What Is A Theory Of Art?

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult

What is Freud’s unconscious theory and how is it applied in the art work of Dada/ surrealist artists? Sigmund Freud was a Jewish Austrian neurologist who founded the discipline of psychoanalysis. Freud went on to develop theories about the unconscious mind. The concept of the unconscious theory was central to Freud’s ideas of the human mind. He first introduced his ideas around the unconscious theory when trying to explain what happens to ideas that are repressed but remain in the mind. In

What is Freud’s unconscious theory and how is it applied in the art work of Dada/ surrealist artists? Sigmund Freud was a Jewish Austrian neurologist who founded the discipline of psychoanalysis. Freud went on to develop theories about the unconscious mind. The concept of the unconscious theory was central to Freud’s ideas of the human mind. He first introduced his ideas around the unconscious theory when trying to explain what happens to ideas that are repressed but remain in the mind.

ART __-history, __-theory, __-world (Accounting for modern art with Dickie, Danto, and Weitz)      Up until the twentieth century art theorists had consistently sought for a definition of art—a definition that would determine a set of necessary and sufficient conditions for something to be called art. But artists in the 20th century did not want to be defined, and they deliberately tried to create artworks that would not fit under some theorist’s umbrella. We saw the Beatniks

C. Williams 4 Dec. 2013 Nature of Art Philosopher Arthur Danto, author of “The Artworld,” an artistic criticism, states that “to see something as art requires something that the eye cannot descry—an atmosphere of artistic theory, a knowledge of the history of art: an artworld” (201). Artistic theory, according to Danto, requires the presence of a subject, style, rhetorical ellipses, and that of historical context. Danto is capable of developing this view on art with the aid of an imaginary character

meaning at all other than that it is art. Soon, however, there became a point when the work of art was no longer something one could just look at and understand; the principle of the matter had

see something as art requires something that the eye cannot descry-an atmosphere of artistic theory, a knowledge of the history of art: an artworld.” Danto shows us the importance of the artworld in order to know that a work of art is more than just what we can plainly see. Danto provides two theories he calls the “IT” (Imitation theory) and the “RT” (Reality theory). With these two theories, Danto explains how we can define art and why “The Artworld” is needed to help understand art, because after

Danto’s Theory of Art In Arthur Danto’s essay, “The Artworld”, he explains the integration of materials such as masks and weapons into the artworld and having to shift the criteria by which people judge things as works of art as opposed to merely everyday objects (204). Danto creates an imaginary character named Testadura in order to help demonstrate the points that he makes. This character, Testadura, described by Danto as a “plain speaker and noted philistine” appraises pieces of art in a way

is highly unlikely. If a man of taste must be a man who can free his mind entirely from all prejudice, sure this group of men of taste must be diminutive in size. Considering his background, it is not all that surprising that David Hume’s theory of art would be so narrow-minded. During his stint as an officer Hume was taught that finding structure and setting standards is crucial in all aspects of

world, the concept of art has been disputed. From claiming it was mere imitation, instruction or craft to defining it in terms of significant form and intrinsic characteristics, these formulated purposes force a cookie cutter mold on a creative process. While I do not believe that art can be defined, the search for an all encompassing concept is a debate crucial to art culture and must evolve alongside artistic trends. According to Weitz in “The Role of Theory in Aesthetics”, art simply cannot be defined