The short story “Where are you going, where have you been,” which is written by Joyce Carol Oates, it tells about a fifteen-year-old beautiful girl Connie, who has annoyed by her family conflict because of her un-satisfy-mother and barely-talk-father, she pretended to be like matureness, so she spend her time to hang out with older boys to prove herself. Once Connie was captured attentions of a strange older man Arnold Friend, and was threatened by him in front of her house, Arnold ultimately peeled herself away from her illusions to the reality. By constructing and describing Connie’s psychological descriptions, Orates has shows the vivid picture of the process of a naïve girl from satisfy the illusion which made by herself, to the reality which she really had never seen before, and Connie’s issues with her family, her social life, or even the part that she could not escape from, come to make this fifteen-year-old beauty failed to be mature, force to experience what is the real reality, and force to admit her destiny.
From the beginning of the story, the
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However, there is no such an evidence to show that Connie is interested in any of these guys, or there is such a boy she would spend time more than one night. Meanwhile, there is an odd phenomenon that as the need for the story, Oates even does not mention Connie friends’ name. “She and that girl and occasionally another girl went out several times a week, and the rest of the time Connie spent around the house…” It feels like Connie is the character who is actually far away from the reality and cannot build a good friendship with other girls, or even looks like lives in her own world by own, which means whether she wants or not, there is no such a thing could make her feel really
Where there is desire, there is hope, despair, and struggle. Joyce Carol Oates illustrates animatedly the asphyxiated struggle of desire in her short story “Where Are You Going, Where Have You Been?” The story narrates the life of a young girl, named Connie, and her fated and enigmatic confrontation with a strange man. Feeling trapped in her own home with her own family, Connie, a self-conscious and rebellious teenager, tries to figure out a way to identify herself with the world around her. Her desire of escaping the reality fuels her struggle to enter adulthood. Through the physical form of Arnold Friend, who embodies both the hope and the despair in Connie’s struggle, the author metaphorically portrays a vigorous and psychological pressure that Connie has to endure. The story is scripted to allude to the danger of identifying oneself through sexuality in young girls. To better understanding this cryptic story, it is important to follow the psychological processes and conflict of Connie’s character, which help unveil the allegorical meaning of a young girl’s rite of passage through sex.
boys to live out her childish delusions of romance and allows herself to be swept away by this
In spite of the way that Connie tries to show the nearness of being a created woman who has learned about men, her involvement with Arnold reveals this is only an execution. She has made an engaging grown-up personality through her dress, hairstyle, and general direct and gets the thought she hopes for from young fellows. Regardless, Connie dumbfounds her ability to summon thought from young fellows with her longing to truly have
her household she resorts to outside sources, making herself a victim to boys, which creates a
Adding on to that, Connie’s shortfall that rock music has molded her has come to light when Arnold Friend gives sexual advances to her. Joyce Carol Oates shows this by writing, “It was the same program that was playing inside the house. “Bobby King?” she said. “I listen to him all the time. I think he’s great.” “He’s kind of great,” Connie said reluctantly.” “Listen, that guy’s great. He knows where the action is.” (p.3-para.2). This shows how Connie feels shocked that Arnold was also listening to the same music as she was when she was inside the house last time. Since she was incompetent in realizing how teenagers interpret the music than adult figures, Connie is vulnerable when Arnold threatens her to come to him because of the rock music that is being allotted to teenagers. To sum it up, the sexual song lyrics and the image of rock music that is normally played and embraced in the American culture has influenced Connie, a teenager, physically and mentally; therefore, she is taken advantage of by Arnold because of her immaturity and youth.
The encounter that Connie experiences with Arnold Friend involves a series of events that would lead someone to believe that he in fact was a figment of her subconscious, or a nightmare. Before their rendezvous, Connie had been sitting “with her eyes closed in the sun”, daydreaming (29). This is the first clue Oates presents the reader to show that Connie falls asleep. In addition to this, when Connie “opened her eyes she hardly knew where she was” (29). When a person is involved in a dream, it is common that they
Connie, the protagonist of “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, is a character who goes through a traumatic experience in her life. Her encounter with the antagonist, Arnold Friend, permanently changes her selfish innocence and challenges her way of thinking. With an unsupportive family and shallow friends, Connie lacks a strong moral foundation and is self-absorbed. Connie’s character, by the end of the story, changes through her encounter with Arnold Friend. Connie transforms from a selfish, shallow character to one of self-awareness.
The late 1950s was a time of cultural revolution which had a large influence on the American youth. “As the next decade drew near, issues such as civil rights, war, women 's rights, and the sexual revolution would deeply affect many American teenagers. The conservative family values and morals that predominated in the 1950s were just beginning to be challenged as the decade came to a close” (Moss and Wilson 3). As a result, many teenagers lost the conservative morals of the 1950s and became more independent. In “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie represents the result of this cultural revolution. Criticized by her mother for her promiscuity, Connie is an independent girl who often hangs out with her friends trying to attract boys. In doing so, she attracts a sexual predator named Arnold Friend who visits her at her home to try to get her to leave with him to presumably rape her. At the end of the story, Connie chooses to go with him. Connie gets into this dangerous situation because of a mistaken belief on her self-worth, the loss of morals by her and the adults in the story, and the influence of the 1960s popular music. Looking at “Where Are You Going, Where Have You Been?” through the historical and feminist lenses, suggests that the story is really about how the misconceptions on self-worth and the diversion of 1960s society from
Adolescence, the part of life we are most willing to forget. The awkward years of being stuck between, not yet an adult but certainly not a child. These years, however awful they maybe, are essential to the character that later develops. During adolescence we make decisions that shape the course of our life, from the personal interactions between friends and family to the academic decisions that impact future career, choices you make as a young adult impact you forever. Partially due to the importance of these short few years, it is not surprising how often children can make poor choices that derail their entire life. Increasing at startling frequency, these stories foretell of a dismal future. Due to this cautionary tales of adolescence have been rising in pop-culture. One of these is “Where are you going? Where have you been? By Carol Joyce Oates. This story tells of Connie, a young adult trying to make the leap to adulthood. Connie in her attempt to breach the gap ends up in drawing attention of Arnold Friend sealing the fate of her poorly executed coming of age. Connies ill fated coming of age in “Where have you been? Where are you going?” by Carol Joyce Oates acts as a cautionary tale about modern perils of adolescence.
Many people live life in a “fantasy world” and sometimes when they dream, that fantasy could end up like it is really happening. In the short story,Where Are You Going, Where Have You Been by Joyce Carol Oates there is a likely chance that Connie’s encounter was a dream. Through further analysis it is revealed that Joyce Carol Oates’ short story is merely a dream in which Connie’s odd wish is fulfilled, all of which is achieved through setting, characterization, and plot.
During the conversation between Connie and Arnold Friend, she experiences a dramatic moment so intense that it cannot be avoided or ignored. Her attempt was creating a sexy appearance and fascinating the boys in the local diner delivers as her experiment to analyze new fields as well as a new side of herself. However, until Arnold comes into the story, her expeditions have always been closed into security. She may go into an dark alley with a boy for a short period, but no matter what happens there,
The teenage rebellion, which most of people experience during the puberty, always worsens the relationship between parents and children. Written by Joyce Carol Oates, the short story “Where Are You Going, Where Have You Been?” describes the condition and consequence of a family whose child is rebellious. Through the characterization, plot, and dialogue, Oates successfully exhibits the thesis that Connie’s bad ending is the consequence of her parents’ attitude and actions.
The teenage rebellion, which most of people experience during the puberty, always worsens the relationship between parents and children. Written by Joyce Carol Oates, the short story “Where Are You Going, Where Have You Been?” describes the condition and consequence of a family whose child is rebellious. Through the characterization, plot, and dialogue, Oates successfully exhibits the thesis that Connie’s bad ending is the consequence of her parents’ attitude and actions.
The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's
There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end