In Charlotte Perkins Gilman’s story, “The Yellow Wallpaper” the husband, John, is conventional for the time. During the 19th-century, men were at the top of the patriarchal order, this meant that his wife, Jane, had no say in what he did for her or to her. Being that John thought nothing was wrong with Jane and he was a well-known physician, he took her to a house for the summer so that she may get some rest.Jane due to circumstances had no say in the matter. John at times was controlling, but at the same time, he loved his wife. Most of his actions were typical of men in this time period and really say a lot about how men treated their wives back then and how they always imagined that they were the divine leaders of the household. Men in this …show more content…
Sometimes in “The Yellow Wallpaper” when he was controlling it was him trying to show love for her because he cared for her and wanted her to get over her temporary mental depression as he called it. John moved them into the summer home just for her sake so that she could get some air and start regaining her strength. John always took care of her as the narrator said, and he always made sure that she had special direction wherever she went. He forced her to take pills daily in hopes that his wife would recover. John probably thought that this was a good way of showing love to Jane, but in reality, he was just forcing her to become more and more mentally ill as time went on. John thought that if he did what was best for her then maybe she would have recuperated when really it was the opposite. John’s love and mindset were more of a straight and narrow path instead of a long, winding road such as a woman's. His love was not an extensive deep love for her but more of a companionship which is really all he could provide for her being that he did not really know how to love deeply. John did not know how to feel about things that were not to be felt and seen. This, though, is what John thought love was. John never asked her what she thought was best for herself which shows that there was not a lot of communication going on in the relationship. This really was the only way that John could show his love though because during this time period men did not take woman’s ideas seriously. John truly did care for his wife though because he put forth so much effort to try and make her better. Not being able to love deeply and communicate openly was a common recurring theme throughout the whole of the 19th-century between the husbands and
"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society . . . or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.
The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways. Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society. The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia. A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..." (Gilman, 669). She lived by these guidelines for three months until she came close to suffering from a nervous breakdown. Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.
Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated
It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving
Most women in America nowadays are lucky enough to consider themselves to be an independent individual, but females were not always guaranteed their freedoms. Throughout the early 1900’s, authors would characterize husbands to be controlling figures. In “The Yellow Wallpaper,” Charlotte Perkins demonstrates just how possessive the husband is to his wife in their marriage. This short story shows just how miserable the woman is to be in a marriage with John because John, thinks it would be best that his wife is isolated to get over her postpartum depression.“The Yellow Wallpaper” demonstrates how a male dominated society leads to the woman not being their own individual by using characterization, narrator perspective, and conflict between women and society.
In Charlotte Perkin Gilman’s “Yellow Wallpaper,” Gilman expresses the struggle of Jane’s personal freedom. Jane has postpartum depression which restricts you from seeing your newborn baby until you defeat the depression. In order for Jane to make progress, she has to be able to have some type of freedom. Her illness, her husband, and the awful yellow wallpaper have completely taken control of her life and her freedom has been taken away as well. As the story progresses, the wallpaper eventually drives her to insanity along with help from her husband and the depression.
and "gates that lock". At the top of the stairs is a gate that keeps
Contemporary society only recently changed so that women are no longer subservient to the men in their life. This now backwards way of thinking was enforced in many cultures around the globe for hundreds of years. In Charlotte Perkins Gilman’s story “The Yellow Wallpaper” and Susan Glaspell’s play Trifles, the role of a woman in the early 1900s is illustrated as submissive to the men around them. Both the literary works demonstrate the expected role for a woman in marriage and the limiting cage that this relationship can bring about. However, both works also show how the women have their own acts of defiance that can lead to their liberation.
The short story “The Yellow Wallpaper” is about a mentally ill woman named Jane. She lives during a time when women did not have much they could do. The men dominated everything and were to make the decisions for the women. The man’s primary role was to be the provider, while the woman’s primary role was to be the housekeeper and caretaker. During this time period, women would have to ask their husbands, fathers, or even brothers if they could do something.
In Charlotte Perkins Gilman’s work, “The Yellow Wallpaper” has several major themes that were expressed. In the nineteenth century, women were responsible for doing house chores, taking care of the kids, and obeying their husbands. A general concern regarding women’s inequality during the 19th century was painted by Gilman. In “The Yellow Wallpaper”, Gilman emphasizes the concerns in which society discouraged the women’s ability to self express themselves. Does the narrator listen to the man because he’s a physician or because he is her husband?
Logically, we must first analyze the nature of these women’s personal confinements and establish that their marriages were, in fact, prison-like in design. In “The Yellow Wallpaper”, female author Charlotte Perkins Gilman develops a clear power dynamic between her main character, Jane, and her husband, John. Meant to aid as a representation of all/most of men in marriage, John’s tendency to assert entitled dominance over Jane indicates the overall tendency of marriage to encourage male superiority. As Jane explains why they happened to recently move into their current house, mainly due to her “nervous condition”, she asserts that despite him being a doctor, “John does not know how much [she] really [suffers]. He knows there is no reason
It does not take the form of the traditional symbol of security for the domestic
The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in