Analysis of the Poem “Black Mood” by Rosália De Castro According to the Columbia Encyclopedia, Mariá Rosália De Castro was a very important representative of the Galician poetry romanticism and if we add the fact that she was a women and a mother of seven children, one would expect her poems to be gentile and delicate (PoemHunter.com). However, the choice of words and the emotions that these words create in a reader are powerful, sad, mysterious and overwhelming. There is a certain degree of heaviness, darkness and sadness that echoes throughout the whole song. The only softness in this song is the one that is produced by the sounds of the words. In the original song it is the soft rolling of the characteristic Spanish (Galician) “R” – sombra, …show more content…
First of all, children are those who hover around mother’s bed and taunt, but it could also mean that the poet was having nightmares about her lost child at night, while lying in her bed. Secondly, the whole poem is charged with too much of the pain and suffering to be connected with any kind of sexual drive. The desperation that can be so easily detected is less likely to be a result of being apart from her husband; it is more probable that she felt that way after losing all the laughter, love and happiness of her child after he died. Lastly, the Electra complex argument that is so often attached to this song could allude to the fact that she was a one desperate woman in fear of losing her beloved husband - her guardian. However, this premise can be easily refuted by the fact that Rosália De Castro was most likely feeling pretty loved by her husband who helped her raise the seven of their children. She was also ahead of her time, because she was the first notable poet within the Galician poetry era after the 13th Century. Although she was relatively poor and died from uterine cancer at the age of 48, nevertheless she was a devoted fighter for women’s rights and a very powerful persona; bearing in …show more content…
She wrote some powerful and emotionally charged poems without the necessity of using the end-rhyme. As Girardo said, she made quite of contribution to Spanish and Galician literature – her soft and melancholic words, enriched by the “crescendo” rhythm patterns and a simple assonance rhyme make her audience tremble while reading her poems (Oram, 96). She was opened enough to see that even the death was not an obstacle to feel and express her deep feelings of love and devotion for her son. Rosália De Castro thought that the life would be empty if we adhered to the logical reasoning only. It is love that is able to transcendent all the physical barriers and makes us strong enough to cope with the harsh reality. Although Gerarld Brenan was close to call Rosália De Castro a hysterical women, because of her tendency to leave no space for a reader to rest/pause for even a bit between her lines and her overall propensity to go from one extreme emotion state to another, we can, nevertheless conclude that she left quite an impression on him too - enough of impression to write about her poetry (Oram,
Poetry has a great influence in the people emotions. The Julia Alvarez’s works are topics about humanity quotidian life. How they resolve their problems, joys, and challenges. She shows to readers the family’s home settings making sense of the real life. “Ironing Their Clothes” is a wonderful poem written by Julia Alvarez.
Martirio once had a man interested in her but that opportunity was snatched away from her by Bernarda. On page 191 Poncia says, “Martirio is lovesick, I don't care what you say. Why didn't you let her marry enrique Humanas? Why, on the very day he was coming to her window did you send him a message not to come? And Bernarda responded, “... My blood won’t mingle with the Humanas’ while I live!” This is an example of how different Martirio’s circumstances were from Adela and Angustias. Martirio was repressed from her desire for freedom from her mother and became jealous when her sister’s were not denied in the same way. These two themes lead the characters to believe that escaping one prison will make them free, only to be confined to another. This is the situation the women in the play recognize as a inner conflict. An example of this is on page 169 when Amelia says, “These days a girl doesn't know whether to have a beau or not.” Additionally, On page 208 Adela says, “ I can't stand this horrible house after the taste of his mouth. I’ll be what he wants me to be.” This quote shows how the girls view men as an escape from their sheltered home. Men represent freedom as well as repression. For Example, On page 169 it says “... Her sweetheart doesn't let her go out even to the front doorstep.” This shows us that Bernarda’s daughters realize if they stay at home forever, they will be controlled by their mother,
Poetry is often used as a form of writing to express emotions or tell a story. The poems “LA Nocturne: The Angels”, by Xavier Villaurrutia and “Meditations on the South Valley: Poem IX” by Jimmy Santiago Baca, are two distinctive poems. In Baca’s poem he expresses the disbelief and the sorrow of the death of a boy named Eddie. While, in Villaurrutia’s poem reveals an expression of secret desire men have. Baca and Villaurrutia’s poems, both use repetition, imagery and metaphors in their poems to convey their message.
This essay will be going through the different types of love, and the power that they wield. Throughout the novel, different characters hold different powers of love. First, Clara’s love towards Ferula and Pedro Segundo will be discussed. And second, Esteban’s obsessiveness with Clara will be looked at closer. The bonds of love are stronger in relationships that aren’t acceptable compared to relationships that are acceptable in society.
The word romance in English is defined as intimate or affection but it is not in the poem. In the English version towards the end of the poem the man, “on the instant cut the flower wrung blood from the milk”. There is no clear indication if Guadalupe was involved. Another thing that is unclear from this portion from the poem is the “wrung blood from the milk”. There could be many different meanings: could mean that she bled when he penetrate or could be a metaphor for her innocents being stripped away. Thirdly, there is lost in translation from the English version is contempt that might not transfers. When Guadalupe was found her mother, “and at the sight took a handful of salt from her pouch to throw over her shoulder”. It is an old wise tell that in order to get rid of a bad omen some Hispanic culture sees as getting rid of bad fortune or omen. Works that are translated tend to lose some of it meanings or a pattern of phonics that the reader might not
She'd lived too long to be talked to like a young girl. Nobody told her what to do or how to live anymore, not a daughter who lived more than three hundred miles away and not some cabrón who left banana peels on her floor” (Casares 2). It Shows Mrs. Perez not anting being control, after her husband has been controlling her life was enough of it. She want to decide for her own self and live the life how she want
In lines 8, 9, and 15, the girl repeats the word die which symbolizes the girl’s anxiety and fears about life. However the poet’s word choice symbolizes the emotional aspects of the speaker. The final lines of each stanza “and momma’s in the bedroom/with the door closed” (line 10, 11and line 32, 33) is repetition and symbolism. These lines symbolize the teens’ feelings of neglect, abandonment, vulnerability. A bedroom is usually a place for resting, but the detail that the mom is always inside with the door closed could symbolize absence or death. These lines also symbolize the girls’ desire of guidance from her mother and hope that her mother will come to her rescue. The lack of her mothers’ guidance causes the girl to struggle in society. These lines also stress the importance of the role parents have in adolescents
Rafaela, a beautiful, young girl, feels controlled by her husband, but sits inside doing nothing to change his undermining demeanor. Equally important, Rafaela 's husband is afraid of losing Rafaela 's beauty to the outside world and feels he has authoritative power over her to prevent this from occurring. Rafaela’s beauty intimidates her husband 's sense of power. Since her beauty threatens her husband, he locks her indoors to strip her from her freedom and show his dominance over her. The quote states that Rafaela leans out her window a lot, which creates the thought that she wants to go outside and explore the world. Rafaela’s husband is afraid of losing her because her beauty is so powerful that he uses male power to restrain her. Rafaela can ultimately deny her husband 's orders and go outside, but she chooses to cower to his authority by staying inside. Similar to Rafaela, Esperanza’s grandmother was an independent woman, strong and proud: “Until my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier...She looked out the window her whole life, the way so many women sit their sadness on an elbow. I wonder if she made the best with what she got or was
The narrator states that “it was [Maria] who did away with my generation’s virginity” (65). Garcia Marquez uses a hyperbole to portray how crucial Maria Cervantes’s contradictory role is in the men’s lives. She embraces her sexuality and is very open. In addition she also “taught [the men] much more than [they] should have learned, but she taught us above all that there’s no place in life sadder than an empty bed” (65). She reinforces the idea that sexuality should not be repressed because that would only bring on loneliness and despair. She recognizes the “disorder of love” that the townspeople live with because of repressed sexuality. The narrator describes Santiago Nasar’s passionate relationship with Maria Cervantes. He describes their relationship like “a falcon who chases a warlike crane” and that the falcon can only “hope for a life of pain” (65). The author uses a metaphor to compare Maria to a warlike crane in order to show her power and grace. The crane is a bird that stands tall and may look elegant and enticing but because Maria is “a warlike crane” she is able to stand up and fight for herself while still maintaining her grace. Another aspect of her independence would be that she stands alone in her battle against society. Garcia Marquez gives her these headstrong qualities to show how she follows her own path and goes against the town’s beliefs without showing any signs of stopping and to show that
In this poem, “Under the Feet of Jesus” the development of Estrella’s character consisted of many conditions. She went through several stages as in anger, curiosity, realization, and happiness. Estrella is going through all these different mood changes because she notices different events in her life. Her character’s literary element is tone. Here are some reasoning’s on why this theory is said.
Furthermore, the poem is a villanelle, meaning it consist 19 lines with five tercets and a final quatrain. The decasyllabic rhythm maintains the steady beat of a joint chant and a prayer. It also includes intricate rhythm scheme and two refrain lines that gets repeated over and over again throughout the poem. The echo in the refrain: “do not go gentle into that good night” magnifies the theme of the poem, which is courage and strength in the face of death (1). The repetition of the line also shows the poet’s imploring tone, as he earnestly pleads his father to live and fight as long as possible. From stanza two to stanza five, the speaker describes the valiant and praiseworthy behavior of many types of exemplary men— “wise men/ good men/ wild
The first stanza begins with a fear: the fear that “your history… [will] be stripped down to the anatomy,” or the fear that others will simply ignore what lies within women and instead skip to skimming over the individual, seeing them as only a body rather than a person capable of endless possibility. Martinez, in realizing this vulnerability,
Love takes on a mighty symbolism in the story, “Death and Transfiguration of a Teacher”, by Maria Teresa Solari. In the text, the main character is a teacher who has a magnificent passion for poetry. “She often talked about poetry. She tried to explain the power of poetic utterance”
There was a frequent reference to “a poet” whose work was widely respected in this novel. The Count de Satigny (who was Esteban Trueba’s ‘suitable’ choice of a husband for Blanca) referred to the work of the poet as “the best poetry ever written, and nothing could compare to it”. When Jaime and Nicholas became adults, the poet became more widely accepted as Clara had formerly predicted the first time she heard him recite in his ‘telluric voice’ in one of her literary soireés. It was evident that the poet lived and wrote about the right of the citizens to live their lives the way they wanted to, making their own decisions and expressing their own opinions without being controlled. For this reason, the funeral of such a poet became “the symbolic burial of freedom”.
At the mere age of seventeen, Pablo Neruda wrote ’Twenty Love Poems and a Song of Despair’ and it has since become one of his most famous collection of poems. Once, in an interview, Neruda stated that he could not understand “why this book, a book of love-sadness, of love-pain, continues to be read by so many people, by so many young people” (Guibert, 2015). He also mentioned that “Perhaps this book represents the youthful posing of many enigmas; perhaps it represents the answers to those enigmas.” (Guibert, 2015). Neruda was one of the first poets to explore sexual imagery and eroticism in his work and become accepted for it. Many Latin-American poets had attempted the same, but failed to become popular with their critics. He merges his own experiences and memories with that of the picturesque Chilean scenery to present a beautifully poetic sense of love and sexual desire. The collection hosts quite a controversial opinion, however, amongst critics and readers alike, with the risqué themes running throughout the poems. Eroticism being one of the most evident and reoccurring themes.