Visual Effects Created By E.E. Cummings In His Poetry Essay

The aim of this essay is to present the different ways E.E. Cummings and Pablo Neruda in their poems “It May Not Always Be So” and “Always” respectively deal with the issue of love affairs. It will also seek to examine the similarities and differences in the poetic devices they use, and in the way the idea of prospective change, namely the possibility of unfaithfulness in the first, and the past of the speaker’s lover in the second poem is encountered by each speaker. The two poets have their speakers to express their feelings addressing the women they love in order to emphasize the theme of the poems, which they perceive in two utterly different ways: cummings’s speaker views the end of his

“Sometimes when summer is over the land/when the heat quickens the deaf timbers/ and birds are thick in plums again” symbolizes the passing of time, as though Dawe should be moving on too. However, Dawes’ heart sickens when he acknowledges the beauty and peacefulness surrounding him, recalling the loss of his loved one Joe. Techniques used throughout this poem include using phrases such as “The chimney’s smoking belly” which gives homely attributes that were apart of Joe when he was living. Dawe tells the audience by using a metaphor that he is trying to put the loss of Joe behind him, and move forward although “The grasshopper memory leaps/

We obtain the feeling of spring when King describes the weather in this section: “The air soft and beautiful, the sky was darkening by slow degrees from blue to the calm and lovely violet of dusk” . The spring symbolises hope and joy and make the atmosphere calm contrary to the dark streets in the night that obtain a more scary atmosphere when there suddenly are less people than on the big avenues.

The way EE Cummings wrote his poetry is the main reason why he was such a unique poet. In almost all his poems, he talked about the topic of love and lust, but not in an ordinary manner. He used so much emotion and detail in his poems; it would create images in the reader’s head. When he talked about lust, it was very explicit yet beautiful, leaving a mark on the reader. All of these things made his poems very effective, grabbing the reader’s attention and sucking them right in. In conclusion, Cummings’ approach of writing made his poetry very evocative. Another reason why his poetry was extraordinary was because of his unusual grammar and errors. He revised grammatical and linguistic rules to suit

The author uses imagery in the poem to enable the reader to see what the speaker sees. For example, in lines 4-11 the speaker describes to us the

He uses this in the poem to give it rhythm to engage the reader and

E.E. Cummings is known for his unique use of diction, using nouns, verbs, adjectives, and adverbs as nouns. What examples can you find in this poem? In the poem, “[i carry you in my heart(i carry it in]” cummings followed a nontraditional form of writing when creating his own “grammar rules” with punctuation, capitalization, spacing and pacing. I think that the main purpose of this and his reasoning behind it to diversify the meaning and generality of his poem. I think he was trying to be unique, and different while applying his own individual creativity through writing. For example, he uses a unique form of diction in stanza one when he says, “and whatever is done by only me is your doing,my darling.” Normally, this would not be worded the way it is, the sentence structure would be stronger and would flow better, however cummings still was able to apply meaning to that line by saying that everything he is and everything he has is because of his love. He also uses nouns in a distinctive way. For instance, he says in stanza three, “which grows higher than soul can hope or mind can hide.” Soul in this cause would already be considered a noun, however, he is rather using it more of a possession of his own. Cummings has a weird way of placing things within this poem. In most poems, everything is aligned to the left and follows down to the next line but in this poem the start of the second stanza, “i fear” is aligned all the way to the right. I think the purpose of this is to emphasize the fear, he is describing how strong his love is for this person but with love comes fear. By using these different forms of language and his uniqueness of grammar he was able to be different and find a new way for the reader to understand the power within his

Words associated with scenery such as “sweet-scented stuff” is a sense of smell. Secondly, words associated with scenery such as “five mountain ranges one behind the other” and “under the sunset far into Vermont” are a sense of sight. Words which show the character’s feelings and emotions such as “child at heart” characterizes the boy’s personality. Words such as “old enough to know” and “big boy” are describing the boy’s age and knowledge. Words such as “half in appeal” is characterizing the boy’s feelings on the situation. The poet’s specific word choice tells us that he was not relevant enough to need help so the doctors and nurses left him alone for dead.

As the speaker casually calls their parents, a setting of calm expectations is established. While greeting the speaker, the mother’s decision to “run out and get” (1) the father highlights the lack of urgency that is present. The mother is calm and fetches the father in an expected and relaxed fashion, further establishing the calm expectations of the ongoing call. The mother additionally states that “the weather here’s so good” (2). Heaney’s use of the word “good” reflects the setting of the mother and father’s home; the atmosphere of where they live is pleasant and unperturbed. The “weather” serves as a projection of the father’s own state, implying that the father is in good health and that death is not yet looming over him. The last spoken words in the poem reveal that the father was conducting “a bit of weeding” (3). The word “weeding” highlights the capability of the

“stars rain sun moon(and only the snow can begin to explain how children are apt to forget to remember with up so floating many bells down)” Phrases such as this also represent the changing of seasons, as well as the passing of time. Cummings uses these to describe the appearance of the town, as well as to express time changes.

Cummings” pg.13). Cummings continued to publish volumes of poetry at a rate of approximately one every four or five years (“E.E. Cummings pg.14). The last honor involved giving a series of public talks; published as i: six Nonlecture (1953), they provide a succinct and charming summation of his life and personal philosophy. Two years later he received a National Book Award citation for poems 1923-1954, and two years after that he won the prestigious bollingen prize in poetry from Yale University (“E.E. Cummings” pg.15). (In his poetry he often ignored the rules of capitalization and has sometimes been referred to as e.e. Cummings) expanded the boundaries of poetry through typographic and linguistic experimentation (Frazee, “E.E. Cummings). An avoidance of capital letters and creative placement of punctuation soon became his trademarks. His experimental poetry took many forms, some amusing, some satirical, some beautiful, some profound, and some which did not make much sense (Frazee “E.E. Cummings”). Typical stylistic devices in his work include: running words together; scattering punctuation symbols cross the page; subverting the conventions of the English sentence; intentional misspellings and phonetic spellings and the invention of compound words such as “puddle-wonderful” (“E.E. Cummings”). However, this obvious experimentation is often combined with strict formal structures and traditional

E. E. Cummings, an author known for his various poems and other forms of artwork, wrote numerous works of poetry over a vast amount of subjects. While the subject matter of the poems differ, a few elements of Cummings' style stays the same in virtually all his poems, some of which is important and some of which is not. The fact that Cummings uses enjambment in his poetry is a stylistic trademark that however annoying its use may be is consistent. Other stylistic trademarks of Cummings' poetry are that Cummings has a control over the tone of each of his poems and that each of his poems has its theme located near the end of the poem. While these traits that may not be highlighted in most of the analysis of his poems, each does occur quite

Edward Estlin Cummings is a famous poet and novelist. A true man of the arts, he also enjoyed playwrights, painting, and drawing. His lifetime lasting from 1894-1962 was vivaciously lived! He spent a large portion of his life in his birth state, Massachusetts, although certain life events lead him beyond the United States. Cummings served in the U.S. Army during World War I, and was a volunteer in an ambulance unit as well. A great portion of his life was also dedicated to his Harvard education and multiple romantic relationships. Despite these things that took up most of his time, Cummings managed to find time for his passion, writing. E.E. Cummings’ unique style of writing is attributed to his free spirit, which amounted to all of

Will we find out how E.E Cummings uses sight and sound to create Meaning? He often used 2 common words and breaks them into a new synthesis. From the age of 8 to 22 he wrote a poem every day. Than in Harvard, he began evolving the ways of art, by experimenting he was able to start seeing poems as visual objects.When he went to Paris to join an ambulance corps in World War 2.He did that so he can find new inspiration for his art. Although does he use sight and sound to create a new meaning.At that time he was estranged from the world while away, he was very interested in art and only lived the life of a poet.

The speaker furthermore conveys the idea that nature is a grandeur that should be recognized by including the element of imagery. The poet utilizes imagery as a technique to appeal to reader’s sense of sight . It is “the darkest evening of the year” (line 8) and a traveller and his horse stop “between the woods and frozen lake” (line 7). By writing with details such as these, readers are capable of effortlessly envisioning the peaceful scenery that lies before the speaker. The persona then draws on reader’s sense of sound. “The only other sound’s the sweep / Of easy wind and downy flake.” The illustration allows readers to not only see,