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Violence In Lord Of The Flies

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How is violence inherent in human nature? One of the key themes of William Golding's Lord of the Flies is the intrinsic capacity for violence in human beings. Despite several attempts to maintain a kind of liveable social order, violence that is always hovering at the margins of the narrative eventually breaks through and consumes the thin civilization Ralph and Piggy have created by the use of the conch as a conduit for power and legitimacy. It is important to examine several aspects of this interaction and identify the ways in which the philosophy of violence is understood and represented by Golding in the book. Though the book is informed by violence, violence is, at first, essentially practical in nature; it is either used for the purpose …show more content…

The head itself is the residue of a violent act, the killing of a pig, but in placing the head in an explicitly symbolic context, the act gains a ritualistic significance. Simon is one of the first to intuit this. Jack refers to the head as being a "gift for the beast" (Golding 197), but Simon seems to understand the head differently, almost as a means of summoning the beast. Golding's narrative voice seems to meld with Simon's interior discourse as he describes the status of the head and the dangers it suggests: "A gift for the beast. Might not the beast come for it? The head, he thought, appeared to agree with him. Run away, said the head silently, go back to the others" (Golding 197). The head, therefore, might not keep the beast away from the boys, but actually bring the beast to the boys. As the passage above suggests, this summoning of the beast may actually be the intention of the creation of the object in the first place. The impaled head, a manifestation of a violent act made more violent through its display not only documents violence, but as Simon seems to fear, enshrines it as a part of a value …show more content…

The beast may not be something that can be hunted and killed, and misconceptions regarding what is being hunted and killed actually lead to Simon's own death. The ritualization of the slaughter of the pig that the boys are eating prior to Simon's death is a kind of drama in which humans and animals change places. This act evidenced the boys’ ever increasing truculent natures. Where the symbolic "victim" of the ritual, the beast--now with a lowercase letter at its head--is manifested in the form of a human pretending to be a pig. Additionally, the chant attempts to regularize the violent act. Eventually, the ceremony extends beyond the boundaries of celebration or performance and veers out of control. Simon is explicitly conflated with "the beast" in the minds of the hunters and participants in the ritual as Golding writes, “The beast was on its knees in the center, its arms folded over its face. It was crying out against the abominable noise, something about a body on the hill. The beast struggled forward, broke the ring and fell over the steep edge of the rock to the sand by the water” (Golding 218). The beast, of course, is Simon himself, just as foretold by the Lord of the Flies, but the beast, the thing to be feared, is also in the boys themselves as they kill him and give themselves over to the frenzy of violence. The Lord of the Flies is both correct and wrong: the beast is everywhere, but it

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