Vocal Jazz Ensemble Concert Report

It’s amazing to listen to musicians who do not normally play with each other come together and leave the audience in complete awe. That is exactly what happened on the day of Thursday November 26th 2014. The Bill Crothers Varsity Winds comprised of grade eleven and twelve students along with a few, talented grade tens went to listen to the Toronto Symphony Orchestra play. We travelled via a typical yellow school bus that took us to Roy Thomson Hall where we went right to the top level and took our seats. The seating seemed rather helpful because from a distance you could hear every instrument when you focused on it. It was beautiful. The band presented well with their “Penguin” like attire that was kind to the eyes. They appeared very organized,

The date was December 8th, 2017, I had the pleasure of seeing the Saddleback College Jazz Combos perform at the McKinney Theater. The theater is quite large holding about 100~200 seats but seemed to offer a good acoustic balance for the combos that played. Also, one can tell that it was the holiday season by just entering the theater. It was festive as it was decorated with christmas trees with christmas lights and the front was filled with light up flower vases. Furthermore, this concert is a cumulation of different jazz students put into small groups and perform in front of an audience. This concert also showcases their efforts as a group as well as differences in skill level amongst the combos.

For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see

This review is about the Studio Big Band and their performance in the Casa Loma Room at the University of Redlands on Thursday, February 23rd at eight in the evening, under the direction of Prof. David Scott. The concert was made up of the following tunes: “High Maintenance” by Gordon Goodwin, “Four” by Miles Davis (arr. Dave Bardhun), “Nica’s Dream” by Horace Silver (arr. Frank Mantooth), “Witchcraft” by Cy Coleman (arr. Sammy Nestico), “Footprints” by Wayne Shorter (arr. Mat Harris), “Category 4” by Jeff Jarvis, and “Giant Steps” by John Coltrane (arr. Mark Taylor). The music on this program was very relevant for the eras we are covering or will be covering soon in the class, and to this end, the piece I will be focusing on

I attended the Baylor University Concert Jazz Ensemble directed by Alex Parker on Tuesday, November 10th. This ensemble consisted of saxes, trombones, trumpets, drums, a piano, and bass. The concert showcased many individual talents by including solo’s or duet’s in every song. The program consisted of seven songs with no intermission. The pieces I selected were “Big Dipper” by Thad Jones and “Undecided” by Frank Mantooth.

On November 17th, 2016, I attended a jazz concert and had quite a time. The experience was captivating, and gave me a warm feeling inside. There were three different bands that play in the hour slot, and all of them sounded magnificent, but “The Santé Fe Jazz Combo” and “Santa Fe Big Band” stood out the most. The only thing these two bands have in common is that some of the musicians play in both bands. Otherwise, these jazz fanatics are polar opposites.

On Friday night, November 13, 2015 at 7:30 p.m. I attended the Manhattan School of Music for the Jazz Orchestra that performed by Jazz vocalists and MSM alumni Jane Monheit and many other musicians. That place is unlikely the ordinary place, people have appropriate dress on and have nicely etiquette toward the performers, unlike me, many of audiences seem like that they come to this concert with certain knowledge of Jazz orchestra. And its musical venue was the ideal spot for the concert, so I sat in a decent spot spot that located at midst of the concert hall where I can view all the performers and hear performers’ music clearly. And the conductor informally began the show was quite nicely and politely which made me feel really comfortable

The date of the concert was October 5, 2016 and the title of the concert is “Experimental Improvisation with: Kjell Nordeson & Peter Kuhn”. The concert was performed in Mesa College Music building. Peter Kuhn had three instruments with him a bass clarinet, saxophone, and a Bb Clarinet. He used the bass clarinet and the saxophone during his first piece, and the clarinet on the second piece. Kjell Nordeson was on the drum but had a lot of instruments with him. Sometimes he would play the drums as a drums set but sometimes he would put some sort of objects on top of the drum to create different sound effects. He also had a small glockenspiel and a flexatone. The concert hall was very simple, had a

On April 11th, 2017 in the Louis Armstrong Theatre, I attended the GVSU “University Band”. This up-beat ensemble lasted about 90 minutes; the talented students of GVSU’s university band joined together to perform multiple different songs ranging from a Waltz to a Dixieland Jamboree. All of the songs that the band played for the audience were all well-known, popular songs that they all enjoyed. Having the opportunity to attend this concert has opened new musical paths for myself and has allowed me to enjoy and kindly critique something that I perhaps would have never had the chance to otherwise.

I encountered many obstacles while planning the event. Due to hectic schedules, my peers were involved in other activities and had little time to assist me in planning the concert. As a result, I realized that if we wanted a successful event, I would need to take the lead alone.

On May 13, 2016, the Vocal Jazz Ensembles at Sacramento State University had their one of the last concerts before the semester ended, which was directed by our professor Gaw Vang Williams. This concert was performed by four groups and different solo, which was completely different experience from the first two concerts that I attended at Sac State. In this Vocal Jazz concert, there was packed and a lot of audiences who were friends, family and students come to support and enjoy before this semester ended. Overall, this was a good show and I found that Vocal Jazz was much more fun and enjoyable than the first two. In this concert, I enjoyed every pieces of performance and there were three pieces that caught my attention, which were “Hold On”,

If you did not make it out to see The Jazz Ensemble on Tuesday, Apr. 19th, then you really missed out on a great evening of music. Family, friends, and jazz lovers nearly filled the Anne R. Belk Theater to watch and listen to the performance directed by Dr. Will Campbell, with special guest Derrick Gardner. Gardner is a highly accomplished jazz trumpet player, who has traveled the world playing jazz music.The Ensemble member are; Bryce Harris, Jonathan Carroll, Cody Belton, Garrett Brown and Bryan Patterson on the saxophone, Richard Hall, Casey Blackwelder, Wesley Taylor, Liam McMahon and Cameron Francis on the trumpet, Nathan Ricer, Patrick Foray, Virginia Crooks and Kyle Barnhardt on the trombone, Dallas Holder on the piano, Brian Gilbert on the guitar, and Colin Ray and Eric Chang on the drums. The Ensemble played seven songs, and four of those were played with Gardner. The songs were performed in this order “A Pair of Aces,” “You Must Believe in Spring,” “Count Me In,” “Big Dipper,” “Footprints,” “Just a Touch” and “Lil’ Fawdy.” All of the songs were performed exceptionally well, out of the seven these two were my favorite.

The University of Texas at Austin Jazz Combos Recital occurred on Monday, April 24, 2017 at 7:30 PM at the Recital Studio in the MRH Building. There were two bands that performed, Konrad Plays Klarinet and The Gin and Pentatonics. Konrad Plays Klarinet instrumentation was made up of a clarinetist, guitarist, alto saxophonist, two trombone players, a trumpet player, two pianists that alternated between songs, bass players and a drummer. The Gin and Pentatonics instrumentation was made up of a trumpet player, flugel horn player, tenor saxophonist, trombone player, guitarist, two pianists that alternated between songs, bass player, and a drummer. Before this recital, I had never heard a keytar before, a keytar is electronic keyboard that is similar to a

On Sunday, May10 2015, a concert was held in The Broad Stage. The concert was played by Santa Monica College Symphony Orchestra, whose conductor is Dr. James Martin. For this concert, I would identify myself as a referential listener at this concert. I say this because I am not an expert in music, therefore it would be hard for me to be a critical listener. I wouldn’t be able to tell what went wrong with a performance even if some incorrect notes were played. I was more of a referential listener because the music was soothing and brought my mind to peaceful thoughts. This essay will tells my experience of the concert in order to persuade my friend to  attend a classical music concert with you in the future.

On Thursday April 25, 2013 , I attended a jazz vocal concert at the Music Concert Hall. The first vocal ensemble opened up the performance with a slow rhythmic song called Blue Skies. It began with vocals and I noticed a light auxiliary percussion and drum rhythm. Also, the bass guitarist used walking bass and the piano and electric guitar joined in as well. The first song also consisted of two soloist Regina and Chantel who took the front stage to show off their chops. After the solo performances they fell back into the vocal sections and finished off the song as a complete band. The second performance had a piano opening which led to vocals joining in at the same time as the rhythm section. This performance