Sturken & Cartwright, 16) stemming from “the … legacy of still-photography” (Sturken & Cartwright, 17) is

Every single day when I wake up in the morning, one of the first things I do is look at myself in the mirror. Am I skinny enough? Is my skin clear enough? Do I look like the girl from the magazine I was reading yesterday? No. I don’t. But I’ll keep asking these questions each and everyday because that is what the media tells me I need to look like. Because if my waist isn’t small enough I’m not pretty. Because if I have cellulite on my legs there’s something wrong with me. Because if I don’t slot into this unattainable standard. I'm not beautiful. Airbrushing and photoshopping models in pictures to display through media is something that frankly speaking is appalling. We are alienating beautiful human beings because of the media’s dictations on what we should look like. I am sick of being brainwashed to the point where all I can ever seem to do is single out the ‘flaws’ in myself. If we display, real, beautiful, raw pictures of people in media then so many problems caused by this would no longer exist.

We are constantly surrounded by images of the “perfect” woman. She is tall, thin and beautiful. She rarely looks older than 25, has a flawless body, and her hair and clothes are always perfect. She is not human. She is often shown in pieces – a stomach, a pair of legs, a beautifully made up eye or mouth. Our culture judges women, and women judge themselves, against this standard. It is forgotten that “beauty pornography”, as Wolf says, focuses on underweight models that are usually 15 to 20 years old. Flaws, wrinkles and other problems are airbrushed out of the picture.