What Is Racism In Heart Of Darkness

In Chinua Achebe's novel Things Fall Apart, the Ibo society has a strict system of behavioral customs that are assigned by gender. These customs restrict the freedom of Ibo woman and help to reinforce generation after generation the notion that Ibo men are superior to women. In Achebe's essay An Image of Africa: Racism in Conrad's Heart of Darkness, he claims that Joseph Conrad's Heart of Darkness, despite it's insights, ought to be eradicated from literature as an appropriate piece of work on the argument that it is racist. Achebe focuses on gender roles and avoiding stereotypes to dismiss the racist attitude towards Africans in his novel by bringing the reader down to the level of his unbiased narration of a historical fiction novel.

One of the most reoccuring themes in the novel Heart of Darkness by Joseph Conrad, is the theme of race, more specifically, racism by the European and American characters towards the African characters. Critics of the book condemn Conrad as being racist, while others claim that it is just representative of the time period and that how Conrad depicted certain characters and groups within the novel was not uncommon during the time period that the book was written. Published in 1899, at that time it was not unusual for white people to have racist views towards people of other races. Whether or not Conrad was aware that some of the statements made in the book were racist and whether or not he actually intended for race to play as such a large

In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a

In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist views toward the natives of Africa. After one reads Achebe’s critique, it is clear that Conrad wanted the novella to be perceived as a racist text. Conrad depicts the uncivilized treatment of nonwhites during the period of colonization without condemning such actions. After analyzing Achebe’s famous work and Conrad’s novella I have come to agree with Achebe; Conrad “was a thoroughgoing racist.” (Achebe) Heart of Darkness portrays this position clearly. Throughout the novella, Conrad describes and represents the Africans and Africa itself in a racist way. According to Chinua Achebe, the harsh behavior of English people towards the natives, the lack of equality felt by the English towards the Africans, and the word choices of the English to and about the savages reveal Conrad's racist position in the work.

Heart of Darkness creates a prejudice way of presenting Africa, Joseph Conrad shows the African Congo through the perspective of the colonising Europeans, who describe all the natives as savages, which perpetuates the stereotype of the uncivilised African in the eyes of the European readers.

Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that

Achebe also criticises Conrad’s lack of language for his African characters as dehumanising in its attempt to strip the characters of respectable voices by instead describing their language as “animalistic grunts” and “cries”. The few instances within the novel where an African character speaks English are described by Achebe as deliberate in their insinuation that the African people are unintelligent and illiterate. Achebe again contrasts Conrad’s use of Africa as a place of “dehumanisation” as alienating the African people rather than inspiring inhumanity in the white colonialists that have travelled there. While many readers would agree with the failed attempt at the exploration of racism, one must contend that writing about something does not necessarily remove it from criticism and as such when reading Heart of Darkness one can gather the inklings of prejudice weaved within the text by an author who is known for racist values. While the text is deserving of appreciation, as for some it is deemed a literary masterpiece, one cannot ignore the racist undertones of the novel as it is clear that Conrad has prejudices towards Africa and her people and that these feelings were intertwined into the plot. Conrad’s main characters all have some racist values ranging from blissful ignorance to downright hatred to the African people and in

Achebe comments on Conrad’s work as a hidden product of racism because criticisms for Heart of Darkness

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

A famous criticism of Conrad’s novella is called An Image of Africa, which was written by an African native named Chinua Achebe. In Achebe’s criticisms of Heart of Darkness, he points out the difference between descriptions of the European woman and the African woman, who was Kurtz’s mistress. The narrator describes the European woman as being calm and mature, and the African woman as being “savage” (341 Norton). Even though many writers claim that Marlow is kind to the Africans by bringing light to their situation, the real problem does not lie in his description of their situations, but his descriptions of the people themselves (30 Heart of darkness Interpretations).

He uses derogatory and offensive remarks that devalue people of color and make them out to be savages. Chinua Achebe, a well-known writer, talked about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad "set Africa up as a foil to Europe,"(Achebe) while he also "projects the image of Africa as “the other world”. Africa is said to be a “prehistoric” world. Conrad described this land as non-advanced and inferior to the western countries.

Joseph Conrad often mocked the African peoples. In his novel, Heart of Darkness, he referred to the African people as “savages” and used strong language that looked down upon them. Conrad describes a passing native, “They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages.” Conrad depicts the Africans in very vivid descriptions and uses negative language with an almost disgusted tone. He sees the Africans as inhuman, feels they are not civilized, and believes himself to be far more superior than them. Conrad does not bother to try and understand their culture or language. He insults their language and believes it is merely just incomprehensible grunts. Conrad remarks that looking at an African “was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind legs.” The comparison he uses is very insulting to the African people and so degrading that Conrad found an African working as so surprising. He was taken away that an African could be civilized and Conrad was just mocking the natives. By using such cynical language, Conrad changes what the readers think of Africans to become negative. This view of African peoples from Conrad contrasts Achebe’s perspective of African peoples and their lives which was more influenced by his own race, culture, and beliefs just as Conrad’s novel was.

looked at a map of it in a shop window, it fascinated me as a snake

In “An Image of Africa”, Chinua Achebe comes to the bold conclusion that Joseph Conrad “was a bloody racist” (788), with his discussion centering primarily on Conrad’s Heart of Darkness as a racist text. Achebe’s reasoning for this branding rests on the claims that Conrad depicts Africa as “a place of negations at once remote and vaguely familiar in comparison with which Europe 's own state of spiritual grace will be manifest” (783), that Africans in Heart of Darkness are dehumanized through both the characterization of individual Africans and the Congo as a setting, and finally that Marlow is no more than a mouthpiece for Conrad’s personal views on race and imperialism. However, Achebe makes critical oversights and contradictions in the development of each of these argumentative pillars, which prove fatal to the validity of his overarching contention. This should not be construed, though, as a yes-or-no assessment of whether Conrad was a racist outside of what his written work suggests—Achebe himself has “neither the desire nor, indeed, the competence to do so with the tools of the social and biological sciences” (783)—but as an assessment of claims specific to Heart of Darkness and their implications for Conrad’s views and attitudes.

In Chinua Achebe’s essay, “An Image of Africa: Racism in Conrad 's Heart of Darkness,” Achebe purports that Joseph Conrad’s short story, Heart of Darkness, should not be taught due to it’s racist caricature of Africa and African culture. In Conrad’s book, Marlow, a sea captain, is tasked with venturing into the center of the Congo, otherwise known as the Heart of Darkness, to retrieve a mentally unstable ivory trader named Kurtz. Marlow narrates his adventures with a tinge of apathy for the enslaved Congolese who are repressed beneath the foot of the colonizing Belgians. In Heart of Darkness, the Africans are reduced to “savages” and cannibals with little or no moral values. It is Achebe’s argument that due to these characterizations, it is an abomination that Heart of Darkness be continued to be taught. Despite Achebe’s vehement opposition to the teaching of Conrad’s novel, academics should not only continue to teach Heart of Darkness in a lyrical sense, but also a historical one.