West African Dance Observation

Native American art forms have been dwindling in the past few years. Even though they have been decreasing, some tribes gather still to continue traditions. Art forms such as dance, pottery, and weaving have been passed down from generation to generation. There are many different types of dances including war dances, grass dances, and rain dances. Each dance has its own meaning and represents something unique. Native American dance is a creative way to tell a story, share values, pass down traditions, and communicate traditions of their ancestors in the 21st century.

In “Stripping the Emperor: The Africanist Presence in American Concert Dance”, Gottschild begins by introducing unique aspects of the Africanist aesthetic including how it embraces differences and instead of the tradition European idea of resolving conflict, Africanist aesthetic presents a question and demonstrates the beauty in accepting conflict. One way in which the Africanist aesthetic differs from European ballet is how they utilize polycentrism, having multiple centers of movement, and polyrhythm, when different body parts keep multiple rhythms. Other ways include the high-affect juxtaposition, changes in mood, movement, or tempo, to the drastically contrasting sharpness and intensity in the movements. Gottschild’s main point in

Fashion and aesthetics of African American are set of qualities in art, and specifically in this paper dance and music that come from African art. Robert Farris Thompson’s observations of art in central and western Africa and Kariamu Welsh Asante’s observations of dance in Zimbabwe identify common themes of African art. Method of dancing is another way of incorporation and valuing the entire body and bringing together the music and dance.

There were many Indigenous Australian Aboriginals that danced different dances in different ways, when and where they performed dances varied immensely, as did the way they were taught or the reasons behind why they danced.

Given that this “visit” was more like a virtual experience, I was still able to access a couple of my senses, just as if I was at the actual exhibition. Through the use of anecdotes and detailed images, I am able to see all of the personal experiences an individual had while practicing a particular dance and what it meant to them. In this exhibition, there are ten different dances displayed, including the: Yup´ik Yurapiaq and the Quyana (Thank You) Song Dance, Yakama Girl’s Fancy Shawl Dance, Cubeo Óyne Dance, Yoreme Pajko’ora Dance, Mapuche Mütrüm Purun, Tlingit Ku.éex ' Entrance Dance, Lakota Men’s Northern Traditional Dance, Seminole Stomp Dance, Hopi Butterfly Dance, and finally, Quechua Danza de Tijeras (Scissor Dance). All parts of the exhibit were insightful, but the two that sparked my interest the most were the Yup´ik Yurapiaq and the Quyana (Thank You) Song Dance and the Quechua Danza de Tijeras (Scissor Dance).

The third Mexican cultural activity that has survived and influenced the development of Chicana cultural practices in the U.S. is the Folklorico dances. These dances can be seen in the U.S. especially when there is a Mexican celebration or event. I personally experienced begin part of a group that danced folklorico. The dresses we used for the dance were inspired by the Yucatan look. We also accessorized with a crown of flowers made with fabric, long earrings, and a necklace of perals. We also combed all our hair back, and used make-up. It took alot of time to learn the three dances, and a lot of practice for the dance to come out good. In the end it was all worth it because I learned how to dance and how the women dress to dance. This cultural

Many may know that it can be almost impossible to completely identify what African Dance is. Africa is a huge continent that holds many different cultures, beliefs and overall ways of living. It is said to be the most “socially and racially diverse on the planet (wikipedia).” Even though Africa can be one of the most diverse places on earth, there can be similar dance styles being established throughout many other larges countries. Creativecareerguice.com states that “history, language, song, background, and purpose and cannot be translated to another dance of the same culture much less another

Laframboise, S & Sherbina, K. (2008). Dancing to Eagle Spirit Society. Retrieved June 4, 2013, from http://www.dancingtoeaglespiritsociety.org/medwheel.php

In “Stripping the Emperor: The Africanist Presence in American Concert Dance”, Gottschild begins by introducing unique aspects of the Africanist aesthetic including how it embraces differences and instead of the traditional European idea of resolving conflict, Africanist aesthetic presents a question and demonstrates the beauty in accepting conflict. One way in which the Africanist aesthetic differs from European ballet is how they utilize polycentrism, having multiple centers of movement, and polyrhythm, when different body parts keep multiple rhythms. Other ways include the high-affect juxtaposition, changes in mood, movement, or tempo, to the drastically contrasting sharpness and intensity in the movements. Gottschild’s main point in her article is to describe how the Africanist aesthetic is much less strict

I was surrounded by so many people that could flow so effortlessly with the music, and I could not. I was definitely a small fish in a big pond and I hated it. The movements I did in class were from Guinea (I am not certain of the dance style). It was fast-paced with a lot of movement involved. I guess I can never complain about how fast Brother West plays the drum.

The origins of jazz music and dance are found in the rhythms and movements brought to America by African slaves. The style of African dance is earthy; low, knees bent, pulsating body movements emphasized by body isolations and hand-clapping. As slaves forced into America, starting during the 1600’s, Africans from many cultures were cut off from their families, languages and

Tyehimba Kokay, was in traditional costume, played a drums to welcome everybody to the Ancestral Voice concert. Drum was a traditional instrument that was performed at various events in African. Using drums to begin the concert was a traditional welcoming in the African Yoruban traditions. As Tyehimba Kokay mentioned in the concert, our ancestors used the drums to communicate to each other. That was why he used the drums to communicate and send the messengers to his audiences. The drums not only caught audience’s attention but also presented their homage to the ancestors. The beat of the drums was considered as the heat-beat of the ancestors. From the fast to present, drums always played a significant role in spiritual and emotional African

The special thing about these rhythms is that there are many unique ways to approach the dancing and the playing of the rhythm. Professor Parker explained to me that “ You can go so many places to learn these songs, dances, and rhythms and other instructors will teach them different. It’s the people’s movement and that's what so unique about West-African movement it’s interpreted differently. Yes you may see similarities but I guarantee you it won’t be the same Tendu or Plie´that you can identify immediately in other dance genres.” (Parker)

The movements were very specific and showed the story of the dance. The partners used many movements that contained many body

To begin, the particular videos that we will be discussing are Paul Simon’s diamonds on the sole of her shoe, Kinobe’s kora performance, and Youssou N’Dour’s song daan featuring American singer/ rapper Akon. These three particular videos relate to the west African musical culture because they all involve singing, instrumental music, and dancing which are all characteristics of this particular music. Most of their music consist of a beat that you can dance to and that is usually how you can tell whether it is or is not this type of music. Rhythm and melody are two key factors of west African music and all three of the videos consist of both characteristics. The songs above were very unique to me. It may have been the beat that makes me want to dance, the calmness of it, or it may have even been uplifting to me. They all presented something different that drew my attention to them.