Who Is Alfred Stieglitz

Alfred Stieglitz By Jennie Ivey Professor Miller ART 3010 07 Sep 2016 Alfred Stieglitz: Pioneer of Modern Art Photography Alfred Stieglitz was an American Photographer who was the pioneer of the Modern Art movement in photography. Stieglitz career began with his work of

The Alfred Stieglitz Collection of Modern Art in the Van Vechten gallery at Fisk University accurately represents the modern art movements within the United States and Europe. European artists like Pablo Picasso, Paul Cézanne, Gino Severini and Renoir are featured in the exhibition. American artists like Marsden Hartley, Florine Stettheimer and Charles Demuth have pieces displayed as well. One can surely witness the differences and effects of European modern art on American artists and their work

Brennan Art 131 December 5th, 2016 Georgia O'Keefe Georgia O'Keeffe is an American artist, who lived during American Modernism (“Georgia O’Keeffe”). She inspired many artists throughout her time and even after. She liked to use landscapes and architecture as subject matter (“Georgia O;Keeffe”). The historical context is significant during the time. Her style and type of artwork are very specific to who she was as an artist and a person because she loved the outdoors and beautiful landscapes. I

According to Encyclopedia of World Biography ‘’ about her interest in art, which became ,as he says, his own’’ and we could read from the same reference ‘’it was his mother who shaped the man himself and the verse he actually created’’. At the first time, William became fascinated by visual art and was concerned in shapes and objects while he was observing his mother during

Eyck O'Keeffe, Anita Ten Eyck Young, Alexis "Tex" Wyckoff O'Keeffe, Catherine Blanche O'Keeffe; and Claudia Ruth O'Keeffe. At a young age, she was encouraged to take art lessons from Sara Mann, a local artist, who taught her how to use watercolours. She married her mentor, Alfred Stieglitz in 1924. They lived in New York, though O’Keefe frequently visited New Mexico to paint the landscape. She took up permanent residence in Taos, New Mexico after her husband’s death in 1924. When she got older, she

Georgia O’Keeffe was born on November 15, 1887. She grew up in Wisconsin with her father and mother, Francis Calixtus O’Keeffe and Ida Totto, and her 6 siblings. Throughout most of her childhood, she became curious about the world and developed an eager interest in art and becoming an artist. Art was always in her life because her grandmother and her two sisters always leisurely painted as well. She continued to follow her curious wonders about art at Sacred Heart Academy. By the age of 15, Georgia

Georgia O'Keeffe was a famous American artist who was born on November 17, 1887 in Sun Praire, Wisconsin. She studied at many art schools, including the Art Institute of Chicago, before dramatically changing her art style from representational to abstraction in 1915. Her highly abstract paintings were shown to her future husband, Alfred Stieglitz, and they were put on display at his world famous 291 gallery in New York City the next year. By the mid-twenties, she was one of America's most important

moved to New York, which exposed her to new artistic styles. Soon after, O’Keeffe attended additional art classes influencing her artistic expressions once more. Her drawings eventually caught the attention of Alfred Stieglitz in January 1916, who would later become her husband. Stieglitz and O’Keeffe inspired each other in both their respective fields of work. During the mid-1920s, O'Keeffe was recognized as a prominent American artist, specifically being known for her paintings of architectural

Georgia O’Keefe (word count includes annotated bibliography) Georgia O’Keefe is a famous American painter who painted beautiful flowers and landscapes. But she painted these images in such a way that many people believed she was portraying sexual imagery. “O’Keefe’s depictions of flowers in strict frontality and enlarged to giant scale were entirely original in character . . . the view into the open blossoms evoked an image of the female psyche and invited erotic associations.” (Joachimides 47)

Photography generated a sentiment of art because it could stop time in a single frame. “The best thing about a picture is that it never changes, even when the people in it do.” (Warhol, 1975)  was something stated in Andy Warhol’s loosely formed autobiography. A perfect example of this is the series of prints that were taken by Eadward Muybridge in the 19th century, called The Horse in Motion (Fig 9). These photographs were taken to prove that the horse fully left the ground when it ran. This displayed