Suffering at the Helping Hands of Society Stemming from their ancient origins and continuing into the modern day, societal standards and moral codes have greatly influenced the development of cultures, nations, and individuals throughout world history. While some believe that these standards are meant to be broken, others feel that breaking these social codes will result in the downfall of the individual. This is the idea that absurdist and existentialist author Albert Camus depicted in his novel, The Stranger. In his novel, The Stranger, author Albert Camus employs the use of point of view in order to convey the idea that those who fail to conform to social standards and moral codes will ultimately fall victim to their societal ineptitudes. …show more content…
Throughout the novel, Meursault repeatedly denies believing in any sort of religion, a belief that ultimately earns him the nickname “Monsieur Antichrist” (Camus 71). This secularist focus is most keenly emphasized to the reader when the chaplain visits Meursault in his cell prior to his appeal. During this visit, Meursault denies God to the face of the chaplain, who asks “And do you really live with the thought that when you die, you die, and nothing remains?” Meursault replies with, “Yes,” demonstrating that Meursault views religion as a societal triviality (Camus 117). This is because after his conviction, Meursault sees death as an escape from the societal standards and moral codes that led to his condemnation. To Meursault, “death obliterates all of society’s distinctions between innocence and guilt, and a premonition of his death exposes to a man the artificiality of society’s rules” (Lazare). Society, rather, views death as a final form of judgment rather than as an escape from it. In Christianity, for example, one either proceeds into Heaven or Hell after he or she dies, facing judgment for one’s actions in life. Because Meursault’s point of view differs from this …show more content…
As the novel progresses, the reader gathers a clearer and clearer vision of Meursault’s amoral outlook on life. Meursault’s view on the situation with Raymond and his girlfriend is one prime example of this amoral outlook. When Raymond, Meursault’s neighbor, explains to Meursault that his girlfriend has cheated on him and so he consequently beat her, Meursault takes an entirely objective approach to the situation, stating that “he’d beaten her till she bled. He’d never beaten her before…he wanted to know what I thought of the whole thing. I said I didn’t think anything but that it was interesting” (Camus 32). Typically, when one finds out that someone beat his or her significant other, one finds it wrong, immoral, and disgusting. Meursault, however, simply finds it interesting, associating neither positive nor negative connotations with the event itself, demonstrating his amoral take on life. Shortly after this event occurs, Meursault helps Raymond punish the girl, something that led to another beating. Describing the events, Meursault states, “The woman was still shrieking and Raymond was still hitting her. Marie said it was terrible and I didn’t say anything. She
"The day after his mother's death, this man was out swimming, starting up a dubious liaison, and going to the movies, a comedy, for laughs. " The prosecutor uses Meursault's previous unusual actions as evidence that he is a threat to society. His actions are deemed monstrous by the jury and subsequently end in Meursault's conviction. Society uses the past in order to justify the present. It is incorrect for one to assert that Meursault has no emotion or incapable of emotion; it is simply that he fails to exhibit it for he feels it is meaningless.
He has no initial reaction to the news of her death, and at her funeral service he did not bother to even see her before she was buried. His lack of emotion is evident in the very first lines of the book, “Mother died today. Or maybe it was yesterday, I don’t know.” This shows that Meursault is hardly caring for his mother. Society’s standards would result in him to be in absolute mourning and wanting to go as fast as possible to her body. This is not the only example of Meursault’s lack of emotion and care for factors in his life. He does not care for love and marriage after having intercourse with someone; the society standard at this time was to get married if two partners had intercourse. He does not care for promotion and career advancement when his boss offers him a better job opportunity; the standard at that time and right now is to pursue the best career possible. In these scenarios Meursault is living free from the chains, and does whatever he thinks is right to do. Eventually, society rejects him and his ways, and he gets in trouble with the law. He is judged by society and his ways are ridiculed, making Meursault appear to be a monster.
In “The Stranger” by Albert Camus, the juxtaposition between Chaplain’s morals and the Meursault's are symbolic of the acceptance and rejection of social constructs like religion, showing how adhering to one’s own values are ultimately more rewarding. Throughout the novel, Meursault is defined his actions driven from prioritizing his physical needs first. This mentality lands Meursault in jail for killing an Arab because he was distracted by the sun. As he is about to approach his death sentence, the Chaplain attempts to get him to convert to religion and become a believer in his final moments, as “he was expressing his certainty that my appeal would be granted, but I was carrying the burden of sin from which I had to free myself. According
Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.
The same moral ambiguity is also present in Meursault's murder of the Arab and the ensuing trial. As far as absolute morality goes, the murder is without question an act that falls on the "evil" side of ethics. That point is not a topic for debate, but in the reasons behind it the reader can find even more of Meursault's moral ambiguity. At the time, he does not seem to know why he is doing what he is doing, but it is certainly not out of spite or malice, nor out of any specific hatred of the Arab himself. He could be harboring a grudge on behalf of his friend, which would be understandable, since Raymond is one of the only people we see Meursault truly connect with in the novel, if it can even be called that. He could be taking preemptive action in self-defense, especially after he sees the knife glinting in the Arab's hand. In truth, it is never truly revealed what his motive for his rash action was, making it hard again to
Meursault is an independent and absurd guy who refuses to lie about himself to save his life. At the beginning of the book he avoids conversation and showed existentialism. For example, when the caretaker asked him, why he doesn’t want to see his mother’s body, he just simply said “I don’t know”. Another reason is when he would say, “marriage, no marriage, who cares.” Towards the ending of the book he starts to open up. In order for him to realize how wrong he was, he had to suffer the consequences. Meursault states, “For everything to be consummated, for me to feel less alone; I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate(2.5.165). “Meaning, he finally has awareness and is open-minded about his life.
In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.
In the novel, The Stranger, by Albert Camus, Camus uses a variety of literary devices in order to create a moment of inward reflection from readers, in which we reflect on just how absurd our existence is. Camus expresses his critique through one major character, Meursault, and a few minor characters as well. Camus’s use of irony pushed readers to look beyond the surface, and come to the conclusion of where the irony was displayed. Camus also made use of ironic moments in order to contrast the expectations of society, to how Meursault differs from that, all to gradually expose the hypocrisy of mankind. Camus generally uses this literary device in order make us evaluate our own selves and more importantly to display the fact that we as people can be truly happy, only if we accept our fate, instead of fighting it. In a way, he’s suggesting we be more like Meursault. Examples of this would be the funeral caretaker insisting that Meursault view his mother's body, and Meursault continuously refusing. Camus does this to make people think: what exactly is wrong with Meursault not wanting to see his dead mother? Through this technique camus shows societal expectations of how people are supposed to mourn lost, and certain responses to lost are deemed abnormal. Thus Meursault’s lack of grief automatically made him an outsider. Other uses of irony can be shown through Meursault's interactions with the chaplain, and the authority involved in his criminal case played out later on in the
I agreed to act as a witness for him” (37), the contextual evidence proves that Raymond only uses Meursault for his own benefit by making him his witness. In this relationship, Camus presents Raymond with selfish-like characteristics for using Meursault for his own benefit and not returning the favor to Meursault.
In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.
Meursault was introduced as a young man whom recently found out his mother, Maman, died. He was not the most emotional person, but he dealt with his feelings the best he knew how. Meursault lived his life on the verge of truth and honesty. He was honest within every aspect of life, from women to freedom. He was never certain about anything in life ,but one thing he was sure of, death was inevitable. After murdering an Arab, he was on trial in front of many people being interrogated with many questions about why he did what he did, but also to evaluate his psyche about the situation. Unlike others, Meursault did not hide from the truth and that is what others could not cope with. Living his life the way others were afraid to, Meursault was the outcast in his society.
When he returns home to Algiers, Meursault carries on with life as normal. Over dinner one evening, his neighbor Raymond tells of his desire to punish his mistress for infidelity, and asks Meursault to write a letter to the mistress for him. Meursault agrees, saying "I tried my best to please Raymond because I didn’t have any reason not to please him" (32). While Raymond is a man of questionable morals, he acts with purpose. Meursault, on the other hand, acts with mostly passive indifference, doing things simply because he doesn’t have a reason not to do them.
Camus describes in detail the street scenes yet never does Meursault become involved in them. Meursault is distant from the messiness of plans, ambitions, desires, hatreds, even love. Marie's protestations of love only puzzle him. When she asks him if he wishes to marry her he agrees only because he sees no real reason to refuse. He helps in Raymond's nefarious schemes for equally bland reasons, and also because Raymond plies him with food, drink, and cigarettes. He is even distant from his own trial. It interests him because he has never seen a trial before.
In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.
“The outsider” also commonly known as “The Stranger” is written by Albert Camus. It is a book that explores the many concepts, understandings and overall idea of human life. As my group and I take time to break down the varies aspects of the book, please take time to reflect, and understand your own meaning of human life.