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What Is The Irony In The Secret Life Of Santiago

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For eighty-four days, old Santiago has not caught a single fish. At first a young boy, Manolin, shared his bad fortune, but after the fortieth luckless day, the boy’s father tells his son to go in another boat. From that time on, Santiago works alone. Each morning he rows his skiff out into the Gulf Stream, where the big fish are. Each evening he comes home empty-handed.

The boy loves the old fisherman and pities him. When Manolin has no money of his own, he begs or steals to make sure that Santiago has enough to eat and has fresh baits for his lines. The old man accepts his kindness with a humility that is like a quiet kind of pride. Over their evening meals of rice or black beans, they talk about the fish they had caught in luckier times or about American baseball and the great Joe DiMaggio. At night, alone in his shack, Santiago dreams of lions on the beaches of Africa, where he had gone on a sailing ship years before. He no longer dreams of his dead wife.
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After leaving the smell of land behind him, he sets his lines. Two of his baits are fresh tunas the boy had given him, as well as sardines to cover his hooks. The lines sink straight down into deep dark water. As the sun rises, he sees other boats in toward shore, which is only a low green line on the sea. A hovering man-of-war bird shows him where dolphins are chasing some flying fish, but the school is moving too fast and is too far away. The bird circles again. This time Santiago sees tuna leaping in the sunlight. A small one takes the hook on his stern line. Hauling the quivering fish aboard, the old man thinks it a good
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