Who Is The Symphonie Fantastique?

Symphonie Fantastique Hector Berlioz, the French composer wrote a symphony “Symphonie fantastique” in 1830. “Symphonie fantastique” was the program music of the Romantic period. Program music is a piece of music with the story to tell. So, the composer showed his soul to the audience by telling his love story. As a result, it became one of the most important pieces of the early Romanticism. I find this symphony unusual and exciting because of its history, each movement’s topic, and the Idée fixe

During the Romanic period, there were many advances in regards to instrumentation, and the size of a typical orchestra increased in size and range, adding in more instruments to the wind, brass and percussion sections. Symphonie Fantastique, by Hector Berlioz, was no exception, and was written for an extensive orchestra of 220 players, including, piccolos, flutes, oboes, horns, clarinets, bassoons, cornets, trumpets, trombones, tuba (or ophicleides), timpani, bells, a wide variety of percussion,

Mainly, it was noticeable during Berlioz’s Symphonie fantastique: 4th and 5th Movement. It only lasted for a couple of seconds and it was meant to add a little touch of special effects. If someone ever asked me to identify what instrument makes a sound like that, I would definitely never guess that contrabass has such an

The concert is Berlioz’s Symphonie Fantastique, performed by The Chicago Symphony Orchestra, conducted by Stéphane Denève, recorded in high definition at Orchestra Hall in December 2013. Symphonie Fantastique composed in 1845, by Hector Berlioz (1803–1869), is a program symphony; a five movement orchestral work that tells the story described by the CSO (2013) “as a purely musical melodrama”, a colorful illustration of the life of an artist, “replete with unrequited love, witches, guillotines and

Hector Berlioz's Symphonie Fantastique Hector Berlioz wrote the Symphonie fantastique at the age of 27. He based the program on his own impassioned life and transferred his memoirs into his best- known program symphony. The story is about a love sick, depressed young artist, while in his despair poisons himself with opium. His beloved is represented throughout the symphony by the symbolic idee fixe. There are five movements throughout symphony. The program begins with the 1st movement: Reveries

practices. Programme Music During the Romanic period, there were many advances in regards to instrumentation, and the size of a typical orchestra increased in size and range, adding in more instruments to the wind, brass and percussion sections. Symphonie Fantastique, by Hector Berlioz, was no exception, and was written for an extensive orchestra of 220 players, including, piccolos, flutes, oboes, horns, clarinets, bassoons, cornets, trumpets, trombones, tuba (or ophicleides), timpani, bells, a wide variety

The third movement is entitled Scène aux champs, or “scene in the fields.” This pastoral setting alludes to Beethoven’s Am Bach from his sixth symphony, although with less serenity as Berlioz creates a “mood of sorrowful loneliness.” The piece is, like the second movement, in ABA form, with the idée fix attached at the end as a coda. The movement begins “with an echo from Berlioz's childhood: the sound of a cowherd's melody. Berlioz uses the huge orchestra to create the sense of suspension of time

11, 1803ㅡdied March 8, 1869) is deemed one of the greatest who, “...[contributed] to the modern orchestra with his Treatise on Information.” His mental state and life shaped a composer who had such a raw, creative sound that is reflected prominently in his works, such as Symphonie fantastique and La Damnation de Faust. During the age of where he was to attend school, France was at war and as a result he had to be taught by his father who first introduced the young boy to music, which I think was

Malina spoke about the composer Gabriel Faure Requiem for the soprano and baritone soloists, chorus and orchestra op.48. As the music began I notice that everyone in the orchestra was wearing black except for the soprano soloist (Ashely Milanese) who wear a beautiful turquoise blue. The stage was huge and the choir and orchestra took up the entire stage. I also notice a pipe organ in the middle of the stage. The two-soloist stood right next to the conductor when they sang. Jonathan Hays sang it

well-known works of famous composers such as Camille Saint-Saens, Modest Mussorgsky, and Berlioz. The three pieces that are the most memorable in my mind are “Overture to La Cenerentola”, “Là ci darem la mano”, and “March to the Scaffold” from Symphonie Fantastique. Beginning with the first piece called “Overture to La Cenerentola” composed by Gioachino Rossini in 1817. It was part of the Rossini 's version of the opera, Cinderella. An overture is used to capture the audience 's attention. It informs