Who Is The Antagonist In Room By Emma Donoghue

The isolation that comes with crashing on a deserted island affects all the characters, seen most dramatically through Jack. Being brought into this setting transforms the civilized choir leader into a savage hunter and murderer who’s given into his inner demons. When the boys first crash land onto the island, they were proper English schoolboys. Due to the separation from society, however, the boys start to regress, giving in to their more animalistic instincts. Jack starts off as the ‘‘chapter chorister and head boy’” who tries to take leadership of the tribe the boys form; he fails to do so, turning him away from order and reason (Golding 22). He neglects his duties and turns his attention to hunting the native pigs, prompting him to let the fire, their gateway back to society, go out; this pits Ralph against Jack, who represent civilization and savagery

Throughout history, women have struggled to be seen as equals and have had to fight for their freedom from the roles society placed upon them. Kate Chopin and Charlotte Perkins Gilman both use their literary works to show the challenges women went through, and how they battled for the freedoms they desperately wanted. “The Yellow Wallpaper” is a short story about a woman that goes to a summer home to rest and get well under the supervision of her husband who is also a physician. Her husband decided it would be best if she sat in a room alone and did nothing. In the end, she becomes insane and finally finds her freedom. “The Story of An Hour” is about, Mrs. Mallard, a woman who has just found out her husband has died. Mrs. Mallard

Also, we can relate the woman in the wallpaper to the narrator because she is free to do what she wants because John is not there, but during the night she is locked up in her room much like the woman in the wallpaper. These circumstances in which the narrator was put under during the late 1800's would not have been an oddity, and therefore I believe many women just as the narrator did would have had problems go undiagnosed.

Jack’s fear shows the reader that not only can someone have an emotional and dangerous response to it, but it can also be used to manipulate someone for his pleasures. As a kid, Jack, feared and hated his father and loved his mother. He feared whenever his psychopathic father would bring and beat his mother in the basement. The tables turned when a deep sense of realization switched into the psyche of his mind, he ended up loving the beatings and craved the cause of fear towards his mother. His innocence is lost and is refined into the mind of a psychopath, “ The knowledge that the father could instil such terror into another human being turned the boy’s fear of him into admiration and he began to emulate him. Soon,

While, the narrator refers to the room as a nursery, the circumstances suggest that the room was really used to “treat” women like the narrator from similar illnesses. The room has a bolted down bed that “is fairly gnawed” (Gilman 517), which the narrator bites a piece off of in frustration, suggesting it was under similar circumstances that the bed came to be gnawed. Therefore, the narrator’s creeping inside the room is the only way for her to be part of society, as in the room she can “creep smoothly on the floor, and [her] shoulder fits... so [she] cannot lose [her] way” (Gilman 518). She has to suppress and hide her true self in front of others, even her husband, as many women had to during those times.

She is also forced to stay inside that room for every part of the day and she is not allowed to express her creativity in any shape or form. "The Story of an Hour" is very similar to this, but contains many differences. It's like the other story in the way that the main character is in a room by herself, but she was not forced into the room, and she could leave if she wanted to. It's also similar in the way that she wants her freedom. However freedom is different from the other story .The woman wants to actually be free and be able to live her own life.

Identity can be defined as the fact of being whom or what a person is. Internal and external factors shape a child’s concept of their own identity. These factors include the environmental setting, family, community, and the media. In the novel Room by Emma Donoghue, the 5-year-old narrator/protagonist Jack learns his identity through exploring the familiar space he occupies, the close relationship between he and his mother, and watching television. It is clear that Jack faces many challenges, which lead him to discover how his identity is shaped; this is evident through the exploration of him forming personal attachments to his mother, the room he lived in, and the problems he encounters to the new outside

Jack wasn't the kind of writer that thought things would just come to him if he decided to sit and wait. He knew the best stories came from the worst situations. Some might say that he made bad decisions and ended up in the wrong places or that he could do so much better. What they did not realize is that he is the one that chose to do those things and live in those kinds of places, he loves it. That is the kind of lifestyle that he wanted to live. Often he spent the night at run down hotels or apartments where most people would not even think of spending the night at. In his mind they were cheap, everyone watched your back, and looked the other

            In order to treat this "temporary nervous depression," John isolates her from society and orders her to do nothing but rest.  He even becomes upset when she wishes to write, causing this story to be "composed" of writings she manages to do in secret.  John places her in the attic of the mansion, like a dirty secret, in what she believes to be a former nursery.  There is, however, strong evidence that the narrator is not the first mental patient to occupy the room.  There are bars on the windows, gouges in the floor and walls, and rings fastened to the walls; the bed is bolted down and has been gnawed on, and the wallpaper has been torn off in patches.

In the end of the novel, Jack’s frail mind caused from his extreme thirst for alcohol and his abusive childhood from his father end up being his inevitable downfall. Jack’s mind becomes completely filled with hatred for his family and the yearning for them to suffer, he becomes blinded with rage. The reader’s begin to root for Wendy and Danny as they escape Jack’s grasp; leaving behind the exploding remains of the Outlook Hotel and a once beloved member of their family.

At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.

In the beginning of the book you are introduced to the antagonist Jack , who is in the middle of killing the

In Kate Chopin’s “The Story of an Hour”, Louise Mallard is caught in a cold marriage and a constrictive house. The same goes for Sarah Penn in Mary Wilkins Freeman “The Revolt of “Mother.’” Despite the fact that both stories share the topics of imprisonment and control, physically and inwardly, the ladies in the stories have diverse responses to their circumstances. Sarah battles the confinements without holding back, taking her opportunity, while Mrs. Mallard adopts a motionless strategy and is just liberated through the death of Mr. Mallard.

Donoghue uses personification to create a representation of freedom, Jack personifies the objects he sees in room. Jack is limited in his social interactions having only ever seen two other people in his life. He personifies all of his inanimate objects, making them come alive to compensate for his lack of social interaction. Donoghue writes the names of the furniture with a capital letter when Jack is talking to highlight that he has given these objects a name. Having never seen more than one of most of the objects in Room, he talks about them as if they are the only one in existence. Donoghue does this by leaving out the word the when he addresses them, making each word seem like a name. When Ma talks she doesn’t do this because she knows

We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison. Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story but give significance as well. The Point-of-view brings a powerful perspective for the audience, while the setting and