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Washburn: Pop Culture Analysis

Decent Essays

Washburn uses an American animated sitcom, The Simpsons, as the basis for the characters to highlight the importance of pop culture in an apocalyptic era. Instead of talking about Shakespeare’s Romeo and Juliet, or a book like Harper Lee’s To Kill a Mocking Bird, these characters talk about The Simpsons. The characters probably talked about The Simpsons because this TV show had a significant impact in our society. According to Darren Franch in Entertainment Weekly, the “iconic animated series turned hyper-referentiality into an art form, regularly packing in throwaway references to high and low culture right from the start,"(BBC 2014). The Simpsons are significant because they often hold up a mirror to our society. By making their episodes …show more content…

Someone in the courtroom tells the judge that Sideshow Bob tried to kill her during her honeymoon and another character tells the judge that Sideshow Bob has no decency because he called a police officer “Chief Piggum” but the judge does not take these seriously so everyone just laughs it off. This scene reflects our society in many ways. It primarily reflects the United States’ justice system. People with minor crimes are often charged more and serve more jail time than people with more serious crimes such as rape, mass murder, and homicide. Despite having a lot of proof that Sideshow Bob is harmful to society, Sideshow Bob leaves jail easily. This scene is also relevant in today’s world of pop culture because the same reference is used in movies, books, and TV shows multiple times. For example, Netflix’s very popular crime documentary series, Making a Murderer, is about a man who was charged with a crime he did not commit. This man, named Steven Avery, spent 18 years of his life behind bars for something he did not commit. Meanwhile, drug traffickers and rapists get charged with six months (Brock Turners Stanford rape …show more content…

They would occasionally remember classical Greek, Roman, Medieval plays and playwrights such as Shakespeare, Euripides, and Sophocles but the main focus would be around the latest TV shows, movies, and books because people are more familiar with those. This idea can be observed in the final act of the play. The third act of Mr. Burns: A Post-Electric Play examines the way the story and plot of the original play has changed after 75 years. The simple campfire story from the first act advanced to a musical, opera version that includes more characters from the original The Simpsons: Cape Feare episode such as Chief Wiggham, Nelson, Principal Skinner, and Apu Nahasapeemapetilon, the Kwik-E Mart clerk from a popular convenience store. The characters of the third act play the episode in a style that includes different genres of music and dance that directly reflects the popular culture of our day. For example, the act opens up with a “highly musicalized version of an ambulance siren, then a version of a civil alert siren” followed by a choreography, and a dance (74). In the world of the third act, they cannot consume popular culture the way we can in the electric world. Our engagement with popular culture as humans is not the same as current popular culture. Our reasons for consuming popular culture may remain the same, even if the form and

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