Develop an informed understanding of literature and/or language using critical texts
AS91479
Hypothesis: To what extent does A.C Bradley’s analysis of Iago’s motivation surpass Harold Bloom’s theory.
Literary critics have been seen analysing the infamous Shakespearean text Othello. Predominantly, the most asked question is why Iago committed such a crime? When searching to find the answer to this question, both A.C Bradley and Harold Bloom have published sophisticated yet clear, critical texts of their opinions and views on Iago’s motivations. Harold Bloom has the belief that Iago is a soldier therefore thinking of himself as higher up and is jealous of Cassio for getting the lieutenant position over him. A.C Bradley has the belief that
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Iago states multiple times throughout the play that “"I hate the Moor” however never gives a definitive reason why such hatred is present. He gives multiple reasons and excuses varying from suspicions of Othello sleeping with his wife, his desire for Desdemona, his desire for Othello along with the idea that Iago is racist along with many other reasons. However, Bloom believes that Iago was once a soldier that fought alongside Othello at war. This assumption is a clear reason of why Iago may hate the Moor. Iago has worshipped the god of war in his captain-general Othello, just as Satan has worshipped God in Paradise Lost. When Iago is passed over, he feels completely undone. He is rendered impotent. He feels, indeed, that his whole life has come to nothing. He feels he has no dignity and no self-regard, that there’s scarcely any reason for going on, and so he turns upon his war-god, Othello, and looks for a way to return that god to a kind of original chaos. Iago’s soliloquies are very unlike those of Hamlet. They’re not the soliloquies of a master of consciousness. There is a tremendous internalization of the self, a tremendous new kind of inwardness that does make Hamlet a new kind of human being. Iago is a Machiavellian figure. He is a villain; but he is a highly original villain. It is one of his curious attributes that he really has no emotions, no affective life of any kind, so that he first invents or makes up emotions, such as jealousy, and then he pretends to feel them. Iago thinks of himself as higher up and is therefore jealous of Cassio for getting the position over him. He therefore feels that without this position that he is nothing which is why he feels the need to eliminate the men above him for him to feel like he is
One of the most outrageous literary vilians of all time is William Shakespeare’s Iago. Iago has been described with many words; villian, antagonist, cruel, selfish, malignant, chaotic, etc. What motivation could one have that would posses them to act in ways to be labeled as such? Are there even any motives present, or is it just the nature of the character that gives Iago his naturaly naughty personality.
In Iago's soliloquy in Act 1 Scene 3, Iago exclaims 'I hate the Moor'; he repeats this sentence many times during the first act of the play. The reasons for his hatred are vast, they could stem from racism, for Iago uses derogatory terms to describe Othello many times, Barbary horse', devil' and old black ram'. It could also come from Iago's resentment that Cassio was promoted above him by Othello. One of the main
Iago claims to “hate the Moor” (Act 1, sc 3, line 368) so he wants to
Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.
Honest, meaning free of deceit and untruthfulness; sincere. All of which Iago is not. This can be surprising considering the numerous times the word honest is used in Othello to reference Iago. Throughout the play the audience gets a first hand look of how Iago contributes to the theme of appearance versus reality that creates dramatic irony.
There are many critical interpretations of Iago’s character. Was he a ‘skillful villain’? Or perhaps he was a ‘mysterious creature of unlimited cynicism’? Or was he simply a ‘wronged man’? More sinned against than sinning?
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
In Shakespeare’s Othello, Iago gains the trust of Roderigo by manipulating him so he can gain wealth out of him. Iago brings back the hope to Roderigo, who already thought of committing suicide, by saying to him that soon enough Desdemona will not find any interest in Othello. All that Roderigo has to do is to keep the income going for Iago if he wants Desdemona to be with him instead of Othello. For that to happen they have to plan on revenge on Othello by making him think that his wife is cheating on him.
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,
William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their
Iago is undoubtably the villian in William Shakespeare's 'Othello', however the reason behind his evil deeds are less clear. There are many possibilities as to why Iago betrayed his superior Othello. Was he simply envious of Othello's status or did Iago plot to destroy Othello for his own enjoyment?
Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.
Iago has many reasons to hate Othello, including the fact that he had been passed over for a promotion, in which Othello had snatched the position, and he also suspects Othello had slept with Emilia. These reasons were given to the audience, as Iago, himself, reveals his reasons to Roderigo, “ I hate the Moor; and it is thought abroad that 'twixt my sheets 'has done my office. I know not if't be true; yet I, for mere suspicion in that kind, will do as if for surety.” (1.3.378-82). Iago is never turned back on his plan to ruin Othello and the people surrounding him, since he is always contemplating on how Othello doesn’t deserve his accolades, and how Iago is plotting revenge against him. This keeps Iago to consistently, and deliberately continue with his strategies, which keeps the audience empathetic for the rest of the story. Iago is also jealous of Othello’s ability to woo and lure Desdemona, “It cannot be that Desdemona should long continue her love to the Moor ... She must change for youth. When she is sated with his body, she will find the error of her choice.” (1.3.340). However, Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would still invent new motives for hating the Moor, as he is the devil of the story. Iago is not capable of performing good deeds, sustaining good relationships, or even
Iago’s machinations yield him both “sport” and “profit” (1.3.387); that is, he enjoys his evildoing, although he is also driven by a motive. This Vice-like behavior inhuman garb creates a restless sense of a dark metaphysical reality lying behind his visible exterior. Even his stated motives do not always make sense. When in an outburst of hatred he soliloquizes that “I hate the Moor; / And it is thought abroad that twixt my sheets / He’s done my office,” Iago goes on to concede the unlikelihood of this charge. [. . .] The charge is so absurd, in fact, that we have to look into Iago himself for the origin of this jealous paranoia. (223)
At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.